101. Johanes Vermeer Art Prints On Canvas We feature a good selection of prints on canvas of beautiful art by Johanes vermeer from the world's museums and galleries http://www.giftxs.com/pr/pr140.htm

Home Sell Your Stuff PRINTS ON CANVAS WALL PLAQUES ... Contact Art Prints On Canvas VERMEER, Johanes Please e-mail us at info@arthbys.com for prices and availability The Little Street The Allegory Of Painting Girl With a Pearl Earring Lady Standing At a Virginal Girl Reading a Letter at an Open Window The Milkmaid The Procuress The Girl With The Wine Glass Woman With a Balance The Geographer Lady seated At The Virginals The Astronomer Diana And Her Companions Young Woman With a Waterpitcher Christ in the house of Martha and Mary Love Letter Mistress and Maid Officer And a Laughing Girl Girl With The Red Hat The Allegory Of Faith Woman In Blue Reading a Letter Don't see a particular masterpiece that you like? Simply ask. The images on our site are just a small sample. Chances are what you want will be among the thousands of prints in stock for you to choose from (over 260,000 different works).

102. Vermeer Clickable Map vermeer Clickable Map. Here are thumbnails of all the paintings of vermeer. Click on the map. Brought to you by Roy Williams Clickery http://www.cacr.caltech.edu/~roy/vermeer/thumb.html

103. CGFA- Jan Vermeer To Biography. Graphic Christ in the House of Mary Martha, 165455, National Gallery of Scotland, Edinburgh. 105KB Graphic Diana http://www.ibiblio.org/cjackson/vermeer/

The Milkmaid, 1658-60, Rijksmuseum at Amsterdam. 117KB The Glass of Wine, 1658-60, Staatliche Museen, Berlin. 129KB Woman and Two Men, 1659-60, Herzog Anton Ulrich-Museum, Brunswick. 104KB Girl Interrupted at Her Music, 1660-61, oil on canvas, Frick Collection, New York. 112KB View of Delft, 1660-61, oil on canvas, Mauritshuis, The Hague. 106KB The Music Lesson, 1662-65, oil on canvas, Royal Collection of Her Majesty Queen Elizabeth II. 138KB Woman Holding a Balance, 1664, National Gallery of Art at Washington D.C. 64KB Girl with a Pearl Earring, 1665, oil on canvas, Mauritshuis, The Hague. 101KB The Artist's Studio, 1665, oil on canvas, Kunsthistorisches Museum at Vienna. 105KB Young Girl with a Flute, 1666-67, National Gallery of Art at Washington D.C. 87KB Lady with her Maidservant, 1667-68, oil on canvas, Frick Collection, New York. 91KB A Young Woman Seated at a Virginal, 1673-75, National Gallery of London. 112KB Online Since 1996 Alphabetical Index Nationality/Time Index ... Artists

104. World Art Treasures:Vermeer Translate this page Biography, paintings and online puzzles of his work. http://www.bergerfoundation.ch/Vermeer/english/

105. World Art Treasures:Vermeer Translate this page http://www.bergerfoundation.ch/Vermeer/french/

106. Biograph vermeer VAN DELFT, Jan (b. 1632, Delft, d. 1675, Delft) His father kept an inn and was a picturedealer and vermeer very likely inherited both businesses. http://www.kfki.hu/~arthp/bio/v/vermeer/biograph.html

VERMEER VAN DELFT, Jan (b. 1632, Delft, d. 1675, Delft) Biograph Dutch painter. Among the great Dutch artists of the 17th century, he is now second in renown only to Rembrandt, but he made little mark during his lifetime and then long languished in obscurity. Almost all of the contemporary references to him are in colourless official documents and his career is in many ways enigmatic. Apart from a visit to The Hague in 1672 (to act as an expert witness concerning a group of Italian paintings of disputed authenticity), he is never known to have left his native Delft. He entered the painters' guild there in 1653 and was twice elected 'hooftman' (headman), but his teacher is not known. His name is often linked with that of Carel Fabritius, but it is doubtful if he can have formally taught Vermeer, and this distinction may belong to Leonaert Bramer, although there is no similarity between their work. Only about thirty-five to forty paintings by Vermeer are known, and although some early works may have been destroyed in the disastrous Delft magazine explosion of 1654, it is unlikely that the figure was ever much larger; this is because most of the Vermeers mentioned in early sources can be identified with surviving pictures, whilst only a few pictures now attributed to him are not mentioned in these sources - thus there are few loose ends. This small output may be at least partially explained by the fact that he almost certainly earned most of his living by means other than painting. His father kept an inn and was a picture-dealer and Vermeer very likely inherited both businesses. In spite of this he had grave financial troubles (he had a large family to support his wife bore him fifteen children, and she was declared insolvent in the year after his death).

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