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         Siddal Elizabeth Eleanor:     more detail
  1. Präraffaeliten: Dante Gabriel Rossetti, The Last of England, Hogarth Club, Elizabeth Eleanor Siddal, William Holman Hunt, John Everett Millais (German Edition)
  2. Elizabeth Eleanor Siddal, afterwards Mrs. Dante Gabriel Rossetti;: A monograph by William Michael Rossetti, 1903

61. UBC Archives -:An Inventory Of Their Collection At The University Of British Col
Series reflects her activities as a member of the Rossetti family as sisterto Frances Maria Lavinia Rossetti. elizabeth eleanor siddal 1861.
http://data.library.ubc.ca/spcol/servlet/EadXSLTServletV2?xml=Angeli-Dennis.xml&

62. Rossetti
Like his friend William Morris, he married the beautiful model for many of hispaintingsin his case, elizabeth eleanor siddal, who died of an overdose of
http://www.modjourn.brown.edu/Image/Rossetti/Rossetti.htm
Dante Gabriel Rossetti (1828-1882)
Contemporary Review in 1871 as "fleshly"and this in the era of Bouguereau. Like his friend William Morris, he married the beautiful model for many of his paintingsin his case, Elizabeth Eleanor Siddal, who died of an overdose of laudanum in 1862 and was the posthumous model (from memory, that is) for Rossetti's painting of Beatrice, the beloved of Dante. In a romantic gesture, Rossetti threw the manuscript of his poems into the grave when his wife was burried, but later repented and had his friends dig it up again. We always try to locate images of the specific works discussed in the journal. As you might expect, this is often impossible. Failing that, we seek out similar or typical work by the artist. The images in our archive are linked below. Blessed Beatrice (Elizabeth Siddal Rossetti) Sketch of Jane Burdon (who married William Morris) Paolo and Francesca (from Dante's Divine Commedy the image shows them reading and falling in love, and Virgil and Dante meeting them in The Inferno
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63. Alexa Web Search - Subjects > Arts > Art History > Periods And Movements > Pre-R
2); Artists S siddal, elizabeth eleanor (2); Artists S Solomon,Simeon (2); Artists S SpencerStanhope, John Roddam (2);
http://www.alexa.com/browse/categories?catid=113466

64. Victorian Women And The Visual Arts
eleanor Vere Boyle; Butler, Lady elizabeth (18461933), painter of military Thornycroft,Mary (1815-85), sculptor; siddal, elizabeth; Barbara Leigh Smith (Madame
http://65.107.211.206/victorian/gender/arts.html
Victorian Women and the Visual Arts
Artists and Sculptors
  • Allingham, Helen Paterson (1848-1926), watercolorist
  • Berkeley, Maud Tomlinson (1859-1949), amateur watercolorist
  • Bernhardt, Sarah [Henrietta Rosine Bernard] (1844-1923) (sculptor)
  • Blunden, Anna Elizabeth (Mrs. Martino), painter
  • Eleanor Vere Boyle Butler, Lady Elizabeth (1846-1933), painter of military subjects
  • Violet Brunton Cameron, Julia Margaret (photographer)
  • Evelyn de Morgan (1850-1919)
  • Margaret Giles (1868-1949), sculptor
  • Greenaway, Kate (1846-1901), illustrator of children's books
  • Jopling, Luise Goode (1843-1933), painter
  • Kemp-Welch, Lady Elizabeth (1869-1958), animal painter
  • Levick, Ruby (sculptor)
  • Jessie Marion King
  • Louisa, Marchioness of Waterford (1818-91), amateur watercolorist
  • Louise Caroline Alberta, Princess of Great Britain and Ireland, Duchess of Argyll (1848-1939), sculptor
  • Macintosh, Frances (1874-1921), designer, watercolorist
  • Macintosh, Margaret Macdonald (1865-1933), designer, watercolorist
  • Amelia Jane Murray, Lady Oswald (1800-1896) amateur watercolorist Mutrie, Annie Feray (1826-93), painter of still-life subjects

65. The Original Pre-Raphaelite Brotherhood
Model and artists elizabeth siddal, Maria SpartaliStillman, (models and wives DeMorgan, Anna Lea Merrit, John Methusela Strudwick,, eleanor Fortescue Brickdale
http://www.kyrn.org/shrine/about.html
main
O nce upon a time, in 1849, two young students at the esteemed Royal Academy in London shared a studio. These two men were William Holman Hunt and John Everett Millais . They became inspired by the words of John Ruskin ['go to nature in all singleness of heart'], and the poetry of John Keats (Hunts first picture for the Royal academy exhibition being painting on the theme from Keats poem The Eve of St. Agnes ). Another young artist, Dante Gabriel Rossetti (who had dropped out of the Royal Academy school) admired Hunt's picture at the exhibition and soon became a great friend of Hunt. Hunt and Rossetti drew up a list of personalities whom they deemed their ' immortals ' [William Shakespeare and such. . .] and affixed it to their studio wall. Searching for a purer form of art, [that was free from corruption pride and disease' -Hunt] they decided to return to the artistic traditions that came before Raphael and the Post Renaissance (hence the name Pre-Raphaelite). They saw the academic art that flourished in the Academy as "sloshy" [this refers to artists paying no attention to nature, and painting merely with the rules and techniques learned in the academies. The perfect example of this was the common scene of a nude on a beach. Why is she there? What is the context and story of this painting?] and nicknamed the founder of the academy "Sir Sloshua Reynolds". And so, in their enthusiasm to reform British art and they knew it [they would also exhibit their pictures with the initials P.R.B], the three men formed the Pre-Raphaelite Brotherhood and recruited four more members. Thus the

66. English Authors - R
Morris; The Discovery; elizabeth eleanor siddal; Algernon Charles Swinburne;Tennyson Reading Maud ; Sermon on the Mount; Study for the
http://www.ffzg.hr/anglist/books/books_R.htm
R Radcliffe, Ann: Randolph, Thomas: Roosevelt, Theodore: Rossetti, Christina: Rossetti, Dante Gabriel: Rowley, William: Ruskin, John: Russell, Bertrand: (c) Department of English Faculty of Philosophy University of Zagreb , Croatia Odsjek za anglistiku Filozofski fakultet Sveucilišta u Zagrebu last revised June 2000 Web Master Mila Marsic IF YOU HAVE ANY TROUBLE WITH THESE LINKS OR IF YOU HAVE ANY PROPOSAL, COMMENT OR REQUEST, PLEASE

67. Pre-Raphaelite Women: Models, Lovers, Art-Sisters
images of artwork by many women painters (Kate Bunce, Evelyn de Morgan, Marie SpartaliStillman, eleanor Fortescue Brickdale SelfPortait by elizabeth siddal.
http://faculty.pittstate.edu/~knichols/lizzie.html
@import "layout-lz.css"; NOTE: If you can see this message, it means your web browser does not support current CSS2 standards. This site will look much better in a browser like Internet Explorer that supports web standards , but it should be accessible to any browser or internet device. Gender, Literature, and Art, Part V-b Worn Out by Lizzie Siddal
I cannot give to thee the love I gave so long ago, The love that turned and struck me down Amid the blinding snow.
Yet keep thine arms around me, love, Until I fall to sleep; Then leave me, saying no goodbye Lest I make wake, and weep.
Pre-Raphaelite Women, Part B
Models, Lovers, Art-Sisters
Index
PR Models, Lovers, Wives
D.G. Rossetti, "Bower Meadow" MODELS: Marie Spartali Stillman (left) and Alexa Wilding (right) That may be Jane Morris' daughter May dancing in the background.
The Stunners: Pre-Raphaelite Women
DG Rossetti's models (Christina Rossetti, Lizzie Siddal, Jane Morris, Fannie Comfort, etc.) and Pre-Raphaelite attitudes towards women. See also: Stunners: The Women the Pre-Raphaelites Loved
Pre-Raphaelite Women
excellent short essay on ideal vs real women;

68. Links To Pre-Raphaelite Web-sites
of laudanum in 1862. elizabeth eleanor siddal Rossetti (Meg WiseLawrence)elizabeth siddal (ArtMagick). Marie Stillman (born Spartali
http://www.dlc.fi/~hurmari/preraph.htm
Links to Pre-Raphaelite web-sites
Pre-Raphaelite and Victorian Artists
L Alma-Tadema
FM Brown

EC Burne-Jones
... Museums with Pre-Raphaelite Paintings
The Pre-Raphaelite Brotherhood
The Pre-Raphaelite Brotherhood was founded in 1848 by a group of English painters: Dante Gabriel Rossetti John Everett Millais and William Holman Hunt , as well as poets and critics: William Michael Rossetti, an art critic and Dante's younger brother; the art critic Frederic George Stephens; the painter James Collinson; and the sculptor and poet Thomas Woolner . Millais left the group in 1859, but as the second generation Pre-Raphaelites, other English artists joined it, including the painter Edward Coley Burne-Jones ; the poet and artist William Morris was never a Pre-Raphaelite in the true conception of the term. The group reacted against the Victorian materialism and the conventions of the Royal Academy in London and was inspired by medieval and early Renaissance painters up to and including the Italian painter Raphael. They found their inspiration at first from the bible, history and poems, but soon the subjects from modern life were also used rooted in realism and truth to nature. Pre-Raphaelite art became distinctive for its blend of archaic, romantic, and moralistic qualities.
Encarta Encyclopedia
An Introduction to The Pre-Raphaelite Brotherhood (Victorian Web)
Arts and Crafts Movement
(Bob Speel)
Birmingham Municipal School of Art
(Bob Speel)
Bob Speel’s 19th Century Art Gallery
(Bob Speel)
Camille Paglia On Pre-Raphaelite Art
(Camille Paglia)

69. Reference Biography S
Shute, Nevil@ (11); Shvidki, Denis@ (2); Siberry, Jane@ (4); siddal,elizabeth eleanor@ (2); Siddig, Alexander@ (2); Sidgwick, Henry@ (10
http://world.ammissione.it/browse_/Reference/Biography/S/
World Directory Reference Biography S Search: Reference Biography S
Directory results:
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B C D ... R S T U V W ...
  • Szymborska, Wislawa See also: This category in other languages: German Some web results for Biography S:
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  • 70. AOL Canada Search: Search Results
    Gabriel@ (16); Ruskin, John@ (22); Sandys, Anthony Frederick@ (2);Shaw, John Liston Byam@ (2); siddal, elizabeth eleanor@ (2); Solomon
    http://search.aol.ca/cat.adp?id=113466&layer=&from=subcats

    71. Pale As The Dead
    elizabeth eleanor siddal, Lizzie, is an elusive historical figure whose beautyand tragic, romantic life have made her into a legend with enduring appeal.
    http://www.fionamountain.com/paleasthedead.htm
    Pale as the Dead is the first book in a new series of novels starring ancestor detective Natasha Blake. It is a story of family history, mystery, genetics and inherited fate. The disappearance of a young girl, Bethany, appears to be linked in some way to Lizzie Siddal, the haunting, ethereal Pre-Raphealite model and artist, wife of painter Dante Gabriel Rossetti. Lizzie's tragic life was cut short by an overdose of laudanum. Was it accident or suicide? Why is Bethany so obsessed with her and at the same time so determined to put herself beyond the reach of her loer, Adam? What is Bethany's secret and how does she come to have the diary of a Victorian surgeon's daughter? Prologue They think she's too little to understand, but they're wrong. She understands that Charlotte is never coming back and that's why Mummy and Daddy are so sad all the time, why they never kiss each other anymore, just shout, as they are doing now.
    She didn't believe it when Daddy said they were going to have a lovely holiday and that everything would be all right. The sun is bright and dancing on the river. But she knows by now that the worst things can happen on the best days.

    72. I Want To Fly Away!
    Market Christina Rossetti i jej wielkie dzielo Lizzie siddal kolejna dobra stronkao nie¶miertelnej Lizzie elizabeth eleanor siddal Rossetti no comment Kiedy
    http://joan-of-arc.blog.pl/
    gdziekolwiek ziemia jest snem, tam trzeba do¶niæ do koñca
    Ci±gle szukam miejsca na tym ¶wiecie. Chyba chcê powróciæ do ¶wiata ¿ywych i zapisaæ siê w jego historii. Nie mogê udawaæ, ¿e mnie nie ma, jestem zamkniêta w sobie, pusta. Rodzi siê we mnie ma³a nadzieja na nowe ¿ycie, muszê tylko pokonaæ swoje s³abo¶ci. Staram siê siebie zrozumieæ, zapomnieæ o tym co by³o, zapomnieæ o tamtym ¶wiecie, to by³o wiêzienie. Czujê siê ¼le, muszê budowaæ wszystko od poczatku. Chcê byæ piêkna, rozumiana i choæ trochê kochana. Bêdê siê uczyæ pokory i wyrozumia³o¶ci. Kiedy zak³ada³am tego bloga chcia³am zrozumienia, teraz wiem, ¿e potrzebujê zmiany. To bêdzie trudne.
    Mam ¶wiadomo¶c, ¿e jeszcze tkwiê na granicy....
    ¯egnaj mi smutku
    Dzieñ dobry smutku
    To ty wpisany w kwadrat sufitu
    To ty wpisany w najdro¿sze oczy
    Nie jeste¶ niedol± jedynie
    Je¿eli ciê wargi zgnêbionych
    G³osz± u¶miechem
    Dzieñ dobry smutku kochanku cia³ powabnych Dominanto mi³o¶ci Której urok urasta Jak bezcielesny potwór G³owo z nadziei wyzuta Smutku o pieknej twarzy.

    73. William Morris Society: Portriats Of Morris And His Circle
    MORRIS above. Photograph by W. and D. Downey (1863), with DG ROSSETTI.elizabeth eleanor siddal Artist, poet, wife of DG Rossetti.
    http://www.morrissociety.org/portraits.html
    PORTRAITS OF WILLIAM MORRIS AND HIS CIRCLE
    William Morris Members of the Morris circle
    William Morris
    Members of the Morris circle
    Wilfrid Scawen Blunt
    Poet, diplomat, anti-Imperialist, breeder of Arabian horses, and lover of Jane Morris Sydney Carlyle Cockerell
    Secretary of the Kelmscott Press, disciple of Morris and Ruskin, collector, later Director of the Fitzwilliam Museum, Cambridge

    74. Www.comanducci.it/database/risultati.asp?Ricerca=SIDDAL%20ROSSETTI%20Elizabeth%2
    Deskmod.org Reference Biography S Singh, Chandrachur, Sallust, Schuyler, James, Steadman, Ralph, Sadhna. Shire, Talia,Swithin, Anthony, Schrempf, Detlef, Sarraute, Nathalie, siddal, elizabeth eleanor.
    http://www.comanducci.it/database/risultati.asp?Ricerca=SIDDAL ROSSETTI Elizabet

    75. Intro To "Viola And Olivia"
    The etching by Deverell, however defective in technique, claims more attention,as the Viola was drawn from Miss elizabeth eleanor siddal, whom Deverell had
    http://www.iath.virginia.edu/courses/ennc986/class/viola.html
    Viola and Olivia
    The verses were written for the etching of Viola and Olivia by Walter Deverell, one of the few visual works executed by Deverell as part of the P.R.B. In his introduction to the 1901 facsimile of The Germ, William Michael Rossetti says: "The verses are not of much significance. The etching by Deverell, however defective in technique, claims more attention, as the Viola was drawn from Miss Elizabeth Eleanor Siddal, whom Deverell had observed in a bonnet-shop some few months before the etching was done, and who in 1860 became the wife of Dante Rossetti. This face does not give much idea of hers, and yet it is not unlike her in a way. The face of Olivia bears some resemblance to Christina Rossetti: I think however that it was drawn, not from her, but from a sister of the artist."

    76. §1. The Pre-Raphaelites; "The Germ". V. The Rossettis, William Morris, Swinburn
    It was about 1850 that he met the beautiful elizabeth eleanor siddal,who permanently inspired his painting and poetry alike. They
    http://www.bartleby.com/223/0501.html
    Select Search All Bartleby.com All Reference Columbia Encyclopedia World History Encyclopedia Cultural Literacy World Factbook Columbia Gazetteer American Heritage Coll. Dictionary Roget's Thesauri Roget's II: Thesaurus Roget's Int'l Thesaurus Quotations Bartlett's Quotations Columbia Quotations Simpson's Quotations Respectfully Quoted English Usage Modern Usage American English Fowler's King's English Strunk's Style Mencken's Language Cambridge History The King James Bible Oxford Shakespeare Gray's Anatomy Farmer's Cookbook Post's Etiquette Bulfinch's Mythology Frazer's Golden Bough All Verse Anthologies Dickinson, E. Eliot, T.S. Frost, R. Hopkins, G.M. Keats, J. Lawrence, D.H. Masters, E.L. Sandburg, C. Sassoon, S. Whitman, W. Wordsworth, W. Yeats, W.B. All Nonfiction Harvard Classics American Essays Einstein's Relativity Grant, U.S. Roosevelt, T. Wells's History Presidential Inaugurals All Fiction Shelf of Fiction Ghost Stories Short Stories Shaw, G.B. Stein, G. Stevenson, R.L. Wells, H.G. Reference Cambridge History The Victorian Age, Part One The Rossettis, William Morris, Swinburne, and Others The Germ The Blessed Damozel
    CONTENTS
    VOLUME CONTENTS INDEX OF ALL CHAPTERS ... BIBLIOGRAPHIC RECORD
    The Cambridge History of English and American Literature in 18 Volumes
    Volume XIII. The Victorian Age, Part One.

    77. AIM25: University College London: Rossetti Letters
    at 14 Chatham Place, Blackfriars Bridge, 1852; hostile criticism made his picturesdifficult to sell; fell in love with elizabeth eleanor siddal, a consumptive
    http://www.aim25.ac.uk/cgi-bin/search2?coll_id=3364&inst_id=13

    78. Dr. Karen Droisen, ENG 435: Christina Rossetti And Dante Gabriel Rossetti
    Gabriel Rossetti married a milliner, elizabeth eleanor siddal (“Lizzie”),in 1860. siddal served as a model for many of of his
    http://www.unlv.edu/faculty/droisen/rossettis.htm
    Dr. Karen A. Droisen
    Department of English
    University of Nevada, Las Vegas
    KDroisen@hotmail.com
    Christina Rossetti (1830-1894) and Dante Gabriel Rossetti (1828-1882) Christina Rossetti and Dante Gabriel Rossetti were born in London. Their father, Gabriele Rossetti, an exiled Italian patriot, was a scholar and poet and was obsessed with the work of the great Italian poet, Dante Alighieri (1265-1321), author of The Divine Comedy . The Rossetti family members were all devoted students of art and literature, including English authors, Italian authors, and English and continental painters. The Rossetti's childhood education was spotty: none read classical literature or studied contemporary European painting, although Gabriel Rossetti eventually attended King's College, and the Royal Academy in London. Sing-Song: A Nursery Rhyme Book Since Christina Rossetti never married, critics have tended to read her work autobiographically, identifying her dedication to study and contemplation as a source of sexual frustration that finds expression in her poetry as a fear of bodily pleasure. (Needless to say, the work of unmarried male authors is almost never read this way.) This reductive view is reinforced by her poetry's interest in exploring the conventional distinction between “earthly” (carnal) love and spiritual love. Until the early 1980's, in fact, literary critics tended to treat her work as an interesting oddity of Victorian poetry. The evolution of feminist and New Historicist criticism helped reclaim her work from obscurity and it is now treated with more respect by Victorian scholars.

    79. SearchBug Directory: Reference: Biography: S
    15) Shroff, Jackie (4) Shtalenkov, Mikhail (1) Shue, Elisabeth (25) Shute, Nevil(11) Shvidki, Denis (2) Siberry, Jane (4) siddal, elizabeth eleanor (2) Siddig
    http://www.searchbug.com/directory.aspx/Reference/Biography/S/
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    80. Directory - Reference: Biography: S
    Jackie@ (4) Shtalenkov, Mikhail@ (1) Shue, Elisabeth@ (13) Shute, Nevil@ (11)Shvidki, Denis@ (2) Siberry, Jane@ (4) siddal, elizabeth eleanor@ (2) Siddig
    http://www.incywincy.com/default?p=553003

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