101. Georgia O'Keeffe Biblio O Keeffe, georgia. georgia O Keeffe. Autobiographical compilation of paintings with attached stories; main source of OK myth. O Keeffe, georgia. http://hubcap.clemson.edu/~sparks/gokbib.html

Georgia O'Keeffe: A Bibliography Bibliography Primary Sources Intros and Anthologies The Life ... Catalogues and Art Books Bibliography on O'Keeffe Charimonte, Paula L. Women Artists in the United States: A Selective Bibliography and Resource Guide , 1975-86. G.K. Hall, 1990. Arch: REF Z7963 A75 W65 Hoffman, Katherine. An Enduring Spirit: The Art of GOK. Scarecrow Press, 1984. Contains copious annotated biblio, including much on background sources. Primary Sources Georgia O'Keeffe: A Portrait by Alfred Stieglitz. NY: Metropolitan Museum of Art, 1978. A selection of Stieglitz's photographs of O'Keeffe. Gibiore, Clive, ed. Lovingly, Georgia. New York: Simon and Schuster, 1990. Letters to and from Anita Pollitzer. Useful for seeing exactly what all OK was reading Clive Bell, Jerome Eddy, Ibsen and Greek dramatists, Charlotte Perkins Gilman. O'Keeffe, Georgia. Georgia O'Keeffe. New York: Viking, 1976. Autobiographical compilation of paintings with attached stories; main source of OK myth. O'Keeffe, Georgia. Some Memories of Drawings.

102. Georgia O'Keeffe georgia O Keeffe was born on a dairy farm in Wisconsin. In her long life she became one of the great painters of our time. She taught http://cgee.hamline.edu/see/o'keefe/see_an_okf.html

Hamline University Graduate School of Education, St. Paul, MN Artist/Naturalist Pages Georgia O'Keefe (b. 1887 d. 1986) O'Keefe's studio at Ghost Ranch Georgia O'Keeffe was born on a dairy farm in Wisconsin. In her long life she became one of the great painters of our time. She taught us to see flowers in a new way. She taught us to see the desert landscape. O'Keefe first saw the desert of New Mexico in 1929 and fell in love with the desert space and light that she called "the faraway." She lived and painted there from 1949 until 1986, when she died. My first memory is of the brightness of light... light all around! 8th grade: I am going to be an artist! I often painted fragments of things because it seemed to make my statement as well as or better than the whole could...I had to create an equivalent for what I felt about what I was looking at...not copy it. click images to enlarge Top of Page Return to Artist/Naturalist Index SEE Links SEE Home Page SEE Kids Art Gallery Go Deeper CGEE Home Page ... Center for Global Environmental Education Hamline University Graduate School of Education 1536 Hewitt Avenue, St. Paul, MN 55104-1284

103. GEORGIA O'KEEFFE AND THE EROS OF PLACE georgia O Keeffe and the Eros of Place By Bram Dijkstra Princeton University Press; 274 pages; $29.95 So much has been written about http://www.sff.net/people/mberry/dijkstra.htp

Georgia O'Keeffe and the Eros of Place By Bram Dijkstra Princeton University Press; 274 pages; $29.95 So much has been written about Georgia O'Keeffe, one of the most easily recognized and celebrated early modernist American artists, that it sometimes seems as if no new revelations about her work will ever be forthcoming. Bram Dijkstra, a professor of American and Comparative Literature at UC, San Diego and the author of "Evil Sisters: The Threat of Female Sexuality and the Cult of Manhood," proves that assumption wrong. With "Georgia O'Keeffe and the Eros of Place," he has written a lively, authoritative reassessment of her career. Unafraid to challenge the accepted wisdom, he approaches O'Keeffe and her work from a fresh and unconventional perspective. The new book is Dijkstra's attempt to strip away the layers of cultural bias that have accumulated around the artist. In particular, the author strives to move O'Keeffe out from the shadow cast by her mentor and husband, photographer Alfred Stieglitz. By extension, he also downplays the magnitude of the European modernists' influence on O'Keeffe, in spite of the enthusiasm with which Stieglitz championed their work. In the volume's introductory chapter, Dijkstra writes, "...O'Keeffe's work has, in recent years, all too often had to take a backseat to fantasies of how she lived produced by the celebrity voyeurs of our contemporary media; these, instead of paying attention to what the artist did with where she lived, have instead tried to uncover virtually her every step, or perceived mistep. In the process they have turned O'Keeffe into an icon of her arta preternatural creature, shamanistic, exalted, and removed from everyday experience."

104. GEOGIA O'KEEFFE georgia O KEEFFE. It was 1916, and 28year-old georgia O Keeffe was furious with photographer and gallery owner Alfred Stieglitz. http://www.sff.net/people/mberry/okeeffe.htm

GEORGIA O'KEEFFE An Excerpt from the Book by Michael Berry It was 1916, and 28-year-old Georgia O'Keeffe was furious with photographer and gallery owner Alfred Stieglitz. His prestigious gallery at 291 Fifth Avenue in New York City, usually referred to simply as "291," regularly displayed some of Europe and America's most exciting modern art. O'Keeffe, a painter and art teacher, admired Stieglitz greatly but decided that he still had no right to do what he had done to her. She was determined to have it out with him. While eating in the cafeteria at Columbia University Teachers College earlier that day, she had been approached by a woman who asked whether she was "Virginia O'Keeffe." When O'Keeffe said that she was not, the woman explained that drawings by someone of that name were on display at Stieglitz's 291. O'Keeffe realized that the drawings were her own. Without her permission without even using her correct name Stieglitz had put her deeply personal drawings on display for strangers to see. As O'Keeffe later wrote in her autobiography, "For me the drawings were private and the idea of their being on the wall for the public to look at was just too much." She immediately set off for Stieglitz's gallery, which was housed in an unpretentious brownstone located at Fifth Avenue and Thirty-first Street. When she arrived at 291, O'Keeffe discovered that Stieglitz was away on jury duty. The tongue-lashing would have to be postponed, but she decided to have a look around anyway. Despite her anger, O'Keeffe noticed that her drawings occupied the gallery's largest room. The work of two male artists was relegated to smaller areas. Stieglitz had clearly taken great care in mounting her drawings, which were displayed in the best possible light: natural sunlight that flooded through a skylight. A burnished brass vase filled with colorful dried flowers had been placed on a platform at the center of the room.

105. NMWA | Private Collection | Profile - Georgia O'Keeffe Artist Profile; Artist Portfolio. georgia O Keeffe American, 18871986 The subject of several plays, with a museum devoted to her http://www.nmwa.org/collection/Profile.asp?LinkID=942

106. Georgia O'Keeffe Prints georgia O Keeffe prints. georgia O Keeffe prints Red Poppy Paper 25 x 28 in ( 63.5 x 70 cm ). enlarge print ( georgia O Keeffe prints - Red Poppy ). http://www.essentialart.com/acatalog/uk_prints_Georgia_O_Keeffe__66.html

Secure Ordering. Member of the Fine Art Trade Guild All our fine art prints are of good quality on heavyweight paper (Free personal message for gifts) Home Site Map Up Index ... Mail Price: Poppy 1927 Price: Apple Blossoms Price: Price: White Pansy Price: Jimson Weed Price: Price: Price: Price: Large Dark Red Leaves on White Price: Price: Price: Price: Brooklyn Bridge Price: Blue River Price: Cliffs Beyond Abiquiu Dry Waterfall Price: Dead Tree with Pink Hill Price: Lake George Autumn 1927 Price: Up Index Information Search ... Mail

107. Abstract Flowers Inspired By Georgia O'Keeffe - Art History - KinderArt kinderart ® lesson. ABSTRACT FLOWERS INSPIRED BY georgia O KEEFFE. Artist Biography georgia O Keeffe (18871986) American abstract painter born in Wisconsin. http://www.kinderart.com/arthistory/abstractflowers.shtml

Flowers Fresh From the Grower Get Your KinderArt Tote Bag Today! Click for KinderArt Quick Site Menu *home* sitemap early childhood education art contests kindercolor kinderart store free newsletter birthdays the fridge search submissions feedback help you are here: Home Art History > Lesson kinderart lesson ABSTRACT FLOWERS INSPIRED BY GEORGIA O'KEEFFE Subject: Art History Grade: All Grades Age: All Ages Submitted by: Madeline Buonagurio an art educator at Jefferson, Roosevelt and Washington Elementary Schools, in North Arlington, NJ Objectives: Students Will: Create a drawing of a flower using Georgia O'Keeffe as their inspiration. Develop skills in drawing and composition. Understand the difference between realistic and abstract. Know the warm colors (reds, yellows,oranges). Know the cool colors (blues, greens violets). Know that violet and purple are two names for the same color. Vocabulary: abstract, enlarge, warm colors, cool colors What You Need: 9" x 12" white drawing paper permanent black markers watercolor markers What You Do: The students will view and discuss Georgia O'Keeffe's flower paintings.

108. Amarillo Globe-News: History Makers: Georgia O'Keeffe 05/19/00 photo historymakers. georgia O Keeffe. georgia O Keeffe Patrons established the georgia O Keeffe museum in Santa Fe, NM, after her death. http://www.amarillo.com/stories/051900/his_okeefe.html

Malouf Abraham Sr. Dr. Hattie Anderson Ernest Archambeau H.M. Baggarly ... Bob Josserand Web posted Friday, May 19, 2000 2:29 p.m. CT Georgia O'Keeffe Georgia O'Keeffe By SHANNA FOUST-PEEPLES, Globe-News Feature Writer Georgia O'Keeffe, America's best-known female painter, found her inspiration in the "things" of the West: the sensuous fold of a flower, the stark, dry bones of an animal, a black door. She was fascinated by the big sky, wild lightning and barren terrain of West Texas during the two years she lived in the Texas Panhandle. Her love affair with the Southwest began with her stay in Amarillo and Canyon. Though she went on to achieve fame in New York and is forever linked to her beloved New Mexico, O'Keeffe spoke fondly of Texas and even called the state "my spiritual home." Words were never easy for O'Keeffe and she used them sparingly. What she wanted to say she put on canvas. "I can say things with color and shapes that I couldn't say in any other way - things that I had no words for," O'Keeffe said in an interview early in her career. Her paintings were not signed because she believed the personal quality of a painting was signature enough. And her paintings usually are unmistakable.

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