101. Guardian Unlimited | Arts Features | Only The Lonely Only the lonely At 40, edward hopper was a failure who couldn t sell a painting. Torrents of words and phrases fall on edward hopper s paintings. http://www.guardian.co.uk/arts/features/story/0,11710,1211969,00.html

@import url(/external/styles/global/0,14250,,00.css); Sign in Register Go to: Guardian Unlimited home UK news World news Archive search Arts Books Business EducationGuardian.co.uk Film Football Jobs Life MediaGuardian.co.uk Money The Observer Online Politics Shopping SocietyGuardian.co.uk Sport Talk Travel Audio Email services Special reports The Guardian The weblog The informer The northerner The wrap Advertising guide Crossword Dating Headline service Syndication services Events / offers Help / contacts Information Living our values Newsroom Reader Offers Style guide Travel offers TV listings Weather Web guides Working at GNL Guardian Weekly Money Observer Home News Friday Review Regulars ... Help Search this site All stories Reviews only Recent features Up in smoke Burned into the memory Is this Britart's ground zero? 'We sang to 1.5bn people' ... More visual arts features Only the lonely At 40, Edward Hopper was a failure who couldn't sell a painting. How did that change? Annie Proulx on the making of a great American artist Saturday May 8, 2004 The Guardian Detail from Office at Night, by Edward Hopper, 1940. Courtesy: Collection Walker Arts Centre, Minneapolis Torrents of words and phrases fall on Edward Hopper's paintings. Deadly silence, erotic despair, haunting ambiguity, irony, symbolic decoding, metaphysical, mysterious. Almost every critic, artist, writer (especially writers), art savant, book-jacket designer or media hack sees in his mature paintings solitude, alienation, loneliness and psychological tension. The general critical observation that Hopper's paintings depicted loneliness - and that this loneliness was an integral part of the American character - is a bit puzzling. Hopper himself didn't see it and once commented: "The loneliness thing is overdone." More likely than "loneliness" is the sense of self as different and apart, feelings not limited to Americans.

102. HOPPER, EDWARD - LONDON, TATE MODERN - - Buchhandlung Walther Koenig Translate this page hopper, edward - LONDON, TATE MODERN -. hopper, edward - LONDON, TATE MODERN - Catalogue ed. by Sheena Wagstaff. London 2004. 4to. 272 S. mit 184 farb. http://www.buchhandlung-walther-koenig.de/katalog/laust/laust-1121016.htm

Buchhandlung Hilfe Kataloge Verlag Warenkorb ... Katalog Nr. 119 Ausstellungskataloge Antike Architektur Film Fotografie ... Restaurierung Ausstellungskataloge Ausstellungskataloge HOPPER, EDWARD - LONDON, TATE MODERN - HOPPER, EDWARD - LONDON, TATE MODERN - Catalogue ed. by Sheena Wagstaff. London 2004. 4to. 272 S. mit 184 farb. Abb., brosch. From paintings made in Paris in the early 1900s to iconic views of Manhattan creatd more than sixty years later, Hopper is examined in the context of both American and European painting from the turn of the twentieth century to the 1960s. The influence of film and other forms of popular culture on Hopper are explored for the first time. Published to accompany a major retrospective, this is the defintive work on this quintessentially American artist. Top of Page Home E-Mail Buchhandlungen ... Lieferbedingungen

103. HOPPER - Art Prints Movie, music, sports, art prints and posters for sale online at AllPosters.com Lighthouse At Two Lights. Easy Rider Fonda/hopper. Summertime. House At Dusk http://www.art4net.com/PRINTShop.html

Gas, 1940 Nighthawks New York Movie Rooms By the Sea Approaching a City Chop Suey Room in New York Summer Interior Chop Suey Lighthouse at Two Lights Room in Brooklyn Room in Brooklyn Lighthouse At Two Lights Easy Rider - Fonda/Hopper Summertime House At Dusk Lighthouse At Two Lights Gas, 1940 Bootleggers August in the City Coast Guard Station

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