21. William Hogarth (Getty Museum) A biography of the artist william hogarth from the J. Paul Getty Museum's collection. Explore Art Home Artists. william hogarth. Born 1697, Died 1764 lifetime and the author of a treatise on http://www.getty.edu/art/collections/bio/a405-1.html

Video Gallery Current Exhibitions Past Exhibitions Future Exhibitions ... Explore Art Home Artists William Hogarth Born 1697, Died 1764 Painter, Engraver British Although honored as a painter during his lifetime and the author of a treatise on painting, William Hogarth was often typecast as a satirist because of his mass-market, often satirical engravings. After an apprenticeship to an engraver of arms , Hogarth had his own engraving shop by 1720. A natural with oils, he reached the height of his reputation as a painter before the decade's end. His early works displayed French Rococo influence, then Hogarth hit on a new, more chauvinistic idea: "painting and engraving modern moral subjects. . . . to treat my subjects as a dramatic writer; my picture is my stage." Earlier artists had depicted ordinary life, but Hogarth's moralizing was revolutionary. His first caricature-filled picture-story was The Harlot's Progress of 1732 The paintings are lost, but Hogarth's engravings of them penetrated every class of society. Later series, such as The Rake's Progress and Marriage à la Mode , made Hogarth a wealthy man.

22. Take Me To The Southwark Fair: William Hogarth's Snapshot Of The Life And Times Extensive interpretation of william hogarth's engraving as a graphic account of the social and cultural state of the lower urban class in early eighteenth century England http://members.fortunecity.de/hogarth_scholar/southwark.html

web hosting domain names Online Einkaufen Mehr Sites Take Me to the Southwark Fair: William Hogarth's Snapshot of the Life and Times of England's Migrating Early 18th Century Poor By Benjamin N. Ungar (This online essay is part of The Site for Research on William Hogarth Southwark Fair is an engraving by William Hogarth , originally called the Humours of the Fair . The engraving was based on a 1733 painting of the 1732 Southwark Fair (now Cincinnati Art Museum In 1735, Hogarth put the engraving and his eight plate series called A Rake's Progress up for sale on a subscription basis. The subscription entailed a deposit of half a guinea and another guinea upon delivery, as was advertised in the Craftsman , 1733 (Nichols/Steevens, II, p.84): 'Mr. Hogarth', stated the Daily Advertiser , was 'now engraving nine Copper Plates from Pictures of his own Painting, one of which represents the humours of a Fair; the other eight the Progress of a Rake.' Subscriptions would be taken at 'the Golden Head in Leicester Fields, where the Pictures are to be seen' (Uglow, p.239). Putting the works together made sense because Southwark Fair was considered a natural sequel to the series, particularly the final plate:

23. Hogarth, William Biography of the English artist william hogarth, written by Austin Dobson. http://members.fortunecity.de/hogarth_scholar/Encyc.html

The following article on William Hogarth is taken from the 1911 Encyclopedia Britannica Austin Dobson , the leading Hogarth expert of the time. Many links are added to the text. However, the modern reader should bear in mind that some parts of the article, particularly the bibliographical references at the end, seem rather outdated nowadays. For additional information and a comprehensive current online bibliography on Hogarth, see The Site for Research on William Hogarth HOGARTH, WILLIAM (1697-1764), the great English painter and pictorial satirist, was born at Bartholomew Close in London on the 10th of November 1697, and baptized on the 28th in the church of St Bartholomew the Great . He had two younger sisters, Mary, born in 1699, and Ann, born in 1701. His father, Richard Hogarth, who died in 1718, was a schoolmaster and literary hack, who had come to the metropolis to seek that fortune which had been denied to him in his native Westmorland . The son seems to have been early distinguished by a talent for drawing and an active perceptive faculty rather than by any close attention to the learning which he was soon shrewd enough to see had not made his parent prosper. "Shows of all sorts gave me uncommon pleasure when an infant," he says, "and mimicry, common to all children, was remarkable in me. . . . My exercises when at school were more remarkable for the ornaments which adorned them than for the exercise itself." This being the case, it is no wonder that, by his own desire, he was apprenticed to a silver-plate engraver, Mr Ellis Gamble, at the sign of the "Golden Angel" in Cranbourne Street or Alley

24. HOGARTH, William hogarth, william. English painter (b. 1697, London, d. 1764, London). Preview, Picture Data, File Info, Comment. An Election Entertainment http://www.kfki.hu/~arthp/html/h/hogarth/

HOGARTH, William English painter (b. 1697, London, d. 1764, London) Preview Picture Data File Info Comment An Election Entertainment Oil on canvas, 100 x 127 cm Sir John Soane's Museum, London True Color 144 Kb Soliciting Votes Oil on canvas, 101,6 x 127 cm Sir John Sloane's Museum, London True Color 151 Kb The Marriage of Stephen Beckingham and Mary Cox c. 1729 Oil on canvas, 128,3 x 103 cm Metropolitan Museum of Art, New York True Color 95 Kb c. 1743 Oil on canvas, 70 x 91 cm National Gallery, London True Color 151 Kb Oil on canvas, 70 x 91 cm National Gallery, London True Color 180 Kb Portrait of Mary Edwards Oil on canvas Frick Collection, New York True Color 91 Kb The Painter and his Pug Oil on canvas, 90 x 70 cm Tate Gallery, London True Color 99 Kb Portrait of a Young Woman Oil on canvas, 76,5 x 63,5 cm Museum voor Schone Kunsten, Ghent True Color 97 Kb The Orgy c. 1735 Oil on canvas, 62,5 x 75 cm Sir John Soane's Museum, London True Color 109 Kb A Scene from the Beggar's Opera Oil on canvas National Gallery of Art, Washington

25. Biography Biography of hogarth, william (b. 1697, London, d. 1764, London) in the Web Gallery of Art, a searchable image collection and database of European paintings http://www.kfki.hu/~arthp/bio/h/hogarth/biograph.html

HOGARTH, William (b. 1697, London, d. 1764, London) Biography English painter and engraver. He trained as an engraver in the Rococo tradition, and by 1720 was established in London independently as an engraver on copper of billheads and book illustrations. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By this time he had begun to make a name with small conversation pieces, and about 1730 he set up as a portrait painter. At about the same time he invented and popularized the use of a sequence of anecdotal pictures 'similar to representations on the stage' to point a moral and satirize social abuses. A Harlot's Progress (6 scenes, c. 1731; destroyed by fire) was followed by A Rake's Progress (8 scenes, Sir John Soane's Museum, London, c. 1735), and Hogarth was far and away the most important British artist of his generation. He was equally outstanding as a painter and engraver and by the force of his pugnacious personality as well as by the quality and originality of his work he freed British art from its domination by foreign artists. Because so much of his work has a 'literary' element, his qualities as a painter have often been overlooked, but his more informal pictures in particular show that his brushwork could live up to his inventive genius. The vigour and spontaneity of The Shrimp Girl (National Gallery, London, c. 1740), for example, have made it deservedly one of the most popular British paintings of the 18

26. Hogarth: The Site For Research On William Hogarth Extensive annotated bibliography on the English artist. Includes book reviews, online essays, links to image galleries and other relevant sites. http://www.fortunecity.de/lindenpark/hundertwasser/517/index.html

web hosting domain names Online Einkaufen Mehr Sites The Site for Research on William Hogarth (1697-1764) Spare yourself a lot of trouble and time! Carry out your investigation here! English Art of the Eighteenth Century Digging for your Hogarth facts made easy! (For Table of Contents, click on the comic figure.) Book Reviews Online Essays Image Galleries Special Search Engines Sources useful to the study of William Hogarth Forthcoming publication 2004: A Hogarth Bibliography by Bernd W. Krysmanski Did you know that, during the last four decades, Ronald Paulson has written more than sixty publications on William Hogarth ? That a dozen papers on Hogarth and the London theatre are from the pen of Mary Klinger Lindberg? That Peter Wagner's Reading Iconotexts From Swift to the French Revolution (1995) contains a modern intertextual, poststructuralist view of William Hogarth and his art? That Dennis Todd and Ronald Paulson interpret Hogarth's Cunicularii as a parody of the Adoration of the Magi? That, according to Werner Busch's Das sentimentalische Bild (1993), Hogarth's

27. Itami City Museum Of Art From MIJ Satire and humor. Caricature prints, sculpture and paintings by Honore Daumier, william hogarth, James Gillray, George Bigot, James Ensor, Kathe Kollwitz, Raoul Dufy, and contemporary American and Japanese artists. http://www.dnp.co.jp/museum/itami/itami-e.html

Thank you very much for accessing Museum Information Japan. Your access will be transferred to the home page of Itami City Museum of Art http://www.artmuseum-itami.jp/bijutsu02.html (c)Dai Nippon Printing Co., Ltd. 2003

28. CGFA- William Hogarth To Biography. Graphic The Beggar s Opera 5, 1729, Yale Center for British Art. 122KB Graphic The Wedding of Stephen Beckingham http://www.ibiblio.org/cjackson/hogarth/

The Beggar's Opera 5, 1729, Yale Center for British Art. 122KB The Fountaine Family, 1730, oil on canvas, Philadelphia Museum of Art. 96KB The Harlot's Progress (1732): links to a page containing the complete series of engravings. The Pool of Bethesda, 1736, oil on canvas, St. Bartholomew's Hospital, London. 126KB Miss Mary Edwards, 1740, oil on canvas, The Frick Collection, New York. 105KB The Graham Children, 1742, oil on canvas, National Gallery, London. 95KB Self-Portrait at the Easel, oil on canvas. 99KB The Painter and his Pug, 1745, oil on canvas, Tate Gallery in London. 48KB David Garrick as Richard III, 1745, oil on canvas, Walker Art Gallery, Liverpool. 99KB Moses Brought before Pharaoh's Daughter, 1746, oil on canvas, The Thomas Coran Foundation for Children, London. 66KB The Industrious 'Prentice Performing the Duties of a Christian, indian ink, British Museum at London. 127KB Online Since 1996 Alphabetical Index Nationality/Time Index ... Featured Artists

29. William Hogarth And 18th-Century Print Culture william hogarth and 18thCentury Print Culture Search the hogarth Website. william hogarth and 18th-Century Print Culture is being hosted by The Charles Deering http://www.library.nwu.edu/spec/hogarth/main.html

William Hogarth and 18th-Century Print Culture Topography of Decay Professional Women Theatricality and Narrative Reading the Body: Physiognomics ... Search the Hogarth Website William Hogarth and 18th-Century Print Culture is being hosted by The Charles Deering McCormick Library of Special Collections , Northwestern University Exhibition and Website Credits Rev: June 12, 2001 spec@northwestern.edu Internal Links: NUcat Electronic Resources Course materials and reserve Electronic reference tools ... RSS External NU Links Northwestern Home Calendar: Plan-It Purple Search Directories Northwestern University Library · 1970 Campus Drive · Evanston, IL · 60208-2300 Phone: (847) 491-7658 · Fax: (847) 491-8306  · E-mail: library@northwestern.edu and Policy Statements

30. William Hogarth And 18th-Century Print Culture Charles Deering McCormick Library of Special Collections, Northwestern University Library. william hogarth and 18thCentury Print Culture. Section Fan. http://www.library.northwestern.edu/spec/hogarth/main.html

William Hogarth and 18th-Century Print Culture Topography of Decay Professional Women Theatricality and Narrative Reading the Body: Physiognomics ... Search the Hogarth Website William Hogarth and 18th-Century Print Culture is being hosted by The Charles Deering McCormick Library of Special Collections , Northwestern University Exhibition and Website Credits Rev: June 12, 2001 spec@northwestern.edu Internal Links: NUcat Electronic Resources Course materials and reserve Electronic reference tools ... RSS External NU Links Northwestern Home Calendar: Plan-It Purple Search Directories Northwestern University Library · 1970 Campus Drive · Evanston, IL · 60208-2300 Phone: (847) 491-7658 · Fax: (847) 491-8306  · E-mail: library@northwestern.edu and Policy Statements

31. Hogarth's House Chiswick, London Bordering Berkshire And Surrey Background information on william hogarth's House in Chiswick. http://www.information-britain.co.uk/s/E213.htm

Hogarth's House Hogarth Lane Great West Road Chiswick London W4 2QN UK Tel: +44 (0)181 994 6757 Just 50 yards from the busy Hogarth roundabout lies this charming early 18th century house which was once the country home of William Hogarth, the famous painter and engraver. It is now a gallery where most of his well known engravings are on display. These include: 'Harlot's Progress', 'Rake's Progress', 'Marriage à la Mode', and also 'Gin Lane' and 'Beer Street', both of which can be bought at the house, together with books and postcards of Hogarth's works. The house was restored with funds from many sources for the Hogarth Tercentenary in 1997. In nearby Chiswick Mall are houses of a similar period, and in the graveyard around St. Nicholas' Church, is Hogarth's tomb. World-famous Chiswick House is only 10 minutes walk away. Details Nearest Train Station: Turnham Green Nearest UK Airport: Heathrow Months Open: Afternoons only: Feb - Dec Closed Mondays (except Bank Holidays) Groups/Parties Welcome: Yes - by arrangement Car Parking: Yes - named parking in the Axis Business Centre Admission Price: Free Links to places to stay: whilst located in London , nearby is the border with Berkshire and Surrey . Hammersmith is not far away, as are Ealing, Barnes, Richmond upon Thames. .

32. CGFA- William Hogarth The Beggar's Opera 5, 1729, Yale Center for British Art. 122KB. The Wedding of Stephen Beckingham Mary Cox, 172930, oil on canvas, Metropolitan Museum of Art, New York. 92KB http://sunsite.auc.dk/cgfa/hogarth

The Beggar's Opera 5, 1729, Yale Center for British Art. 122KB The Fountaine Family, 1730, oil on canvas, Philadelphia Museum of Art. 96KB The Harlot's Progress (1732): links to a page containing the complete series of engravings. The Pool of Bethesda, 1736, oil on canvas, St. Bartholomew's Hospital, London. 126KB Miss Mary Edwards, 1740, oil on canvas, The Frick Collection, New York. 105KB The Graham Children, 1742, oil on canvas, National Gallery, London. 95KB Self-Portrait at the Easel, oil on canvas. 99KB The Painter and his Pug, 1745, oil on canvas, Tate Gallery in London. 48KB David Garrick as Richard III, 1745, oil on canvas, Walker Art Gallery, Liverpool. 99KB Moses Brought before Pharaoh's Daughter, 1746, oil on canvas, The Thomas Coran Foundation for Children, London. 66KB The Industrious 'Prentice Performing the Duties of a Christian, indian ink, British Museum at London. 127KB Online Since 1996 Alphabetical Index Nationality/Time Index ... Featured Artists

33. William Hogarth | Deering McCormick Library Of Special Collections Strolling Actresses Dressing in a Barn, william hogarth, 1738. The Engravings of william hogarth CD , from Graphic Type, Limited. http://www.library.northwestern.edu/spec/hogarth/

Strolling Actresses Dressing in a Barn , William Hogarth, 1738 Hogarth and 18th-Century Print Culture commemorates the 300th anniversary of one of Britain's most influential artists. This exhibition critically reassesses the satirical graphic work of William Hogarth (1697-1764) by highlighting a variety of eighteenth-century themes that are of particular fascination to a contemporary audience. Hogarth's range of inquiry was extremely wide, touching upon topics from everyday life as well as upon more theoretical debates. The thematic sections of the exhibition reveal Hogarth's deep concern with the ills of the modern city, the dignity of and the dangers faced by professional women, and issues of theatricality, race, class, and taste. Moreover, Hogarth was an active participant in the public sphere, immersed in contemporary aesthetic, political, and physiognomic debates. Exhibition Mary and Leigh Block Gallery Northwestern University Please report errors or problems to: Tim Steen , Technical Specialist William Hogarth and 18th-Century Print Culture is being hosted by The Charles Deering McCormick Library of Special Collections , Northwestern University Exhibition and Website Credits The Engravings of William Hogarth CD , from Graphic Type, Limited. This CD Rom contains works by William Hogarth in the Kylin Archive, with commentary by the archive's founder, Gerry Tomlinson.

34. CGFA- William Hogarth Biography and several images. http://sunsite.auc.dk/cgfa/hogarth/index.html

The Beggar's Opera 5, 1729, Yale Center for British Art. 122KB The Fountaine Family, 1730, oil on canvas, Philadelphia Museum of Art. 96KB The Harlot's Progress (1732): links to a page containing the complete series of engravings. The Pool of Bethesda, 1736, oil on canvas, St. Bartholomew's Hospital, London. 126KB Miss Mary Edwards, 1740, oil on canvas, The Frick Collection, New York. 105KB The Graham Children, 1742, oil on canvas, National Gallery, London. 95KB Self-Portrait at the Easel, oil on canvas. 99KB The Painter and his Pug, 1745, oil on canvas, Tate Gallery in London. 48KB David Garrick as Richard III, 1745, oil on canvas, Walker Art Gallery, Liverpool. 99KB Moses Brought before Pharaoh's Daughter, 1746, oil on canvas, The Thomas Coran Foundation for Children, London. 66KB The Industrious 'Prentice Performing the Duties of a Christian, indian ink, British Museum at London. 127KB Online Since 1996 Alphabetical Index Nationality/Time Index ... Featured Artists

35. William Hogarth hogarth, william English painter and engraver. He was one of the leading British artists of the first half of the 18th century. william hogarth Images. http://www.artchive.com/artchive/H/hogarth.html

William Hogarth images Search artchive.com and wwar.com VIEW IMAGE LIST Hogarth, William : English painter and engraver. He was one of the leading British artists of the first half of the 18th century. He was trained as an engraver and by 1720 had established his own business printing billheads, book illustrations and funeral tickets. In his spare time he learnt to paint, firstly at St. Martin's Lane Academy and then under Sir James Thornhill, whose daughter he married in 1729. He made a name for himself with small family groups (e.g. The Wollaston Family , 1730, H.C. Wollaston's Trustees) and conversation pieces (e.g. The Beggar's Opera , one of several versions, c1729, London, Tate Gallery). Around this time he also set himself up as a portrait painter. Shortly afterwards, in c1731, he executed his first series of modern morality paintings, a totally new concept intended for wider dissemination through engraving. A Harlot's Progress (six scenes, destroyed by fire) was followed by A Rake's Progress (c1735, eight scenes, London, Sir John Soane's Museum) and

36. HOGARTH, William hogarth, william 1697 1764 British william hogarth, born in London, was apprenticed in 1713 to a silver engraver and set himself up in 1720 as an engraver on http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa

37. HOGARTH, William National Gallery, London. home, back to entry, Terms and Conditions. http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa

38. Hogarth, William (1697-1764) hogarth, william. painter, graphical artist. england. william hogarth was born in London and studied at St. Martin s Lane Academy. http://www.xs4all.nl/~androom/biography/p000445.htm

Hogarth, William painter, graphical artist england 10 Dec 1697, London - 26 Oct 1764, London Grave location: London: St. Nicholas' Churchyard, Chiswick Mall, Chiswick William Hogarth was born in London and studied at St. Martin's Lane Academy. In 1729, around the time he started to make himself a name as painter, he married the daughter of decorator Thornhill. He paid visits to Paris in 1743 and 1748 and was influenced by the French Rococo. The French themselves he disliked and he once got arrested for spying when he was drawing the defenses at Calais. Many themes from contemporary literature can be found in Hogarth's work and he is mainly remembered for the engravings of moral subjects. Hogarth was buried at St. Nicholas' Church, Chiswick, London. This place is not far from Hogarth House, now a museum dedicated to him. Work: "The Beggar's Opera" (several versions, one of them in the Tate Gallery, London); "The Harlot's Progress"; "The Rake's Progress" (1735, Soane Museum, London). Related persons influenced Egg, Augustus Leopold

39. Hogarth, William hogarth, william william hogarth s tomb at St. Nicholas Churchyard, Chiswick Mall, Chiswick, London. http://www.xs4all.nl/~androom/biography/i001653.htm

Hogarth, William William Hogarth's tomb at St. Nicholas' Churchyard, Chiswick Mall, Chiswick, London.

40. Art Of William Hogarth Haley Steele is proud to present our exhibition featuring the work of william hogarth. (for frames, _top takes away frames). william hogarth (1697 1764). http://www.haleysteele.com/hogarth/toc.html

for frames, "_top" takes away frames) PRESENTS William Hogarth (1697 - 1764) he great exhibition held at the Tate Gallery in London in 1971 established beyond all reasonable doubt that Hogarth was one of the great 18th century painters. By all accounts, the general public, weaned on the black and white prints, were surprised and impressed by the lushness of his colors and the expressive sizzle of his brushwork. While a renewed appreciation of Hogarth's gifts as a painter is to the good, it would be a pity if it directed attention away from the prints. He was, after all, not a painter or a printmaker, nor a painter who made prints or a printmaker who painted, but a true painter printmaker. On the face of it, now is the right time to take out the prints. Taking up this challenge, is proud to present a comprehensive exhibition of early impressions of his work: the great sets - A Harlot's Progress, A Rake's Progress, Marriage A La Mode, Beer Street and Gin Lane, The Four Times of Day, Four Prints of an Election ; individual prints, including

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