61. BERNINI, GIANLORENZO -- Wittkower, Rudolf. The Sculptor Of The Roman Baroque. - Translate this page bernini, gianlorenzo Wittkower, Rudolf. The Sculptor of the Roman Baroque. bernini,gianlorenzo Wittkower, Rudolf. The Sculptor of the Roman Baroque. http://www.buchhandlung-walther-koenig.de/katalog/k104/k104-239.htm

Buchhandlung Hilfe Kataloge Verlag Warenkorb Katalog Nr. 104 Neuerscheinungen, Subskriptionen, Werkverzeichnisse und einige Leseempfehlungen Winter 1999 Geschenkempfehlungen Theorie Museologie Farbe ... Monographien vor 1800 BERNINI, GIANLORENZO Wittkower, Rudolf. The Sculptor of the Roman Baroque. Monographien 19. und 20. Jahrhundert Dieses Angebot stammt aus unserer nicht aktualisierten, umfangreichen Bibliographie - Lieferbarkeit und aktueller Preis auf Anfrage This offer is not up to date anymore. Please ask for availability and price. BERNINI, GIANLORENZO Wittkower, Rudolf. The Sculptor of the Roman Baroque. Top of Page Home E-Mail Buchhandlungen ... Lieferbedingungen

62. CGFA- Misc. Artists -B- Page 6 Click Here. bernini, gianlorenzo (Italian, 15981680). Graphic Bacchanal A FaunTeased by Children, 1616-17, marble, Metropolitan Museum of Art, New York. 95KB. http://virtualart.admin.tomsk.ru/b/b-6.htm

63. Architectural History Survey Textbook Consensus, Part 2, Renaissance Through Mod Baldacchino, St. Peter s, Rome, 1624, bernini, gianlorenzo, K 20.23b, 20.24, T 542,W 289, G 246, S 19-2. Peter s, Rome, 1657-66, bernini, gianlorenzo, K 20.0, T 535,S 19-2. http://www.brynmawr.edu/Acads/Cities/wld/wdpt2.html

RENAISSANCE ITALY: QUATTROCENTO RENAISSANCE ITALY: CINQUECENTO RENAISSANCE FRANCE ... POST-WAR OTHER building or place location date architect Kostof Trachtenberg Watkin Gardner Janson Stokstad RENAISSANCE ITALY: QUATTROCENTO . Foundling Hospital (Ospedale degli Innocenti) Florence begun c. 1419 (G: 1419-1424) Brunelleschi, Filippo K 19.6b T 445-46 G 21-14 . Florence Cathedral (Sta. Maria del Fiore), Dome (see also 1296) Florence Brunelleschi, Filippo K 16.10-12 T 444, 457, cp38 W 227, 239, 285 G 21-13 J 459-60 S 17-31, 17-32 . S. Lorenzo Florence 1421-25, 1441-1460's Brunelleschi, Filippo K 16.7, 16.8 T 449-51 J 542-43, 605 S 17-33, 17-34 . Sta. Maria degli Angeli Florence c. 1434-37 Brunelleschi, Filippo T 454 J 549 . S. Spirito Florence begun c. 1436 Brunelleschi, Filippo K 16.9 T 455-56 W 238, 241 G 21-15,16 J 548 . Pazzi Chapel Florence begun after 1442 Brunelleschi, Filippo T 452-53, cp41 W 240 G 21-17 to 21-19 J 544-47 . Doge's Palace Venice K 19.3, 19.23 W 230 G 13-64 . Ducal Palace Urbino c. a. 1444-82 Laurana, Luciano; Francesco di Giorgio K 17.22-27 W 248, 250

64. ElOlimpo.com Translate this page Apolo y Dafne bernini, gianlorenzo. (Galleria Borghese, Rome, 243 cm.Alto). Personajes que aparecen Tipología Escultura - Mármol http://www.elolimpo.com/?s=ico&IdIco=17

65. European Art In The 17th Century: Gianlorenzo Bernini: Early Work gianlorenzo bernini Baldacchino 162433 gilded bronze Height c. 100 feet St. Peter s,Rome image source. gianlorenzo bernini Saint Longinus 1629-38 marble St. http://www2.students.sbc.edu/waite02/notes/berniniearly.html

image source: Gianlorenzo Bernini Baldacchino gilded bronze Height c. 100 feet St. Peter's, Rome Niches sometimes held relics the size of the columns are HUGE... they were said to have held offices and storage rooms. image source Gianlorenzo Bernini Saint Longinus marble St. Peter's, Rome * the spear still does survive (relic) * lifesize * Bernini always introduces 'something new' * wasn't carved out of one block of marble, but multiple pieces, and then put together. This is taken from the classical style of sculpture. In this way he could open up sculpture. In this way he could help motion of the sculptures. Previous sculptures were limited by the space of marbels * he needed a statue that would be of the 'proper' proportion, and the grandeur that followed the scale of St. Peter's * Baroque thing: they begin to leave space, to include 'us' the viewer. * figure is looking up, looks across 'real' space towards the altar. * the 17th century begins to break down the barrier between our world and the space of the art * emptions of the figure, most difficult part to portray:

66. Kunstnere Utstillinger LISTEN ALLE i nettbasen), sted. bildesøk, tekstsøk, bernini, gianlorenzo 29.06.200321.09.2003,Kunsthallen Brandts Klædefabrik. Norges mest komplette http://www.listen.no/update/k-search1.tpl?do=wo&ord=bw&findfirst=Bernini,

67. Davis Publications - /artslides/slidesets/slideset.asp ALBRECHT (14711528) Catalog Number LA-593; St Peter s, interior, Baldachino (1624-1633by bernini) by bernini, gianlorenzo (1598-1680, Italy) City/Country http://www.davis-art.com/artslides/slidesets/slideset.asp?action=select&pk=2243

68. APOLLO And DAPHNE By Gianlorenzo Bernini (1598-1680) Galleria Borghese, Rome - A APOLLO and DAPHNE by gianlorenzo bernini (15981680) Galleria Borghese,Rome Visit our new website - all 400+ sculptures are displayed. http://www.eleganza.com/detailed/apollo.html

FON 866/783-4867 - FAX 206/783-4887 E-mail statues@eleganza.com APOLLO and DAPHNE by Gianlorenzo Bernini (1598-1680) Galleria Borghese, Rome Visit our new website - all 400+ sculptures are displayed. Bernini commenced carving Apollo and Daphne from a solid block of white marble as soon as he had finished Pluto and Persephone. When it was completed, slightly more than a year later, "all Rome rushed to see it as though it were a miracle." The statue depicts that precise moment of the myth when the pursuing Apollo catches up with Daphne and she, assisted by her father the river god, turns into a laurel tree to escape his grasp. We see leaves sprouting from her fingers and hair, and a sheath of bark enfolding her delicate body. Not only do we see that dramatic moment frozen for eternity, but, by the sweeping movement implied in the figures, our mind expands the space surrounding the statue to include the path of the pursuit. The dazzling virtuosity of the carving, the dramatic presentation, and the beauty and grace of the figures need no comment. 83GBM Apollo and Daphne 19.5" bonded marble on marble base ... $517 ($22)

69. A Nayika And Her Lover 1660 HU0874IM.JPG A Section Of The Story Of and Child with Angels 1475 HU0121IM.JPG Berckheyde, GerritAdriaenz The Dam and Damrak,Amsterdam 1665 HU0410IM.JPG bernini, gianlorenzo Allegorical Figure in http://rmc.library.cornell.edu/MESLatCU/MESLDEMO/providers/huamlist.txt

70. - Sammlungen - übersicht - Museum Kunst Palast - Gianlorenzo Bernini - Translate this page Zwei groteske Köpfe (B). gianlorenzo bernini, um 1625 © museum kunst palast. http://www.museum-kunst-palast.de/dt/sites/s2s3s3c.asp

Gianlorenzo Bernini, um 1625

71. - Sammlungen - übersicht - Museum Kunst Palast - Gianlorenzo Bernini - Translate this page Zwei groteske Köpfe (A). gianlorenzo bernini, um 1625 © museum kunst palast. http://www.museum-kunst-palast.de/dt/sites/s2s3s3b.asp

Zwei groteske Köpfe (A) Gianlorenzo Bernini, um 1625

72. Cupola's Building Index By Architect: A To L Anasazi Indians, Wupatki, Wukoki Ruin, 12C, Wupatki National Monument, Arizona,Southwest American Indian Ruins. bernini, gianlorenzo, St. bernini, gianlorenzo,St. http://www.cupola.com/bldgidxa.htm

Building Index by Architect: A to L Jump to: Artist Index Art Title Index Landscape Index by Location Architect Index: A to L ... Building Name Index: R to Z ARCHITECT BUILDING NAME DATE LOCATION Abadie, Paul Church of the Sacred Heart (Sacré-Coeur Basilica) begun 1876 Paris, France Aerial view of a large Neo Roman Byzantine style church Abadie, Paul Church of the Sacred Heart (Sacré-Coeur Basilica) begun 1876 Paris, France Night view of church with domes and cupolas Adelcrantz, C. F.? Garden Pavilion at Drottningholm Palace Stockholm, Sweden Oblique elevation of a wooden garden folly in the form of a tent with an Eastern flavor Amannati, Bartolomeo Pitti Palace Additions (Palazzo Pitti) Florence, Italy Rear (garden) elevation of a Florentine Renaissance palace Anasazi Indians Aztec Pueblo Ruins circa 1110 Aztec Ruins National Monument, New Mexico Southwest American Indian Ruins Anasazi Indians Bandelier, Cliff Dwellings early 1300s Bandelier National Monument, New Mexico Southwest American Indian Ruins Anasazi Indians Bandelier, Petroglyph

73. The Art Of Gianlorenzo Bernini Selected Sculpture The Art of gianlorenzo bernini Selected Sculpture, The Art of gianlorenzobernini Selected Sculpture. Book by Michael P. Mezzatesta http://hallarchitecture.com/individual_architects/221.shtml

The Art of Gianlorenzo Bernini Selected Sculpture Book by: Michael P. Mezzatesta Manufacturer: Kimbell Art Museum List Price: - Our Price: Media: Paperback Release Date: June, 1982 Availability: Out of PrintLimited Availability Home

74. Gianlorenzo Bernini Die Papst Und Herrscherporträts Zum Verhältnis Von Bildnis Translate this page gianlorenzo bernini Die Papst und Herrscherporträts Zum Verhältnis vonBildnis und Macht Philipp Zitzlsperger. Titel gianlorenzo bernini. http://www.pferdebranchenverzeichnis.de/Philipp-Zitzlsperger-Gianlorenzo-Bernini

Gianlorenzo Bernini Die Papst und Herrscherporträts Zum Verhältnis von Bildnis und Macht Philipp Zitzlsperger Autor / Künstler / Gruppe / Hersteller: Philipp Zitzlsperger Titel: Gianlorenzo Bernini. Die Papst und Herrscherporträts. Zum Verhältnis von Bildnis und Macht Zitzlsperger Philipp Philipp Zitzlsperger Medium: Sondereinband Verena Villiger Alfred A. Schmid-Hans Fries, Ein Maler an der Zeitenwende... Madame de Pompadour und die Künste.... Tudy Sammartini-Die Türme von Venedig. Ansichten, Aussichten.... Emil Nolde-Expedition in die Sdsee.... ... Das Weihnachtsbuch für Kinder. Mit Geschichten, Gedichten und Bildern...

75. Gianlorenzo Bernini related works. http://www.hallandknight.com/rep_works/rep_bernini_nav.html

related works related works

76. Gianlorenzo Bernini bernini was the defining sculptor of the Italian Baroque, and although masterpiecesby this supremely gifted artist are to be found in churches and galleries http://www.hallandknight.com/sales/bernini.html

Acquired by a private collector, 2003 Bernini was the defining sculptor of the Italian Baroque, and although masterpieces by this supremely gifted artist are to be found in churches and galleries all over Rome, where he worked for almost his entire career, it is in St. Peter's that the full range of his prodigious talent is most evident. In 1657, the administrative arm of the Basilica, the Sacra Congregazione , announced the commission of metal candlesticks and crucifixes for the side-altars of St. Peter's and it is to this papal commission that our crucifix is connected. Substantial documentation detail the participation of those craftsmen involved with the various phases of the commission including Ercole Ferrata, who was responsible for the wax modeling of the Cristo Morto and Cristo Vivo Corpi. Bernini imbues our Cristo Morto with a vibrant inner energy and a sense of the passing moment, which is the definitive hallmark of his sculpture. We see Christ, it seems, at the very moment of his death. His finely modeled head, its features cast into shadow, has just fallen against his chest and the weight of his now lifeless, distended body pulls down on his arms, bringing his head far below the horizontal section of the cross against which we usually see it.

77. Attributed To Gianlorenzo BERNINI Attributed to gianlorenzo bernini Italian 15981680 Portrait of a young man (formerlySelf-Portrait) c.1640 oil on canvas 57.0 x 42.0 cm Everard Studley Miller http://www.ngv.vic.gov.au/european/em_ipa00044.html

Attributed to Gianlorenzo BERNINI Italian 1598-1680 Portrait of a young man (formerly Self-Portrait) c.1640 oil on canvas 57.0 x 42.0 cm Everard Studley Miller Bequest 1976 Fewer than twenty paintings by Bernini, the most important Italian sculptor of the seventeenth century, have been securely attributed to him. The small number of paintings by Bernini is something of a hindrance to definitive statements on attribution of this work. Some scholars have proposed a number of artists as the likely author of this work, ranging from other Italian painters to possibly a Spaniard from the circle of Velasquez. The loose brushstroke and lack of detail outside the face indicate that it may be a highly detailed sketch rather than a fully worked, finished painting, which adds to the difficulty of attributing the work. These same qualities have also contributed to the notion that it is a self-portrait. The attribution to Bernini was made in the 1970s, and is supported by some

78. Arts Art History Artists B Bernini, Gianlorenzo Arts Art History Artists B bernini, gianlorenzo Directory results Some web resultsfor B bernini, gianlorenzo Dublin Hotels,Dublin B B Bed Breakfas http://world.ammissione.it/browse_/Arts/Art_History/Artists/B/Bernini,_Gianloren

World Directory Arts Artists B ... Bernini,_Gianlorenzo Search: Arts Art History Artists B Bernini, Gianlorenzo Directory results: See also: Arts: Art History: Periods and Movements: Baroque Bernini, Gian Lorenzo (1598-1680) - Brief biography of the Italian sculptor and architect from Information Roma.. Bernini, Gian Lorenzo (1598-1680) - Portrait and biography of the Italian sculptor, architect and artist in the Web Gallery of Art, along with annotated galleries of his sculptures and paintings.. Bernini, Gianlorenzo (1598-1680) - Biography of the dominating figure in Roman Baroque art in Great Buildings Online, with photographs and details of his architectural works.. Some web results for B Bernini, Gianlorenzo: http://www.goireland.com/ All About Jazz, a magazine for Jazz fans by Jazz fans. The premier Jazz site on the Web. Informative and timely yet entertain... http://www.allaboutdj.com/ http://www.bitrim.com/ Clickzs - The Trademaster - Traffic Tracking ... ClickZs is a tool to monitor website traffic. ClickZs tells where traffic comes from and where it goes to. ClickZs can track ... http://www.clickzs.com/

79. Web Sites On Painters in 1230s) Bernard, Emile Bernat, Martin Berninghaus, Oscar Edmund bernini, gianlorenzo (15981680) bernini, gianlorenzo (1598-1680) bernini, gianlorenzo http://www.scaruffi.com/art/painters.html

Masters of Painting A personal selection by piero scaruffi Sources Carol Gerten's CGFA Mark Harden's Artchive Yahoo! Arts:Artists:Masters:Painters Mark Harden's Museum of Art ... AELST, Willem van (c. 1626-1683) Aelst, Willem van AERTSEN, Pieter Aertsen, Pieter Aertsen, Pieter ... AGOSTINO, Giovanni di (active 1300-50) ALBANI, Francesco Albani, Francesco ALBERTINELLI, Mariotto Albertinelli, Mariotto ... ANDREA DA FIRENZE (active 1343-1377) ANDREA DEL CASTAGNO ANDREA DEL SARTO Angelico, Fra, Studio of ANGELICO, Fra ... Angelico, Fra (Fra Giovanni da Fiesole) Angelico, Fra Angers, Pierre Jean David d' ANGUIER, Michel (c. 1613-1686) Anker, Albert ANTELAMI, Benedetto (active 1170-1230) ANTICO (c. 1460-1528) Antigna, Alexandre Antoine ANTONELLO da Messina Antropov, Aleksei ... ARCIMBOLDO, Giuseppe (c. 1530-1593) Arcimboldo, Giuseppe Arellano, Juan de Armstrong, David Maitland ARNOLFO DI CAMBIO ... BABUREN, Dirck van (c. 1590-1624) Baburen, Dirck van Baburen, Dirck van Baciccio (Giovanni Battista Gaulli) BACKER, Jacob Adriaensz. BACKHUYSEN, Ludolf Backhuysen, Ludolf Baglione, Giovanni ... BARNA DA SIENA (active 1340-1360) BAROCCI, Federico Fiori

80. Talaria Enterprises Museum Store Bernini Baroque Angel Kneeling In gianlorenzo bernini (15981680). gianlorenzo bernini was one of themost prolific and enduring artists of the Baroque era. His works http://www.talariaenterprises.com/product_lists/baroque.html

Home View Cart About Us FAQ ... FAQ SCULPTURE Mixed: Many! Family Cartoon Historic Figures ... Religion DESK Bookends Desk Art Lamps Mouse Pads HOUSE DECOR Greek Vases Porcelain-Goebel Teapots Table Bases WALL DECOR Frescoes Wall Hangings Tapestries Stained Glass WEARABLE Watches Jewelry MORE Games,Puzzles Garden Art Displaying Art Sale / Clearance EARLY Ancient Goddesses Egyptian Mesopotamian Minoan ... Prehistoric WESTERN COUNTRIES Assorted Art Deco Art Nouveau Baroque ... Surrealism WORLD CULTURES African Asian/Oriental Byzantine Icons Precolumbian ... Van Gogh Receive Updates! Subscribe to our mailing list Gianlorenzo Bernini (1598-1680) Gianlorenzo Bernini was one of the most prolific and enduring artists of the Baroque era. His works capture the transience of the moment through an energetic portrayal of the characters as they twist and writhe in their narratives. St. Sebastian Reclined by Bernini Large : 19"H x 10.5"W x 5.5"D, Galleria Borghese, Rome, 1622-25. By Gianlorenzo Bernini (1598-1680), Baroque. Bonded marble, black marble base, imported from Italy. As Apollo reaches out to grasp his love, the fleeing

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