MusicMoz - Composition: Composers: P: Payne, Maggi: Links Environmental Themes maggi payne Includes short biography and information about the pieces Crystal and Solar Wind . maggi payne - Short biography. http://musicmoz.org/Composition/Composers/P/Payne,_Maggi/Links/
Extractions: about submit item become an editor feedback the entire directory only in this category Top Composition Composers P ... Payne, Maggi : Links Environmental Themes: Maggi Payne - Includes short biography and information about the pieces "Crystal" and "Solar Wind". Maggi Payne - Short biography. Maggi Payne - (Composers Bureau) Includes short biography. Maggi Payne, Composer, Recording Engineer - Personal home page at Mills College. All the Web AltaVista Google HotBot ... Yahoo This category needs an editor Help build the largest human-edited directory of the Web Submit a Site Open Directory Project Become an Editor Last update: 3:12 GMT, Tuesday, March 11, 2003 - edit
Compositions By Maggi - Electroacoustic Music For Flute ALL ENTRIES FOR COMPOSER maggi payne ( 3) A. B maggi payne. HUM( 1973) For amplified flute and multitrack tape of flute (or, for seven flutes) maggi payne http://www.subliminalmedia.net/web/flute/list_composer.php?first=Maggi&last=
ReR Megacorp: PAYNE, MAGGI: Ping/pong: Beyond The Pail payne, maggi Ping/pong beyond the pail. Quantity in Basket none Code and/8 Price £12.50 Shipping Weight 0.00 pounds. Quantity http://www.rermegacorp.com/Merchant2/merchant.mv?Screen=PROD&Store_Code=RM&Produ
Maggi Payne, Nonpop New Music Composer Our Sponsors pair networks logo. princeton string academy logo. Unique Visitors. Composer Profiles. maggi payne. has her own home page. http://kalvos.org/paynema.html
Mills College: Maggi Payne, Music maggi payne. Artist/Lecturer in Music. At Mills since 1972. Office 32 Music Bldg. Phone (510) 4302187 e-mail maggi@mills.edu. Spring 2004 Schedule http://www.mills.edu/music/mus_maggi.html
Extractions: Music 164/264 Advanced Recording Maggi Payne is Co-Director of the Center for contemporary Music at Mills College, Oakland, CA, where she teaches recording engineering, composition and electronic music. She also freelances as a recording engineer and editor. She has had performances of her works throughout the United States and Europe, including the Prix Ars Electronica, Pacific Marathon III (West-Coast) at Cultuurcentrum de Oosterpoort in the Netherlands, Women of Vision series on PBS KCSM-TV, CalArts, Sonic Circuits IV Festival of Electronic Music, Not Still Art Festival, EnCue Series XVI at Concordia University in Montreal, SoundCulture '96, New Music Across America Festival '92, New Music America, '90, '87, and '81 Festivals, Rensselaer Polytechnic Insititute, SEAMUS, Siggraph, CADRE, New York Museum of Modern Art, Paris Autumn, Festival, Bourges Festival in France, and the Autunno Musical at Como, Italy.
Environmental Themes: Maggi Payne Crystal photo by maggi payne, taken around the same time that she composed CRYSTAL. Click image to enlarge. maggi payne email maggi@mills.edu. http://music.acu.edu/www/iawm/pages/earth/comp/payne.html
Extractions: http://www.mills.edu/ACAD_INFO/mus_maggi.html Maggi Payne is currently Co-Director of the Center For Contemporary Music at Mills College, Oakland, CA, where she teaches recording engineering, composition and electronic music. She also freelances as a recording engineer and editor. She has had performances of her works throughout the United States and Europe. There are several very fine recordings of music with nature/environmental themes by Maggi Payne, including DESERTSCAPES for two spatially separated a capella women's choirs (Mmc Recordings Ltd. 2026, 1997). This section of the Missa Gaia page focuses on her recording of CRYSTAL and SOLAR WIND, (CRI CD807 1991), with CD notes written by the composer. Crystal photo by Maggi Payne, click image to enlarge. "CRYSTAL was composed in 1982 using a Moog III synthesizer with extensive multi-tracking. Spatial location and modulation are important aspects of this work. Delicate timbral manipulation is also a major concern, with the harmonic spectrum of each voice in constant flux. CRYSTAL is also a video work. The video portion was shot after the music was completed, and was edited to the music. The images consist of crystals forming in real time as viewed through a microscope."
Catalog: P - S Frog Peak Music FP002 payne, maggi Music of payne Crystal for Moog synthesizer (1982); Scirocco for Flute and tape delay (1983); Solar Wind (electronic http://music.acu.edu/www/iawm/discography/p-s.html
CDeMUSIC maggi payne s shifting, layered sounds, sometimes evolving, sometimes rhythmically forceful, evoke pictures that range from outer space, as in Solar Wind http://www.cdemusic.org/store/cde_search.cfm?keywords=paynecds
Maggi Payne -- Breaks/motors maggi payne is Codirector of the Center for Contemporary Music at Mills College where she teaches recording engineering, composition and electronic music. http://sfsound.org/tape/Payne.html
Extractions: One of my many jobs involves restoring/remastering recordings from the 1920s to the 1960s. One of the many fascinations I find in these recordings is in the breaks between movements, where I usually go to start working out equalization for hum, hiss, squeal, rumble, etc. removal. I took several of these "breaks," looped them in differing lengths, and emphasized the "unwanted" components for this piece. The other sound source came about when Brian Reinbolt asked me to look at a project he was working on which used a very tiny stepper motor. I loved the sound of this tiny motor and made extensive recordings of it. These two ideas sprang up around the same time, so I blended the two types of sound sources (with equalization, convolving, phase vocoding, and granular synthesis) into this composition. As with all my work, spatialization is a major interest. There is no active panning in this work as I recorded the motor at a very close distance and in enhanced stereo. Maggi Payne
Hum 2, Maggi Payne HUM 2 (2000) for Abbie Conant 700 1/6/2000. Program notes by maggi payne. When writing this multitrack work for trombone I could not help but to. http://www.osborne-conant.org/Hum2.htm
Extractions: Home Bios Music Theater Recordings ... Wired Goddess HUM 2 (2000) for Abbie Conant 7:00 Program notes by Maggi Payne When writing this multi-track work for trombone I could not help but to see the tie-ins to my work of 27 years prior, HUM. That work is scored for one live flutist and six taped flute parts (although it could be performed live with seven performers). HUM 2 is scored for one live trombone plus seven taped parts, although it, too, could be performed live with 8 trombones. The piece deals with expansion/contraction and involves spatial deployment over eight or four speakers. Ideally one should not be able to distinguish the live performer from the taped parts. The piece takes advantage of this surround capability with sounds traveling around, through, and across the space (all built into scoring of the piece), with many instances of extended techniques and delicate pitch alterations (of 2-7 Hz). If the listener is in a good listening position, the space should contractÑto appear to come very close (as all 8 trombones get very loud) and expand outward (as all 8 trombones get very soft).
Hum 2, Maggi Payne Impossible Animals. Program notes by David Jaffe. Impossible Animals (2003 version) is scored for trombone and computersynthesized voices. http://www.osborne-conant.org/animals.htm
Extractions: Home Bios Music Theater Recordings ... Wired Goddess Impossible Animals (2003 version) is scored for trombone and computer-synthesized voices. Written for Abbie Conant, it is based on an earlier work commissioned by the Hamilton College Chorus in 1986. There are also versions of the piece for four voices (1989), violin 1989), oboe 1990) and five winds and tape The piece is a fanciful exploration of the boundary between human and animal expression and behavior, and between the realms of nature and human imagination. An antiphonal interplay is set up between the live performer and the synthesized voices, with the trombone assuming the role of narrator of an abstract story, while the computer voices serve as actors, taking on improbable voices of unthinkable animals, emoting in an unknown language. As the piece progresses, the trombone takes on more and more animal characteristics. The "story" is concerned with animals seen while looking at clouds, and concludes with a description of a more familiar (though no less absurd) beast with its own special vocalization. The synthesized voices were created using a mainframe computer at the Stanford University Center for Computer Research in Music and Acoustics (CCRMA).
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Product Catalog: Desertscapes: Maggi Payne (SSAA Double Choir) Desertscapes maggi payne (SSAA Double Choir). Item 7057S. Price $5.95. Availability In Stock. Email this page to a friend. http://www.a-cappella.com/catalog/sheet-music/ssaa-5-part/p_7057s.html
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C. Stone: Imaginary Landscape #522 eam@sukothai.com ***** PROGRAM NUMBER 522 TITLE Wes York/maggi payne Bay Area Broadcast http://www.sukothai.com/522.html
Payne, Maggi From Linkspider UK Arts Directory payne, maggi by Linkspider UK, payne, maggi links and payne, maggi topics from our Arts directory. Directory Topic payne, maggi. http://linkspider.co.uk/Arts/Music/Composition/Composers/P/Payne,Maggi/
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