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Palestrina Giovanni:     more books (101)

Gloria in Excelsis from Missa Papae Marcelli Sheet Music by Giovanni Pierluigi da Palestrina, 2009-06-24 Benedictus - No. 3 from Missa "de Feria" Sheet Music by Giovanni Pierluigi da Palestrina, 2009-06-24 Super Flumina Babylonis SHEET MUSIC SATB by Giovanni Palestrina - SATB a cappella, 2010-01-01 Kyrie - No. 1 from Missa "de Feria" Sheet Music by Giovanni Pierluigi da Palestrina, 2009-06-24 Tu es Petrus Sheet Music by Giovanni Pierluigi da Palestrina, 2010-04-17 Quando dal terzo cielo (6-voice madrigal) Sheet Music by Giovanni Pierluigi da Palestrina, 2009-06-24 Gaude Barbara / Gaude, quia meruisti Sheet Music by Giovanni Pierluigi da Palestrina, 2009-06-24 Missa Aeterna Christi Munera: Vocal Score (Church Music Society Publications) Ricercare Sheet Music by Giovanni Pierluigi da Palestrina, 2009-06-24 Kyrie Eleison - No. 1 from "Missa Papae Marcelli" Sheet Music by Giovanni Pierluigi da Palestrina, 2009-06-24 Sanctus and Benedictus - Brass Ensemble - Quartet by By Giovanni Pierluigi da Palestrina (1525 - 1594) / arr. David Marlatt, 2008-06-01 Gloria Patri Latin English A Cappella SHEET MUSIC SATB by Giovanni Palestrina - SATB Double Choir a cappella, 2010-01-01 Adoramus te. We adore Thee. Motet for Four-part Chorus of Mixed Voices, a cappella. English text adapted ... by A. Mendel ... Edited by F. Damrosch by Giovanni Pierluigi da Palestrina, 1938 I vaghi fiori. - When flow'ry Meadows. - Madrigal ... Edited by L. Benson (Oriana. The Oriana, etc. No. 44) by Giovanni Pierluigi da Palestrina, 1906

lists with details

101. Gregorian Chant: A Barometer Of Religious Fervor
     Gregorian Chant A Barometer of Religious Fervor. Stephen Thuis, OSB, M. Mus. St. Meinrad, Indiana excerpts from the first two chapters follow below. FOREWORD.  
     http://www.unavoce.org/chantbar.htm
     
     Extractions: Stephen Thuis, O.S.B., M. Mus. St. Meinrad, Indiana [excerpts from the first two chapters follow below]. FOREWORD Gregorian Chant has been for centuries the official chant of the Catholic Church. If the Chant is an external expression of the beauty and sanctity within the Catholic Church and thus part of the very life of the Church one is led to expect that the Chant has shared, in the main, the same fortunes as have been the lot of the Church through the ages. That this has been the case, the writer has endeavored to show in the following pages. In fact, it does not seem too much to say that the status of the Gregorian Chant during the centuries may be considered a barometer indicating the state of religious fervor in the Catholic Church at the time. We might dwell on the argument based upon the very nature of the ideas concerned, by stating that just as, according to the theological axiom, the lex credienti becomes the lex orandi

102. Www.fondpalestrina.org/
     http://www.fondpalestrina.org/

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