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Hindemith Paul:     more books (100)

Elementary Training for Musicians (2nd Edition) The Craft of Musical Composition: Theoretical Part - Book 1 (Tap/159) by Paul Hindemith, 1984-10-01 The Craft of Musical Composition: Book 2 (Stap/067) by Paul Hindemith, 1984-10-01 A Composer's World: Horizons and Limitations (Schott) A Concentrated Course in Traditional Harmony: With Emphasis on Exercises and a Minimum of Rules, Book 1 Paul Hindemith in the United States (Music in American Life) by Luther Noss, 1989-03-01 A concentrated course in traditional harmony: With emphasis on exercises and a minimum of rules by Paul Hindemith, 1944 The Musical Order of the World: Kepler, Hesse, Hindemith (Interplay) by Siglind Bruhn, 2005-10-30 The Music of Paul Hindemith (Composers of the Twentieth Century) by David Neumeyer, 1986-07-01 The Temptation of Paul Hindemith: Mathis Der Maler As a Spiritual Testimony by Siglind Bruhn, 1998-11 Selected Letters of Paul Hindemith by Paul Hindemith, 1995-10-25 Hoch Stuttgart! Hoch die Musik-Kritik! Hoch die Saue!: Paul Hindemith in Stuttgart : Katalog zur Ausstellung der Wurttembergischen Landesbibliothek Stuttgart ... bis 22. Dezember 1995 (German Edition) by Reiner Nagele, 1995 Paul Hindemiths a cappella-Werke (Frankfurter Studien) (German Edition) by Alfred Ulrich Rubeli, 1975 Traditional Harmony Book I by Paul Hindemith, 1968

lists with details

1. Classical Net - Basic Repertoire List - Hindemith
   Paul Hindemith. (1895 1963). One of the main innovators of musical modernism, Hindemith was a composer, conductor, violist, educator, and theoretician.  
   http://www.classical.net/music/comp.lst/hindmith.html
   
   Extractions: Paul Hindemith One of the main innovators of musical modernism, Hindemith was a composer, conductor, violist, educator, and theoretician. Of the four founders of modernism Arnold Schoenberg Igor Stravinsky , and Hindemithone can argue that Hindemith was by far the most scholarly and intellectual in temperament. His theoretic interests were both deep and wide-ranging and included medieval philosophy and the writings of the early church, as well as musical topics. He could play all the standard musical instruments at least passably and was a recognized virtuoso on the viola and viola d'amore. A sought-after educator, he taught such composers as Lukas Foss, Arnold Cooke, Franz Reizenstein, and Norman Dello Joio and wielded great influence in Europe and the United States between the two World Wars. Hindemith began composing in a post-Romantic, Reger-like idiom, although Hindemith's textures are generally leaner. During the Twenties, he went through a "shock" phase, turning out work which owed much to white dance-band music (what most Europeans thought of as jazz) in works like the Suite 1922 for piano and had many elements of Expressionism ( Nusch-Nuschi [1921], the Rilke song-cycle

2. Paul Hindemith
   Paul Hindemith. ( 18951963) Hanau, Alemania. Obras Kleine Kammermusik, opus 24, nº 2 (quinteto de viento-1922) - Sehr lebhaft. Suite 1922, opus 26 (1922) - V-Ragtime. Cardillac (1926) Hin und zurück-Ida y vuelta (1927) fue uno de los creadores del famoso Cuarteto Amar-Hindemith (grupo que había creado el húngaro de ascendencia turca  
   http://www.epdlp.com/hindemith.html

3. Paul Hindemith
   Paul Hindemith Filmography, Awards, Biography, Agent, Discussions, Photos, News Articles, Fan Sites Discuss this person with other users on IMDb message board for Paul Hindemith. Find where Paul Hindemith is credited alongside another name. Paul Hindemith  
   http://us.imdb.com/Name?Hindemith, Paul

4. Hindemith,Paul
   HinkleTurner Anna Elizabeth hindemith paul (1895-1963)  
   http://www.woodwind.org/Databases/Composers/Names/004604.html

5. WIEM: Hindemith Paul
   hindemith paul (18951963), kompozytor, altowiolinista, dyrygent niemiecki, jeden z klasyków muzyki XX w. Studia skrzypiec, altówki i kompozycji  
   http://wiem.onet.pl/wiem/0004ef.html
   
   Extractions: Hindemith Paul (1895-1963), kompozytor, altowiolinista, dyrygent niemiecki, jeden z klasyków muzyki XX w. Studia skrzypiec, altówki i kompozycji w konserwatorium Kocha we Frankfurcie nad Menem. 1922-1929 altowiolista w kwartecie smyczkowym L. Amara. Uczestnik i animator festiwali muzyki kameralnej w Donaueschingen (1921-1926) i Baden-Baden (1927-1929). Od 1929 profesor kompozycji i teorii muzyki w Staatliche Hochschule für Musik w Berlinie. 1929 za³o¿y³ ze skrzypkiem J. Wolfstahlem i wiolonczelist± E. Feuermanem trio smyczkowe. Po objêciu w³adzy przez A. Hitlera zosta³ powo³any do nazistowskiej Reichsmusikkammer ( Izby Muzycznej Rzeszy ). Po prawykonaniu symfonii

6. Find A Grave - Paul Hindemith
   Biographical sketch, photograph, and virtual memorial from Find a Grave.  
   http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=6000755&pt=Paul Hi

7. MSN Encarta - Search Results - Hindemith Paul
   Encarta Search results for hindemith paul . Page 1 of 1. 2. Magazine and news articles about hindemith paul *. Encarta Magazine Center.  
   http://encarta.msn.com/Hindemith_Paul.html
   
   Extractions: MSN Home My MSN Hotmail Shopping ... Money Web Search: logoImg('http://sc.msn.com'); Encarta Subscriber Sign In Help Home ... Upgrade to Encarta Premium Search Encarta Encarta Search results for "Hindemith Paul" Page of 1 Exclusively for MSN Encarta Premium Subscribers Hindemith, Paul Article—Encarta Encyclopedia Hindemith, Paul (1895-1963), German American composer and violinist, one of the most important figures in 20th-century music, and an influential... related items band music compositions concerto fugue harmony (music) ... Hindemith Paul

8. STRADIVARIUS - Musica Classica
   Translate this page interprete, direttore, hindemith paul, 4 temperamenti (1940) Concerto per cello op 3 (1916) in MI, 1992 1992, WALLFISH RAPHAEL (cello), TORTELIER YAN PASCAL,  
   http://www.stradivarius.it/classica/Search.jsp?autore=HINDEMITH Paul

9. Paul Hindemith
   Paul Hindemith. Paul Hindemith s musical style descends from the music of the Reformation, through Bach, Schumann, Brahms and Reger.  
   http://www.music.gla.ac.uk/~tfowler/essays/Hindemith.html
   
   Extractions: Paul Hindemith's musical style descends from the music of the Reformation, through Bach, Schumann, Brahms and Reger. From them he inherited, collectively, a "romantic" tradition of strongly chromatic counterpoint and harmony, a love of things German such as chorales and the works of Bach and a preoccupation with the symphony, chamber music and opera. His style, once matured, could be classed as neo-baroque in texture although it is also true to say that in addition to baroque forms he often made use of classical formal designs which he modified to bring them into line with his own particular tonal language. Hindemith adopted a most individual approach to the problems of modern musical thought. He developed a kind of compositional system which, although it was far less radical than serialism, was concerned also with harmony. But it was a tonal technique which he claimed was based "entirely upon the natural laws of sound". His basic idea was not only to build upon classic harmony but to extend it and one of the ways he went about this was to give prominence and new functions to the interval of a fourth. Although, in theory, the fourth is less dissonant than the thirds of classical harmony, it had not been treated as such for some centuries. Strong sounding fourths gave his music a characteristic vigour. His music employs a dissonant, contrapuntal and harmonic texture founded on tonal centres which are manifested in clearly defined cadences to a triad, open fifth, unison or octave. As with Bach, Hindemith's counterpoint is directed entirely by harmonic considerations organised around tonal centres. Hindemith's concept of the tonic applies to the gravitational centre of all twelve notes of the chromatic scale and not just scales in the diatonic sense. If one assumes C as the tonic then the remaining eleven notes are related to C according to the interval each forms with C in the following order: G, F, A, E, Eb, Ab, D, Bb, Db, B and F#. Therefore, according to Hindemith's theory, the intervals from simple to complex are involved in this order also: from fifths to fourths, to thirds and sixths, to seconds and sevenths and finally the tritone. The tonalities of the twelve fugues in

10. Paul Hindemith - Wikipedia, The Free Encyclopedia
    Paul Hindemith. Paul Hindemith (November 16, 1895 December 28, 1963) was a German classical composer, violist, teacher, theorist and conductor. Biography.  
    http://en.wikipedia.org/wiki/Paul_Hindemith

11. Koncertna Dvorana Vatroslava Lisinskog
    Ako želite odgovor, molimo Vas da upišete i svoju email adresu. hindemith paul, kompozitor. (1895. - 1963.) Skladatelja, dirigenta  
    http://www.lisinski.hr/Izvodjac.asp?a=607

12. Paul Hindemith
    Paul Hindemith. Born 1895 Died 1963. Compositions. Bassoon sonata (1938); 2 Canonic Duets (1929); Cello Sonata Op.25/3 (1922); Cello Sonata Op.11/3 (1919/22);  
    http://www.chambermusic.co.uk/database/composer.php/Hindemith, Paul/
    
    Extractions: Warning : stat failed for /home/htdocs/hosted/mrbritlinks/chambermusic.co.uk/database/composer.php/Hindemith,%20Paul/ (errno=20 - Not a directory) in /home/htdocs/hosted/mrbritlinks/chamberlibs/stats_inc.php on line Born: 1895 Died: 1963 Bassoon sonata (1938) 2 Canonic Duets (1929) Cello Sonata Op.25/3 (1922) Cello Sonata Op.11/3 (1919/22) ... Violin Sonata in Eb Op.11/1 (1918)

13. Paul Hindemith
    Paul Hindemith. Paul Hindemith (November 16, 1895 December 28, 1963) was a German classical composer, violist, teacher, theorist and conductor. Biography.  
    http://www.fact-index.com/p/pa/paul_hindemith.html
    
    Extractions: Main Page See live article Alphabetical index Paul Hindemith November 16 December 28 ) was a German classical composer violist , teacher, theorist and conductor Born in Hanau, Hindemith was taught the violin as a child, but his parents objected to his musical ambitions, and he left home at the age of eleven as a result. He entered the Hoch Conservatoire in Frankfurt am Main where he studied conducting , composition and violin under Arnold Mendelssohn and Bernhard Sekles, supporting himself by playing in dance bands and musical-comedy outfits. He led the Frankfurt Opera orchestra from 1915 to 1923 and played in the Rebner string quartet in 1921 in which he played second violin, and later the viola. In 1929 he founded the Amar Quartet, playing viola, and extensively touring Europe. In 1922, some of his pieces were heard in the International Society for Contemporary Music festival at Salzburg , which first brought him to the attention of an international audience. The following year, he began to work as an organiser of the Donaueschingen Festival, where he programmed works by several avant garde composers, including Anton Webern and Arnold Schoenberg . From 1927 he taught composition at Berlin and in the 1930s he made several visits to Ankara where he led the task of reorganising Turkish music education. Towards the end of the 30s, he made several tours of America as a viola and

14. UC San Diego /All Locations
    AUTHORS (112 of 264) Year hindemith paul 1895 1963 1 2 songs after texts by Oscar Cox See Songs (1955) 2 3 Hymnen von Walt Whitman See Hymnen von Walt  
    http://pactech.ucsd.edu:2083/search/q?author=hindemith paul 1895 1963&title=mari

15. Organ Composers: Paul Hindemith
    Paul Hindemith. b. Hanau, November 16, 1895 d. Frankfurt, December 28, 1963 Paul Hindemith was an accomplished German composer, conductor, violist, and teacher.  
    http://www.byu.edu/music/areas/keyboard/Organ/composers/hindemith.html
    
    Extractions: German Baroque Jan Pieterszoon Sweelinck Samuel Scheidt Dieterich Buxtehude Johann Pachelbel ... Johann Sebastian Bach French Baroque Frangois Couperin Nicolas de Grigny Louis-Claude d'Aquin Spanish and Italian Baroque Claudio Merulo Girolamo Frescobaldi Domenico Zipoli Nineteenth and Twentieth Century German Felix Mendelssohn-Bartholdy Johannes Brahms Max Reger Paul Hindemith ... Hugo Distler Nineteenth and Twentieth Century French Charles-Marie Widor Louis Vierne Jean Langlais Olivier Messiaen Nineteenth and Twentieth Century America and England C. Hubert H. Parry Dudley Buck John Knowles Paine Leo Sowerby b. Hanau, November 16, 1895 d. Frankfurt, December 28, 1963 Paul Hindemith was an accomplished German composer, conductor, violist, and teacher. His Primary training was from the Hoch Conservatory in Frankfurt. His first professional job was that of concertmaster for the Frankfurt Opera. He performed throughout the world, frequently conducting his own works. In 1927 Hindemith became an instructor of composition at his Alma Mater, Hoch Conservatory. The Nazi regime nearly destroyed Hindemith's career, as his wife and many of his friends were Jewish. He emmigrated to the United States and became an instructor at Tanglewood in 1940; he served as a professor at Yale University from 1940 to 1953. He became an American Citizen in 1946, but continued to teach and conduct throughout the world, receiving many awards and honors. In 1963 he visited America for the last time before returning to Frankfurt, his home, where he died.

16. Mississippi Public Broadcasting
    Hindemith, Paul (11/16/1895 12/28/1963) Paul hindemith paul Hindemith (1895 - 1963) Hindemith, Paul (1895 - 1963) Paul hindemith paul Hindemith (1895-1963).  
    http://www.etv.state.ms.us/radio/composers/composers-g-j.htm

17. Paul Hindemith
    Epoch Modern Country Germany/USA. paul hindemith (18951963). Detailed Information about. Picture Gallery; List of Works; Bibliography. Introduction.  
    http://w3.rz-berlin.mpg.de/cmp/hindemith.html
    
    Extractions: Country: Germany/USA Detailed Information about Introduction (born Hanau, near Frankfurt, 16 November 1895; died Frankfurt, 28 December 1963). He studied as a violinist and composer (with Mendelssohn and Sekles) at the Hoch Conservatory in Frankfurt (1908-17) and made an early reputation through his chamber music and expressionist operas. But then he turned to neo-classicism in his Kammermusik no.1, the first of seven such works imitating the Baroque concerto while using an expanded tonal harmony and distinctively modern elements, notably jazz. Each uses a different mixed chamber orchestra, suited to music of linear counterpoint and, in the fast movements, strongly pulsed rhythm. During this early period Hindemith lived as a performer: he was leader of the Frankfurt Opera orchestra (1915-23, with a break for army service), and he played the viola in the Amar-Hindemith Quartet (1921-9) as well as in the first performance of Walton's Viola Concerto (1929). Much of his chamber music was written in 1917-24, including four of his six quartets and numerous sonatas, and he was also involved in promoting chamber music through his administrative work for the Donaueschingen Festival (1923-30). However, he also found time to compose abundantly in other genres; including lieder ( Das Marienleben , to Rilke poems), music for newly invented mechanical instruments, music for schoolchildren and amateurs, and opera (

18. ------Paul Hindemith------
    The Website of paul hindemith, his life, works and foundation, including the hindemith Institute Frankfurt and the hindemith Musîc Centre Blonay.  
    http://www.hindemith.org/

19. Hindemith, Paul
    This page contains basic and accurate biographical information and links to essays about the Early 20th Century composer hindemith. hindemith, paul. PeriodEarly 20th Century Other Information hindemith was a proponent of Gebrauchsmusik, a German word meaning "utility music". Gebrauchsmusik is  
    http://www.stevenestrella.com/composers/composerfiles/hindemith1963.html
    
    Extractions: Hindemith was a proponent of Gebrauchsmusik, a German word meaning "utility music". Gebrauchsmusik is intended to have a social or educational purpose rather than existing merely for its own sake. Weill, Krenek, and other composers were also proponents of this movement in the 1920s which was influenced by the poet Brecht.

20. Biographie: Paul Hindemith, 1895-1963
    Biographische Daten in tabellarischer Form mit Bildmaterial unterlegt. Als Zugabe die 2. Klaviersonate im RealPlayer Format.  
    http://www.dhm.de/lemo/html/biografien/HindemithPaul/
    
    Extractions: Bei der "Donaueschinger Kammermusik-Aufführung zur Förderung zeitgenössischer Tonkunst" werden seine Kompositionen wie das "Streichquartett" op. 22, die "Kammermusik Nr. 1" op. 24a und die "Junge Magd" op. 23 Nr. 2 zur Uraufführung gebracht. Spektakuläre Aufführungen exzentrischer Stücke wie "Mörder, Hoffnung der Frauen" op. 12 mit Texten von Oskar Kokoschka oder "Das Nuschi-Nuschi" op. 20, eines Spiels für birmanesische Marionetten, sprengen den Rahmen der konventionell-bürgerlichen Oper. Hindemith bestimmt so die zeitgenössische Musikentwicklung in Deutschland maßgeblich.

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