FRITH, FRED "Rivers And Tides - Working With Time" (Winter & Winter) frith, fred Rivers And Tides Working With Time (Winter Winter). Previous message frith, fred Rivers And Tides - Working With Time (Winter Winter); http://mailman.xmission.com/pipermail/zorn-list/2003-September/006416.html
Extractions: Sun Sep 21 14:46:31 MDT 2003 Anybody heard this?: "FRITH, FRED "Rivers And Tides - Working With Time" (Winter & Winter) You probably know artist Andy Goldsworthy the British 'sculptor' (I guess you'd call him a sculptor?) who works with materials found in the natural environment, creating amazing pieces constructed from leaves or sticks or rocks or ice, on site? If not, check out his books for his works often exist only long enough to be photographed they're certainly some of the best, widely available volumes to hit the coffee tables of the world in recent years. Last year, a beautiful, beautiful documentary film called Rivers And Tides took viewers into Goldsworthy's world. Hopefully you saw it. When that film was basically taking over San Francisco (it was
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BBC - Music Interview - Fred Frith fred frith I was systematically sampling and throwing in all kinds of recordings from different archives and LPs, kind of burying them in the texture. http://www.bbc.co.uk/music/experimental/interviews/int_frith.shtml
Extractions: BBC Music recently caught up with avant guitar hero Fred Frith to chat about Henry Cow, guitars and his new label, Fred Records. What made you take up music ? The fact of being surrounded by it, I imagine. I don't remember any special impetus. My father played piano every day, and I had Classical music, especially Bach, Chopin and Debussy, resonating around me all the time, above me actually! My grandmother, who had given up a career as an accompanist when she got married, insisted that I start violin lessons at the age of 5, and by great luck, my first teacher was someone with a profound understanding and experimental ideas. For the first 6 months I didn't touch a violin, just learned about breathing and relaxation, and listening. I think those six months were a wonderful way to start; it's no accident that in my work I value breathing, relaxation and listening above instrumental technique.........
BBC - Experimental Review - Fred Frith, Gravity fred frith, Gravity (fred Records/ReR) If you can manage dancing in the time signatures fred and his mates cook up, youd better start moving the furniture http://www.bbc.co.uk/music/experimental/reviews/frithfred_gravity.shtml
Extractions: Gravity manages to be wildly eclectic yet avoids incoherence. A few years before World Music became the accepted method for revitalising washed up rock stars careers, Frith had created an album that seems to be from everywhere at once yet from nowhere in particular. While the tricky metrics of "Hands of the Juggler" and the slurred fiddle gymnastics of "A Career in Real Estate" hint at some half remembered Slavic folk tradition (as did some of Frith's writing for Brechtian industrial doomfolk trio The Art Bears), the supple immediacy of tunes like "Spring Any Day Now" or "Norrgarden Nyvla" sound at once familiar yet like nothing youve heard before or since. "Crack in the Concrete" prefigures Frith's avant power trio Massacre, with coruscating e-bowed guitar soaring over edgy, dissonant chords and a massed kazoo choir of horns in the distance, though its bumptious rhythms come with a lopsided grin as opposed to furrowed brow intensity. Likewise Fred's gleeful de/reconstruction of Martha and the Vandellas "Dancing in the Street"; a bizzarely harmonised guitar negotiates the melody over a boiling mass of feedback and tape manipulation (including a recording of Iranian demonstrators celebrating the capture of American hostages), eventually settling into a spare, gorgeous guitar solo over the closing chords.
Frith Interview 1998 fred frith. Interview by Dan Warburton, March 19th, 1998. Britishborn guitarist Downtown CD section. Link to fred frith s Website. http://www.paristransatlantic.com/magazine/interviews/frith.html
Extractions: Fred Frith Interview by Dan Warburton, March 19th, 1998 British-born guitarist Fred Frith, founder-member of mythic 70s progressive rock group Henry Cow, erstwhile collaborator of Brian Eno and Robert Wyatt, and major figure on the New York scene since the 1980s (Material, Massacre, Skeleton Crew, Naked City) paid two visits recently to the Laboratoires d'Aubervilliers, a recently-opened venue for new music and art in the bleak suburbs of northern Paris. On the menu for those who braved the trip into what the French like to refer to as "the zone" were four fine concerts (three duo and one trio) of improvised music, Frith inviting old friends such as cellist Tom Cora [who sadly passed away of cancer at the time of this printing - Editor, April 9, 1998] and percussionist Chris Cutler but also new acquaintances, Czech violinist/vocalist Iva Bittova (whom readers may know of from her appearance in the "cult" Frith documentary-movie "Step Across the Border") and British guitar pioneer Keith Rowe, founder member of pioneering improvising group AMM (with Cornelius Cardew and Eddie Prevost), now resident in France. The concerts were all recorded, but Frith wouldn't be drawn on whether he was planning to release them (though a similar duo last year with Jean-Pierre Drouet did come out). Curious readers may like to check out Fred's website (see below) for further information. Our conversation took place in the dressing rooms at the Laboratoires, and was accompanied by twitters from baby pigeons nesting in the roof, as well as bangs and crashes from Chris Cutler's sound check next door.
======FRED FRITH And GUITAR QUARTET====== fred frith. fred frith GUITAR QUARTET Bydgoszcz 30 listopada 1995 roku. ARHYTHMIC PERFECTION INTRO. fred frith. NICK DIDLOWSKY. RENÉ LUISSIER. MARK STEWARD. http://www.mozg.art.pl/ARCHIWUM/MUSIC/frith.htm
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PROGRESSIVE WORLD: REVIEWS BY MARCELO SILVEYRA for a selected discography www.fredfrith.com/discography/discoselected.html or a complete discography www.nwu.edu/WNUR/jazz/artists/frith.fred/discog.html. http://www.progressiveworld.net/frith3.html
Extractions: Reviewed by: Marcelo Silveyra , September 2003 Lets play a little game, shall we? Its called word association. That one in which someone says a word and another person says whatever comes to mind first. Except this one has a slight catch. Only Im playing, and no ones being sent to a sanitarium anytime soon. At least in the nearby vicinity. Ready? Here we go: Fred Frith songs. Now children, who can say why yours truly has just hit rock bottom as far as the guidelines of common sense and human intelligence go? Exactly. Frith and song dont go together, or at least they dont seem to very often. But if theres yet another valuable lesson to be learnt in life, that is, apart from breathing, its that theres an exception to every rule. And dear Mr. Frith, no stranger to the fine art of pulverizing them, has just gone overboard again: out of the twelve tracks that comprise Prints , nine are actually songs. Hold on to your guts kids. Chances are hell is freezing over right this very second. Why not? Well, because there isnt quite anything that they would like, save for maybe the typically Frith guitar improvisation of "Spot." Otherwise, not even the fact that a good number of the songs on
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Extractions: With Friends Like These ... That House We Lived In Links Fred Frith e' importante sia come faro di riferimento per un'intera generazione di musicisti "progressivi" sia come animatore della scena del jazz d'avanguardia di New York. Nei primi anni della sua carriera contribui` a spingere il progressive-rock verso i suoi vertici creativi. In seguito Frith esploro` stili musicali piu` vicini all'improvvisazione del jazz. In ogni momento ha sempre fatto leva su una tecnica chitarristica d'alta classe. Frith esordi` alla testa di uno dei piu` significativi gruppi di progressive-rock, con gli Henry Cow , e poi continuo` quell'avventura negli Art Bears. Finita quella stagione, Fred Frith si trasferi` a New York ed entro` in contatto con l'elite culturale americana. I suoi primi lavori solisti furono lavori di ardui esperimenti alla chitarra, raccolti sulle compilation Guitar Solos (Caroline 1508, 1974)
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