Editorial For the Times Singer/actress marla schaffel credits her parents with helping provideher the ability to earn a living today doing exactly what she loves to do. http://www.northeasttimes.com/2003/0904/soundofmusic.html
Broadway By The Year: The Broadway Musicals Of 1949 which performed impressively by a nineperson concert cast including Scott Coulter,Cady Huffman, Nancy Lemenager, Noah Racey, marla schaffel, Martin Vidnovic http://www.theatrescene.net/ts/articles.nsf/MC/22AF97C8B62DFFB885256E820061B17C
Extractions: The men of Broadway by the Year joyfully announce "There is Nothing Like a Dame" Photo by Ben Strothmann Scott Siegel's Broadway by the Year series is a beautiful gift to the New York theater scene. Several concerts are performed at Town Hall individually dedicated to the musical scores that premiered on Broadway during a specific year. Since the series premiered several years ago, it has tackled numerous scores of Broadway's Golden Age from the 1920s through the 1960s. The series has also gained a reputation of excellence on par with other annual musical celebration events such as Musicals Tonight! and Encores!, attracting many respected Broadway stars. Last Monday night, the third concert of this year was performed, which was dedicated to the Broadway musicals of 1949. Lets pause for a moment and remember some history from the year: Harry Truman reveals his Fair Deal program, Israel was admitted to the U.N., an earthquake in Ecuador kills 6000, the People's Republic of China is born, the Fourth Geneva Convention is signed, Death of a Salesman premieres on Broadway, and
Extractions: TOM D'ANGORA returned to Don't Tell Mama in his act entitled Divas I've Done . Through the course of a fast-moving fifty minutes, he delved into his four favorite divas: Maya Days, Ellen Greene, Liza Minnelli and Marla Schaffel, why he fell in love with them, how he stalked them, etc. At the conclusion of the performance, the audience voted on which diva should be his favorite. In the opening number, before D'Angora arrived on the scene, his high-belting backup singers, CARA LAGREEN, NOEL CODY and STEPHANIE HARWOOD introduced him, describing his love for his divas. Then D'Angora entered and commenced his act, a plethora of adorable anecdotes and allegedly true tales relating why and when he fell in love with each diva. This gave him the opportunity to include clever original parody lyrics. For example, vexed over Marla Schaffel's Tony loss for Jane Eyre (and who isn't still upset about that), D'Angora sang, "If She'd Won the Tony" to the tune from Fiddler on the Roof While discussing Ellen Greene's work in the original stage production and movie of Little Shop of Horrors , he sang about how he wishes to find someday "Somewhere that's Pink" with his lover, MICHAEL DULING, who also adeptly directed the evening. An ear-catching line in the lyric was "He indulges every kink" coining a word to maintain the meter of the line that rhymed with his new title.
Extractions: Recherche de sites de célébrités par nom de scène ou de famille: A B C D ... Top 15 Navigation Recherche sur le site Top 10 des photos Votre press-book gratuit Nouveautés ... Contact SHOPPING SMS, Sonneries, Logos : Tout pour personnaliser son portable en un clin d'oeil! Livres, DVD, CD, K7, POSTERS Mobiles: Annonces humoristiques audit et mesure d'audience visiteurs internet par The Unofficial Marla Schaffel Fan Website Personnalise ton mobile Sonneries et Logos Photos et vidéos sur ton mobile TOP Polyphoniques Monophoniques
Extractions: and Marla Schaffel To find out more about this world premier production of Let Me Sing , please visit charlotterep.org or visit ArtSavant's feature on the subject: Let Me Sing We will surprise you. Come back soon to see how... After the Sunday preview show, we were able to meet with Michael Bush, Michael Aman, and Joel Silberman, the creators of Let Me Sing , as well as actress Marla Schaffel. Let Me Sing is about the evolution of American music and American attitudes, which began to coalesce at the beginning of the twentieth century. In a previous interview , youve explained the nascence of this play. Wed like to talk about how you three creators began to work on it once the idea was born. MB: The truth is, I had probably said it to two years of classes: that something was bubbling around in my brain, and it was either a book or a show. Michael (Aman) was taking my class. MA: I was getting a degree in dramaturgy at Brooklyn College. He said to me, after class one day, "I'm thinking of turning this into a musical about the history of musicals." I asked to work on it as a dramaturg, and do the research that I thought would be required. He said to put a list of songs that I thought would be in this show, and gave me another assignment to do Irving Berlin alone. MB: The first idea was that, if I just did the songs in a particular order, they would tell a story. So we were making that list of songs when Joel happened to call one day.
Jane Eyre Picture Gallery see a larger image. (left to right) Mary Stout (Mrs. Fairfax) and MarlaSchaffel (Jane Eyre). photo Russell Caldwell. (left to right http://www.lajollaplayhouse.com/shows/jane/gallery.htm
Extractions: Jane Eyre Photo Gallery Click on picture to see a larger image. (left to right) Mary Stout (Mrs. Fairfax) and Marla Schaffel (Jane Eyre) photo: Russell Caldwell (left to right) Tiffany Scarritt (young Jane Eyre) and Megan Drew (Helen Burns) photo: Russell Caldwell James Barbour (Edward Rochester) and Marla Schaffel (Jane Eyre) photo: Russell Caldwell James Barbour (Edward Rochester) and Marla Schaffel (Jane Eyre) photo: Russell Caldwell The aristrocrats arrive. photo: Russell Caldwell The aristrocrats dance. photo: Russell Caldwell Marla Schaffel (left) as Jane Eyre and James Barbour (right) as her beloved Fairfax Rochester photo: Ken Jacques James Barbour (Edward Rochester) and Marla Schaffel (Jane Eyre) photo: Russell Caldwell The Cast of Jane Eyre photo: Russell Caldwell James Barbour (Edward Rochester) and Marla Schaffel (Jane Eyre) photo: Russell Caldwell
