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Basho: more books (100)

The Narrow Road To The Deep North And Other Travel Sketches by Matsuo Basho, 1972
A Haiku Journey:Basho's Narrow Road to a Far Province
An Introduction to Haiku: an Anthology of Poems and Poets From Basho to Shiki by Harold G. Henderson, 1958-01-01
1644 Births: Antonio Stradivari, Ole Rømer, Christoph Hartknoch, Matsuo Basho, William Penn, Nikita Zotov, Heinrich Ignaz Biber
The Suspicious Sympathy of White (Basho Tercentenary Edition Series) by David Silverstein, 1992-10
Back Roads to Far Towns After Basho. by Lawrence. FERLINGHETTI, 1970
Echo of Basho: Haiku Voices of the Caribbean: [Matsuo Basho] by Alex De Verteuil, 2007-01
Basho The Chief Japanese Poet
On Love and Barley: Haiku of Basho by Matsuo Basho, 2010-12-01
The Sound of Water: Haiku by Basho, Buson, Issa, and Other Poets [SOUND OF WATER]
BACK ROADS TO FAR TOWNS: BASHO'S OKU NO HOSOMICHI
A haiku garland : a collection of seventeen-syllable classic poems : by Basho, a
Back Roads to Far Towns After Basho by Lawrence Ferlinghetti, 1970
Avant-Garde Guitarists: Derek Bailey, Gp Hall, Mark O'leary, Sonny Sharrock, Alan Licht, Michael Bearpark, Steffen Basho-Junghans

lists with details

Basho -- Britannica Concise Encyclopedia Online Article
Search Britannica Concise Again. basho Britannica Concise. Back to Top. To cite this page MLA style basho. Britannica Concise Encyclopedia. 2004.
http://concise.britannica.com/ebc/article?eu=381993
CATALOG: ROBBIE BASHO
ROBBIE basho Guitar Soli Takoma TAKCD8902-2 ~ $16.98 The debt that modern guitarist composers owe to the late Robbie basho can hardly be overstated.
http://www.fantasyjazz.com/catalog/basho_r_cat.html

Extractions: The debt that modern guitarist composers owe to the late Robbie Basho can hardly be overstated. Though Fahey invented the genre and Kottke proved its marketability, it was Basho's technique, vision, and self-image that resonated most strongly with Will Ackerman and the so-called New Age guitar movement he founded. It's a crime Basho's music hasn't been available on record for many years. Now older guitar fans can welcome back an old friend and newer ones can learn where it all came from on this beautifully edited CD of Basho's "greatest hits." Of all the young guitarists who recorded for Takoma in the Sixties and Seventies, Robbie Basho was the least influenced by label founder John Fahey. In an age when nonconformity was exalted, Basho qualified as a true eccentric, and the way he played the guitar and sang was unique. His fascination with things Oriental led him to take his name from a Japanese poet, and the influence of Indian classical music is often palpable in his guitar work. But Basho's use of this influence is original; like any artist, he takes what suits his needs to create the right atmosphere for his own creations to blossom. This overview of Basho's Takoma recordings was conceived by Fahey, whose evocative reminiscences greatly enhance our appreciation of a unique character and musician.
How Come Nobody Recites Basho On This Forum?
How come nobody recites basho on this forum? All Forums Life in Japan Entertainment Poetry Books How come nobody recites basho on this forum?
http://forum.japantoday.com/How_come_nobody_recites_Basho_on_this_forum?/m_12017
A Zen Wave - Basho's Haiku & Zen By Robert Aitken, A Review By Bobby Matherne
A READER S JOURNAL A Zen Wave by Robert Aitken basho s Haiku Zen Published by Weatherhill, NY in 1996 Book Review by Bobby Matherne ©2003. Search the Web.
http://www.doyletics.com/arj/azwrvw.htm

Extractions: What is a haiku and where did it come from? Aitken tells us its origin in the Introduction. [page 20] Historically, haiku developed from renku, the linked verse form that was popular among leisure classes in Japan from the earliest literate times. One poet would write a line of seventeen syllables, and another would cap that with a line of fourteen syllables. A third poet would add another line of seventeen syllables that would be linked to the first two lines in poetical intention. A fourth poet would cap that, and so on. The result would be a long poem of verses linked with associations shared by the participants, and the movement in imagery, intention, and implication would, when successful, be fulfilling for the entire party. Haiku very much Voila! Zen of art. I thought I knew about haiku before I read this book. Well, I not only learned more about haiku but a lot about the Japanese language and my own language in addition. The haiku above I wrote in the margins of page 15 of the book. It was inspired by the following passage in the Foreword by W. S. Merwin: [page 13] For art itself is not altogether possible (it is one of the things about it that we prize), and yet it exists, for all that - just as we live not only in the absolute but at the same time in the world of the necessary and the possible.
[minstrels] Haiku -- Matsuo Basho
23 Haiku. Title Haiku. Poet Matsuo basho. Date 05 Mar 1999. old pond .. a frog leaps in water s sound Matsuo basho. translated by William J. Higginson.
http://www.cs.rice.edu/~ssiyer/minstrels/poems/23.html

Extractions: Title : Haiku Poet : Matsuo Basho Date : 05 Mar 1999 old pond..... Length : Text-only version Prev Index Next Your comments on this poem to attach to the end [ microfaq It's about time I did something Japanese, so... Haiku old pond..... a frog leaps in water's sound Matsuo Basho Vandana.Tanawade@ amitc@ http://www.cs.princeton.edu/~amitc ... http://wordfield.home.att.net Info for Program Chairpersons: http://www.speakersonasiantopics.org/Bios/Bill_H.htm Open Directory Project Editor: http://www.dmoz.org/Arts/Literature/Poetry/Poetic_Forms/Haiku_and_Related_Forms/ wordfield@ http://hem.passagen.se/yloof/ My data in more detail: http://hem.passagen.se/yloof/yngves_address.htm http://hem.passagen.se/yloof/ My data in more detail: http://hem.passagen.se/yloof/yngves_address.htm JBieler@
In A Dark Time: Basho's Haiku
April 23, 2004. basho s Haiku. As I read through 250 of basho s haiku as chosen by translator Sam Hamill for Narrow Road to the Interior
http://lorenwebster.net/In_a_Dark_Time/archives/000631.html

Extractions: Main As I read through 250 of Basho's haiku as chosen by translator Sam Hamill for Narrow Road to the Interior , I began to realize why I like haibun and haiga. Simply put, they isolate a haiku from other haiku. And, to be most effective, I think I haiku must stand alone. Read as a group, they tend to lose their effectiveness. In fact, I think the perfect way to present haiku might be as a screensaver, when a single haiku would show up for a whole day, allowing the reader enough time to really meditate on what has been said. Alternatively, of course, despite what Arete might say, haiku might serve as the perfect cross-stichery project. This one, makes me long for high mountain ridges still inaccessible because of snow cover: Your song caresses Comments Actually, I agree that haiku would be excellent for cross stich, particularly from a meditative standpoint. The complexity of yarn is startlingly apparent when I knit. When I keep flowers on my desk where I can see them all day, it seems like there are new details to notice every hour. Stitching a haiku, one might get to know it on a very intimate and elemental level.
Book Review: The Essential Basho
Book Review. by Frederic and Mary Ann Brussat. The Essential basho Matsuo basho Matsuo basho, Sam Hamill Shambhala 03/99 Hardcover $20.00 ISBN 157062-282-5.
http://www.spiritualityhealth.com/newsh/items/bookreview/item_1457.html

Extractions: See all practices Attention Beauty Being Present Compassion Connections Devotion Enthusiasm Faith Forgiveness Grace Gratitude Hope Hospitality Imagination Joy Justice Kindness Listening Love Meaning Nurturing Openness Peace Play Questing Reverence Shadow Silence Teachers Transformation Unity Vision Wonder X - The Mystery Yearning You Zeal ISBN 1-57062-282-5 Matsuo Basho (1644-1694) was the Japanese master of haiku and a pioneer of travel as pilgrimage. In this awesome collection, Sam Hamill has gathered together Narrow Road to the Interior, a diary of his journey through northern Japan; three travel sketches; and over 250 haiku. Basho once observed: "Nothing's worth noting that is not seen with fresh eyes." Whether viewing the moon, marveling at cherry blossoms, or meeting a sage unexpectedly, this vagabond always finds just the right words to describe what he's seeing. An example: "A pair of deer / groom each other hair by hair / with increasing care." Another: "The orchid's perfume / clings to the butterfly's wings / like temple incense." As a seasoned traveler, Basho always brings himself to the present moment: "Yesterday's self is already worn out." With no set route to follow, he is free to move in zigzags. He travels light on straw sandals. One of his best pieces of advice: "Learn how to listen as things speak for themselves." On the road this poet and Zen master comes to a deep appreciation of the impermanence of life and the subtle beauty of the shining world. Reading this wonderful book, you will rejoice in what Hamill calls "the spiritual prosperity" of Basho's way of elegance.
Matsuo Basho
Matsuo basho (16441694) Recommended Background Texts basho, Matsuo, basho, Matsuo, Back Roads to Far Towns, trans. Cid Corman
http://mockingbird.creighton.edu/english/worldlit/wldocs/texts/basho.htm
Haiku For People!
Haiku for People! Haiku for People! provides English and language arts teachers with historical insight and perspective into quot;one of the most important forms of Japanese poetry. quot;
http://rdre1.inktomi.com/click?u=http://www.toyomasu.com/haiku/&y=0225D45486
Topics Page
Links to a series of brief pages with introductory material on haiku by professors associated with
http://www.columbia.edu/itc/eacp/asiasite/topics/?topic=Haiku subtopic=Intro

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