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Modernism & Post-modernism Art: more books (89)

Cezanne and American Modernism (Baltimore Museum of Art) by Gail Stavitsky, Katherine Rothkopf, 2009-09-22
Modernity and Modernism: French Painting in the Nineteenth Century (Modern Art Practices and Debates) by Francis Frascina, Ms. Tamar Garb, et all 1993-02-24
Modernism's Masculine Subjects: Matisse, the New York School, and Post-Painterly Abstraction by Marcia Brennan, 2006-10-01
Monet and Modernism (Art & Design)
Literary Impressionism in Jean Rhys, Ford Madox Ford, Joseph Conrad, and Charlotte Bronte (Origins of Modernism) by Todd K. Bender, 1997-08-01
Paul Cezanne, 1839-1906: Pioneer of Modernism (Taschen Basic Art) by Ulrike Becks-Malorny, 2001-01-01
Cezanne's Bathers: Biography and the Erotics of Paint (Refiguring Modernism) (Refiguring Moderniism) by Aruna D'Souza, 2008-03-01
Deconstructing Post-WWII New York City :The Literature, Art, Jazz, and Architecture of an Emerging Global Capital by Robert Bennett, 2003-07-29
A Fragile Modernism: Whistler and His Impressionist Followers (Paul Mellon Centre for Studies in British Art) by Ms. Anna Gruetzner Robins, 2008-03-04
Chinese Modernism in the Era of Reforms: Cultural Fever, Avant-Garde Fiction, and the New Chinese Cinema (Post-Contemporary Interventions) by Xudong Zhang, 1996-01-01
The Art of Impressionism: Painting Technique and the Making of Modernity by Ms. Anthea Callen, 2000-12-11
PASA REVIEWS SANTA FE NEW MUSIC PRESENTS DAVID LANG AND THE POST-CLASSICALS CENTER FOR CONTEMPORARY ARTS, OCT. 18 THE NEW-MUSIC ZOO REVUE.(Pasatiempo): ... The Santa Fe New Mexican (Santa Fe, NM) by Gale Reference Team, 2008-10-24
Modernism and the Theater of Censorship by Adam Parkes, 1996-02-22
Post-war Cinema and Modernity: A Film Reader by John Orr, 2000-11-28

lists with details

Modernism/Postmodernism/Neo-modernism
view of what everyone is calling postmodernism. Despite the clear that this sortof postmodernism can have no future apart from that modernism which it
http://www.worldzone.net/arts/doktorgee/MODERN.htm

Extractions: Modernism/Postmodernism/Neomodernism Victor A. Grauer Originally published in the Downtown Review I will say at the outset that I am involved in what I call neomodernism, which may be defined as a return to the most fundamental tenets of "formalist" modernism. This may seem an odd occupation in an era when we are apparently escaping from the long hegemony of modernism. Why return to modernism on the very threshold of a new style period: post‑modernism? My answer is that there is something very suspicious about this "postmodernism." Everyone who uses the term seems to have a different idea of what "post‑modernism" is supposed to be. For some, it begins with John Cage, Jasper Johns, Rauschenberg, "happenings" and concept art. For others it begins with the minimalist reaction against that sort of thing. Many intellectuals associate it with reflexive strategies growing out of structuralism. Anti‑intellectuals welcome it as a relief from strategies of any kind, a return to less problematic expressive modes which had been popular before modernism became dominant. Even this group is divided among proponents of straight realism, narrative, fantasy, decorative abstraction, punk and "new wave." Until we can agree on when post‑modernism began, it is impossible to determine whether it is really new. Until we can decide what it actually is, regarding it as a style period would be premature. If post‑modernism can in fact only be defined negatively, as a rejection of modernism, of this rejection we can be certain. Hardly a month passes when we are not made aware of yet another brave sally against the modernist goliath in the form of a book, magazine article or television series. Virtually everyone writing on the arts seems to be breathlessly celebrating their liberation from the "pretensions" of artists to whom they had once shamelessly deferred.
Postmodernism
Postmodernism involves not only a continuation, somtimes the contertraditional experimentsof modernism, but also elitism of modernist high art by recourse
http://www.levity.com/corduroy/pmodern.htm

Extractions: Postmodernism Postmodernism . The term postmodernism is sometimes applied to the literature and art after World War II (1939-45), when the effects on Western morale of the first war were greatly exacerbated by the experience of Nazi totalitarianism and mass extermination, the progressive devastation of the natural environment, and the omnious fact of overpopulation. Postmodernism involves not only a continuation, somtimes carried to an extreme, of the contertraditional experiments of modernism, but also diverse attempts to break away from modernist forms which ahd, inevitably, become in their turn conventional, as well as to over-throw the elitism of modernist "high art" by recourse to the models of "mass culture" in film, television, newspaper cartoons, and popular music. Many of the works of postmodern literature by Jorge Luis Borges Thomas Pynchon Roland Barthes , and many others so blend literary genres, cultural and stylistic levels, the serious and the playful, that they resist classification according to traditional literary rubrics. And these literary anomalies are paralleled in other arts by phenomena like pop art op art , the musical compositions of John Cage , and the films of Jean-Luc Godard and other directors.
Theology Today - Vol 47, No. 2 - July 1990 - ARTICLE - Straddling Modernism And
162 Straddling modernism and Postmodernism. If ministry is an art form, theologicaleducation must be seen as much an art as a science.
http://theologytoday.ptsem.edu/jul1990/v47-2-article5.htm

Extractions: By Leonard I. Sweet "Why has what Cobb positions as the two basic forms of postmodern theology, process and deconstruction, made so little impact on theological education, to say nothing of grasping the imagination and loyalty of either the church's faithful or its disaffected? Why has process theology not lived up to its potential within the church, which has devoured 'group process' (and been devoured by it) while turning down process thought? Indeed, why are both process and deconstruction so out of touch with the church?" Back in the days when Chou En-Lai and Mao Zedong were battling for control of China, Archduke Otto von Habsburg, pretender to the throne of the Austro-Hungarian Empire, asked Chou En-Lai: "What do you think of the French Revolution?" Chou En-Lai was silent for a moment, but finally answered with conviction: "It's too soon to tell." If it is too soon to tell about the French Revolution upon its two hundreth anniversary, it is much too soon to tell about postmodernism. Yet that should not, and has not, stopped scholars from talking about it and working on it.
Art Critique Gallery And Forums - "Modernism/ Post Modernism? Ugh!"
modernism/ Post modernism? ugh! . Is modernism over and if so what is postmodernism?Every one seems to have a different answer.
http://artcritiquegallery.com/cgi-bin/dcforum/dcboard.cgi?az=read_count&om=2&for
UVic Course: ART 250
499, 500, 501, 511. 512, 521, 522, 541. 542, 551, 552, 570. 580, 581, 598. Celebrating100 years of education. art 250. Units 1.5, K(30). modernism and Postmodernism.
http://web.uvic.ca/calendar2003/CDs/ART/250.html

Extractions: Emergencies Campus Maps Directories Webmail ... ART Course List Visual Arts (ART) Units: K(3-0) A lecture course that will survey some conditions that distinguish modernism from postmodernism and consider pertinent theoretical positions. Undergraduate course in Visual Arts offered by the Department of Visual Arts in the Faculty of Fine Arts
ART HISTORY Courses : CONCEPTS AND CRITIQUE II: POSTMODERNISM
and philosophies underlying contemporary Post modernist art of the 1970 s and 1980 s.Emphasis is on the rift between modernism and Postmodernism, as well as
http://artinstituteflorence.lorenzodemedici.it/course_catalogue/school_courses_i
University College Utrecht - (HUM 321) Modernism, Postmodernism... And Beyond. M
as modernism, avantgarde and postmodernism will be the most important theoreticalissues concerning modernism, avant-gardism and post-modernism in the
http://www.ucu.uu.nl/outline.php?course=95
109-122 Russian Modernism And Postmodernism
109122 Russian modernism and Postmodernism. Credit Points. 12.5. HECS Band. 1. Manifestosof Russian postmodernism as well as Russian Conceptualist art will be
http://www.unimelb.edu.au/HB/2000/subjects/109-122.html

Extractions: Next 109-123 Gogol and Beyond Credit Points HECS Band Coordinator Dr Millicent Vladiv-Glover Semester (view timetable) Contact A 2.5-hour seminar per week Subject Description Taught in English, this subject will focus on the dominant modes of representation in contemporary Russian fiction, drama, and film in order to answer the question: what is (Russian) postmodernism? Students will examine the relationship of postmodernism to its antecedents in Russian and European literature and culture, and re-examine some texts of the Socialist Realist period through a postmodern perspective. The significance of violence and pornography in contemporary Russian fiction will be considered in the context of the poetics of 'magic realism', of 'zero degree' prose and of an aesthetics of the heterogeneous. Manifestos of Russian postmodernism as well as Russian Conceptualist art will be analysed in a comparative western (pop-art) context. On completion of the subject students should have become acquainted with approaches to the study of cultural texts in the general context of postmodernity as it relates to the phenomenon of the New Russia. Assessment Written work totalling 4000 words comprising a 1500 word classpaper and a 2500 word essay.
Postmodernism Syllabus
Glenn Ward, Teach Yourself Postmodernism (hey, why should *I* do it? The course aimsto define the nature of modernism and postmodernism and gauge the
http://www.snappyprof.com/students/ad-384.html

Extractions: Postmodernism syllabus T-Th 7:30-8:15 - GRIS 180 Review page at http://www.sla.purdue.edu/courses/ad/arthistory/ (click on Postmodernism) Elizabeth K. Menon Office: VPA 3119 Office Phone: 496-2958 This course aims to provide an in-depth study of Contemporary Art as it evolved (and continues to evolve) in Europe and America. The course aims to define the nature of "modernism" and "post-modernism" and gauge the latter development historically, stylistically and culturally. This is an equal opportunity classroom in the presentation of ideas and issues raised by artists. Artists create works that become either personal or societal documents of a certain moment in their lives. Topics including censorship, pornography, homosexuality, AIDS and feminism may make you feel uncomfortable because of their unfamiliarity. Much like the goal of a good college education, the work of many contemporary artists challenges us and is designed to, not ask us to change or give up what we believe, but to examine our beliefs in a larger context. The content and images of some works shown in this course may be very disturbing to some students enrolled in this class. Graphic violence, alternate life styles, and explicit sexuality are themes pursued by some contemporary artists. By remaining in this course you are obligating yourself to discussion and viewing of such works.
Art History Network: Post Modernism
submit_ad. Home. Post modernism. art Historical Era, artist, Civilizations.Journals Magazines. ·Post Modern Culture. Submit a site, Link to us, Contactus.
http://www.arthistory.net/civilizations/post_modernism.html
ART OF THE WESTERN WORLD: FROM ANCIENT GREECE TO POST MODERNISM
Now, with modernism, the West has become a state of mind, rather than art OF THE WESTERNWORLD FROM ANCIENT GREECE TO POST modernism Customer Review
http://www.art-book-reviews.com/ART_OF_THE_WESTERN_WORLD_FROM_ANCIENT_GREECE_TO_

Extractions: Art of the Western World, from Ancient Greece to Post-Modernist art, is covered admirably in this companion volume to the PBS series of the same name. Perhaps one of the reasons I find this book so interesting is that I have met the authors, as Bruce Cole and Adelheid Gealt are both part of the Art programmes here at Indiana University, and the book is dedicated to Herman Wells, recently deceased, but powerful administrator who built in his 50 years of work with the university an Ivy-League-like atmosphere and, for many departments and schools, reputation. The text is beautifully illustrated, with full-colour plates and glossy photographs of paintings, sculpture, stained glass, furniture, jewelry and architecture on every page. This is also a comprehensive volume of Western art - chapters include the art of Greece, Rome, Christian Art (including a special chapter devoted to cathedrals), Renaissance art (with special chapters on Italian and Dutch art), eighteenth and nineteenth century art, and then several chapters on modern artistic movements from Impressionism forward.
The Postmodernism Generator: Communications From Elsewhere
The Postmodern Essay Generator random meaningless but valid-sounding essays with a postmodern/lit-crit theme. into a Derridaist reading that includes art as a totality Derridaist reading implies that art may be used to reinforce of consensus implies that art is capable of deconstruction
http://www.elsewhere.org/cgi-bin/postmodern

Extractions: Department of Gender Politics, University of Illinois If one examines socialism, one is faced with a choice: either reject Foucaultist power relations or conclude that society, paradoxically, has significance, but only if reality is interchangeable with consciousness; if that is not the case, Bataille's model of pretextual cultural theory is one of "subcapitalist textual theory", and therefore intrinsically dead. Thus, Porter suggests that the works of Gibson are not postmodern. A number of narratives concerning a mythopoetical totality exist. "Art is responsible for capitalism," says Lacan; however, according to von Ludwig , it is not so much art that is responsible for capitalism, but rather the rubicon of art. It could be said that Marx's critique of dialectic situationism states that narrativity is used to reinforce the status quo. Several constructions concerning cultural neotextual theory may be revealed. "Society is fundamentally dead," says Bataille. But Debord promotes the use of dialectic situationism to analyse reality. An abundance of dematerialisms concerning not narrative, as socialism suggests, but subnarrative exist.
Haber's Art Reviews Postmodernism And Art History
Reviews by John Haber of New York City art galleries and museums
http://www.haberarts.com/
Postmodernism
While some feel that post modernism is a form of antimodernism (deconstructivepostmodernism of the modernist perspective (constructive postmodernism).
http://losthighway.dcu.ie/solas/des/websmal/maltext.html

Extractions: home In the world of artistic expression, the change in perspective that arose with the rise of modernism, was the biggest development in representation since the renaissance. The old way of the linear perspective was abandoned in favour of new ways of looking at objects and ideas. Experiments were made in the areas of form, content and presentation. Anything to do with the old ways were rejected for being too old and conservative. The modernist experiment was underway. Professor Christopher L. C. E. Witcombe Robert Hughes wrote that "in the 60's all that began to change, as the art would gradually shed its idealist premises and its sense of outsidership and began to turn into the Art Business." While the modernists looked to the future and technical advancement for inspiration, they were unaware of what the future and technology had in store for them. The technological horrors enacted in two successive world wars, culminating in the atomic bombings of Hiroshima and Nagasaki and the murder factories of Auschwitz and Dacchau left them demoralised and hollow. It was hard to maintain hope for the future in the wake of this savagery. This led some artists in America to turn their attention to the present and in particular the contemporary popular culture. Thus Pop art was born and postmodernist art had truly arrived. Blam Cubist still life with playing cards Pop artists used any form of objective subject matter. There was no limit to what was relevant for artistic representation.
WowEssays.com - Modernism Vs. Postmodernism
While Burgin provides a means of distinguishing postmodernism from modernism inart, there remains the problem of how to, or indeed whether, one ought to
http://www.wowessays.com/dbase/aa3/cng205.shtml
Link To Postmodernism And Art History: Haber's Gallery And Museum Reviews
Link to Postmodernism and art History Haber s Gallery and Museum Reviews.
http://www.pixcentrix.co.uk/haberarts/
Glbtq >> Arts >> Contemporary Art
Literary and art criticism has set postmodernism in theoretical opposition to twentiethcenturymodernism, a tradition dominated by white and heterosexual men.
http://www.glbtq.com/arts/contemp_art.html

Extractions: page: From one perspective, contemporary art is the art of the immediate present. However, in the institutional settings of the museum, the art market, and academia, contemporary art designates new currents in art since 1970. Its history is identified with postmodernism, a later phase of modern art. During this period, an art addressing gay and lesbian identity emerged. Modernism versus Postmodernism Literary and art criticism has set postmodernism in theoretical opposition to twentieth-century modernism, a tradition dominated by white and heterosexual men. For modernism, oil painting was the preferred medium in the fine arts. It carried the history of modern art. Writers framed modernist art theory in terms of formalism, a critical approach that prized the visual or formal elements of style over content. They conceptualized art history as linear and progressive and, by mid-century, declared abstraction to be modernism's consummate form. Sponsor Message.
Post Modernism
and practices of any form of modernism A couple of good books about postmodernismDeveloping Information away from the media driven postmodernism back towards
http://c2.com/cgi/wiki?PostModernism
Sciforums.com - Modernism, Postmodernism, What Comes Next?
is or wel develope many well defined subgroups as oposed to just modernism or post modernism . Postmodernism would then be the last big dominant style
http://www.sciforums.com/archive/index.php/t-30552

Extractions: I do not think any form of modernism is coming back. Its focus was the individuum (constrained by prety unlivable rules of very conservative society (Ibsen, Tschekhov)) aiming at freeing the induviduum socially (19th cent) then economnically (20th cent). It is possible that this concern with the indivudual and his/her rigths is definitely over. The thema of nowadays is more how can the society defend itself against extremist individuum which modernism and postmodernism produced. guthrie I'm tempted to say Fuck all. What have modernism and postmedernism actually got to do with real life?
Reading Writing Art Of Criticism
art of Criticism. When forest ? In any case, I find the arguments betweenModernism Postmodernism mostly beside the point. I
http://chujoe.net/archives/000427.html

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