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Modernism & Post-modernism Art: more books (89)

Pop Art and the Origins of Post-Modernism (Contemporary Artists and their Critics) by Sylvia Harrison, 2001-08-27
Towards Post-Modernism: Decorative Arts and Design Since 1851 by Michael Collins, 1988-04
Toward Post-Modernism: Decorative Arts and Design Since 1851
Modern Art: Impressionism to Post-Modernism
Art Since 1900 (Modernism, Anti-Modernism, Post-Modernism) 1945 to the Present (Volume 2) by Hal Foster, Rosalind Krauss, et all 2004
Triumph of Anti-Art: Conceptual and Performance Art in the Formation of Post-Modernism by Thomas McEvilley, 2005-11-30
A History of the Arts: Prehistory to Post-Modernism by Dennis J. Sporre, 1989-12-31
Advent of Modernism: Post Impressionism & North American Art by William Agee, Peter Morrin, 1986-03
Modernism, Post-Modernism, Realism: A Critical Perspective for Art (Winchester studies in art and criticism) by Brandon Taylor, 1991-07
Gauguin and 'Post-Impressionism'. Modern Art & Modernism Units 7-8. by Belinda [Ed] Thomson, 1983
Modern Art, Impressionism to Post-modernism - 2008 publication by various, 2008
Modern Art: Impressionism to Post-Modernism by David Britt, 1989
Modern Art Impressionism to Post-modernism - 2008 publication. by unkn, 2008
Post-Modernism: The New Classicism in Art and Architecture by Charles Jencks, 1987

lists with details

Art After Post-Modernism
Las Vegas art Museum's homepage with it featured historic Web artInstallation, VRML art museums of cyberart, digital art, and animation that offer online museum and cultural library experiences as
http://www.lastplace.com/EXHIBITS/LVAM/artafter.htm

Extractions: Las Vegas Art Museum, USA The logic of this manifesto and exhibition comprehends and condenses a new, well-developed esthetic now beginning to displace and definitively succeed the combined esthetic of Modernism and its coda, so-called Post-Modernism, which in tandem formed the artistic continuum dominating the fine arts in the twentieth century. Inevitable and inexorably, this new and growing international art movement will determine the course of the fine arts well into the 21st century, the third millenium. In the present context, the term Post-Modernism is relegated with finality to its dominant usage in the several fine arts: as a general label for late deconstructive movements. The common conception of the term is substantially different: a misunderstanding caused by the word's popularization as a label for a certain period and general style of architecture. This architecture's recent preeminence has now decisively ended. Despite the generic, popular understanding of the term "Post-Modernism"- an impression principally caused by the often eclectically composite nature of what is called Post-Modern architecture - a systematic survey of the term's usage in criticism of the other fine arts reveals the expression to be employed, in overwhelming numbers, as a label for artistic phenomena strictly of the late-dismantlement sort. In the visual arts, "Post-Modernism" is quite predominantly used to encompass late reductive movements: form an uncertain point not long before Minimalism, through the latest tortured developments in the now aimlessly drifting and meandering dematerialization of art. In poetry, the term has been applied almost exclusively to contemporary verse so stripped of technical resources that it is largely indistinguishable from common prose if read aloud. In serious music, one finds "Post-Modernism" used to denote the dismantlement process completed, for example, in the random noise-music of John Cage. And so it is used in drama and dance criticism too: as a descriptive label for extremely reductive works, such as the living Threater company's audience/cast interactive performances improvised without a script.
ED348328 1992-09-00 Post-Modernism, Art Educators, And Art Education. ERIC Diges
This ERIC digest explores aspects of postmodernism in art and art education. The adoption of post-modern attitudes by art educators must result in the generation of different, but no less general, material about Post-modernism in other publications.
http://www.ed.gov/databases/ERIC_Digests/ed348328.html

Extractions: Source: Adjunct ERIC Clearinghouse for Art Education Bloomington IN. Post-Modernism, Art Educators, and Art Education. ERIC Digest. THIS DIGEST WAS CREATED BY ERIC, THE EDUCATIONAL RESOURCES INFORMATION CENTER. FOR MORE INFORMATION ABOUT ERIC, CONTACT ACCESS ERIC 1-800-LET-ERIC This Digest explores aspects of Post-Modernism in art and art education. It is argued that the adoption of Post-Modernist attitudes by art educators must result in the generation of different, but no less difficult, questions about the nature of formal education. Support for this argument comes from recent art education publications supplemented by relevant, but more general, material about Post-Modernism in other publications. WHAT CHARACTERIZES POST-MODERNISM? Post-Modernism holds that many value positions may be taken about relationships among persons, art, and education and many of these positions are likely to be in conflict. Art works are constructed out of social interactions and indeed are designated "art works" by those elements in society that sponsor them. These works may receive confirmation as being important to a group through deconstruction (or taking apart, particularly from the standpoint of motive or agenda) and reconstruction (or interpretation) by their advocates' position, in which case their reconstruction of the same material will inevitably be different.
PARALLEL Gallery // Journal - Two
An online art gallery and journal of postmodernism and popular culture.
http://www.va.com.au/parallel/x2/

Extractions: PARALLEL presents cross-disciplinary work from artists and writers. It contributes to the on-going research into web practices and theories. PARALLEL covers topics including architecture, art, fiction, design, video, film, language, sexualities, death, writing... Our enablers are Camtech (SA) and Apple Australia PARALLEL is Virtual Artists and Hewson/Walker Gallery Journal kim bounds untitled more info heather fernon senseless more info hewson/walker it was a slow journey back more info derek kreckler untitled more info jesse reynolds untitled more info dave sag mood selection as a whim more info mark a thomas Dear Mike more info abstracts between the colon and the semi-colon peter bishop more info derrick de kerckhove more info alien sick simon robb more info phatic lisa robertson more info lily ponds: a poststructural gardening thriller jyanni steffensen more info siting the body michael tawa more info NOON STAR STAR DUSK gregory ulmer/ linda marie walker more info [ns] more info [sd] Tools to facilitate this site:
Tree's Place - Fine Arts On Cape Cod
Orleans gallery specializing in contemporary forms of Realism, Impressionism, and Postmodernism.
http://www.treesplace.com

Extractions: June Art of the Month 2004 National Conference on Representational Painting Tree's Place Gallery Artists 2004 Exhibition Schedule Ceramic Tiles in the Tilery at Tree's Place Beautiful Things in the Shop at Tree's Place Request Information or send us your comments! Art, Antiques, Cape Cod, etc... Last Updated: June 3rd, 2004, by Julian Baird, Tree's Place
Post-Modernism Or Post-Post Modernism
Post modernism or postPost modernism? text copyright 1995 by Jon Mattox. What's all the fuss about anyhow? Ask 5 people what post-modernism means and you'll likely get five different reactions or none at all. usage or "Post modernism" with its complex relation to modernism and art history, its
http://www.jonmattox.com/grids/ideas/postmodernism.html
ED348328 1992-09-00 Post-Modernism, Art Educators, And Art Education. ERIC Diges
Highmodernism The Relationship to DBAE and Title Post-modernism, art Educators,and art Education. Teaching Methods Identifiers ERIC Digests, Postmodernism.
http://www.ericfacility.net/databases/ERIC_Digests/ed348328.html

Extractions: Source: Adjunct ERIC Clearinghouse for Art Education Bloomington IN. Post-Modernism, Art Educators, and Art Education. ERIC Digest. THIS DIGEST WAS CREATED BY ERIC, THE EDUCATIONAL RESOURCES INFORMATION CENTER. FOR MORE INFORMATION ABOUT ERIC, CONTACT ACCESS ERIC 1-800-LET-ERIC This Digest explores aspects of Post-Modernism in art and art education. It is argued that the adoption of Post-Modernist attitudes by art educators must result in the generation of different, but no less difficult, questions about the nature of formal education. Support for this argument comes from recent art education publications supplemented by relevant, but more general, material about Post-Modernism in other publications. WHAT CHARACTERIZES POST-MODERNISM? Post-Modernism holds that many value positions may be taken about relationships among persons, art, and education and many of these positions are likely to be in conflict. Art works are constructed out of social interactions and indeed are designated "art works" by those elements in society that sponsor them. These works may receive confirmation as being important to a group through deconstruction (or taking apart, particularly from the standpoint of motive or agenda) and reconstruction (or interpretation) by their advocates' position, in which case their reconstruction of the same material will inevitably be different.
Post-Modernism, Art Educators, And Art Education. ERIC Digest.
Clahassey, Patricia. modernism, postmodernism, and art Education. artEDUCATION, 39, (1986) 44-48. Derrida, Jacques. Of GRAMMATOLOGY.
http://www.ericdigests.org/1992-2/art.htm

Extractions: Source: Adjunct ERIC Clearinghouse for Art Education Bloomington IN. Post-Modernism, Art Educators, and Art Education. ERIC Digest. This Digest explores aspects of Post-Modernism in art and art education. It is argued that the adoption of Post-Modernist attitudes by art educators must result in the generation of different, but no less difficult, questions about the nature of formal education. Support for this argument comes from recent art education publications supplemented by relevant, but more general, material about Post-Modernism in other publications. WHAT CHARACTERIZES POST-MODERNISM? Post-Modernism holds that many value positions may be taken about relationships among persons, art, and education and many of these positions are likely to be in conflict. Art works are constructed out of social interactions and indeed are designated "art works" by those elements in society that sponsor them. These works may receive confirmation as being important to a group through deconstruction (or taking apart, particularly from the standpoint of motive or agenda) and reconstruction (or interpretation) by their advocates' position, in which case their reconstruction of the same material will inevitably be different. Post-Modernism thrives on these differences, which are as evident in artifacts as they are among individuals. Bricolage, the habit of using whatever comes to hand, and eclecticism, the deliberate plucking of elements out of their original contexts and bringing them together arbitrarily, are common post-Modern traits. Ambiguities and surprises are sought, together with multiple references. The audience may be confronted with paradoxes arising from unlikely choices of material, or from allusions to discrepant periods in art history, or from cultural contradictions. For example, the post-Modern sideboard may be constructed from slate and fiberglass; be shaped like a high alter, but cater to eating and drinking; it may have polish of a Louis XV table, but the eccentric proportions of Dr. Caligari's cabinet.
Apologetic Responses To Post-Modernism: A Symposium - Premise - Vol III, No 4, 1
Volume III, Number 4 / April 29, 1996. page 8. Apologetic Responses To Postmodernism A Symposium consider the challenges of Post-modernism, the more we must to lifestyles imitating the "art" of pornography and violent combat
http://capo.org/premise/96/april/p960408.html

Extractions: PREMISE Volume III, Number 4 / April 29, 1996 page 8 Papers from a Panel Discussion Sponsored by the Evangelical Philosophical Society at the Annual Meeting of the Evangelical Theological Society in Philadelphia, November, 1995 Donald T. Williams , Toccoa Falls College, Moderator; Millard J. Erickson , S.W. Baptist Theological Seminary; Kurt Anders Richardson , Gordon Conwell Theological Seminary; David K. Clark , Bethel Theological Seminary by Donald T. Williams The analysis of one's own times is always perilous. We know them intimately but also, of necessity, partially, with our noses too close to the data, which seem to be moving in a rapid blur. It is almost impossible to get a critical distance, hindsight is not available, and nobody can tell which contemporary pronouncements will appear ludicrous a century hence. Nevertheless, it is sometimes incumbent upon us to try. Our time seems to be such a time: The one thing we can say for certain about the intellectual and cultural climate in which we are called to serve is that it is changing swiftly. Those of us engaged in the defence of the faith find ourselves shooting at targets that seem to shift with blinding speed. We have spent the years since the Enlightenment perfecting an apologetic that could deal with a set of challenges that have come to be known as
Art History Re: What Is Post-modernism Art Art History Art History Classical Art
Posted by alicia on October 28, 19102 at 000730 In Reply to Re Whatis postmodernism art posted by jillian on July 10, 19102 at 010541
http://classicals.com/music/ArtHistoryhall/cas/235.html

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Art History Re: What Is Post-modernism Art Art History Art History Classical Art
Follow Ups Re What is postmodernism art Emma Johnson 213008 10/19/103(0) Re What is post-modernism art alicia 000730 10/28/102 (5)
http://classicals.com/music/ArtHistoryhall/cas/198.html

Extractions: //Required //var site = '681666'; //var mnum = '139010'; //Not Required var max_words = 3; var max_links_per_word = 4; var link_color = '0107A1'; var boxbg_color = 'FFFAEA'; var boxtitle_color = 'black'; var boxdesc_color = 'black'; var boxurl_color = 'red'; DR. ELLIOT'S NORTH AMERICAN GREAT BOOKS TOURCOMING TO A BOOK STORE NEAR YOU Classical Art and Architecture Ports Art History, Art History, Art History, Art History, Art History,Classical Music, Classical Art and Archtitecture, Classical Art and Archtitecture, Classical Art, Classical Music, Art History, Classical Art and Archtitecture, Classical Music, , , Classical Art and Archtitecture, Classical Music, Classical Art and Archtitecture, Classical Art, Classical Music, Art History
Post-modernism Online Newspaper Articles
modernism and Postmodernism Russian art of the Ending through ..on Sat., 10am-1 pm located in the old post office next to the bank. Featuring local..
http://www.newspaperarchive.com/topics/post-modernism/default.html

Extractions: Frederick County Leader ...under 10. 301-695-1864. "Modernism and Post-Modernism: Russian Art of the Ending through.....Box 578 Frederick, Maryland 21705-0578 New-Post Phone Numbers: General Information 301.....s what you missed in The Frederick NeWS-POSt., Monday, January 15 Frederick library.....you may this coupon to: The Frederick News-Post, P.O. Box 578, Frederick, MD 21 705-0578..
Modernism, Modernist Art
Artists. . modernism . POSTmodernism . A WEB INDEX A. modernism, Modernity.A journal. . Postmodernism Postmodernism web page resources (UK) .
http://www.zeroland.co.nz/modernism_art.html

Extractions: A Web Directory Ancient art Art Nouveau Conceptualism Cubism ... U - Z See also: Art History By Country Painting Art styles and movements ... Artists MODERNISM . POST-MODERNISM . A WEB INDEX A Essays on Modernism by Professor Whitcombe. The Roots of Modernism. Art for Art's Sake. Futurism. Futurist Manifestos
POST-MODERNISM AND MORAL PHILOSOPHY
By John Ray Postmodernism Post-modernism is an of most people s enjoyment of bothliterature and art. had no personal contact with it as Postmodernism was not
http://jonjayray.tripod.com/pomo.html

Extractions: And postmodernists are in fact demonstrably psychopathic in their readiness to lie. "There is no such thing as truth" is an excellent cover for lies. "There is no such thing as truth in what I say" is, after all, a straightforward expansion of the statement. And indeed there is not in many cases. At least as far back as Stalin, lies have always been an essential prop for the Left . An extended account of how present-day Leftist historians use postmodernism to excuse the most barefaced lies about the past can be found here "Postmodernists claim that there is no objective truth, that there is only interpretation, and that it all depends on who is in power. According to the postmodernists, we are so biased by our race, class, and gender that knowledge is impossible. The postmodernists allow freedom of speech only for those who share their Leftist political views in issues like feminism, affirmative action, and free enterprise versus socialism. They hire and fire on the basis of ideology rather than scholarship, and they try to prevent speakers of whose views they're don't approve from appearing on campus.
Common Readers' Bookshop (Books On Modernism/Postmodernism)
Postmodernism and the Social Sciences Insights, Inroads Practising Postmodernism Reading modernism (Working With Preface to modernism; art Berman; Paperback
http://orlando.jp.org/CRB/modbook.html

Extractions: Common Readers' Bookshop Click on title for more details. Books are in alphabetical order by title without any particular category. Use your brouser's FIND function to search by author or keywords. After the Great Divide : Modernism, Mass Culture, Postmodernism (Theories of Representation and Difference) ; Andreas Huyssen; Paperback; $10.75 Afterwords : Hellenism, Modernism, and the Myth of Decadence ; Louis A., Jr Ruprecht; Paperback; $21.95 American Expatriate Writing and the Paris Moment : Modernism and Place (Modernist Studies) ; Donald Pizer; Hardcover; $31.25 American Poetry : The Modernist Ideal (Insights) ; Clive Bloom, Brian Docherty; Hardcover; $35.00 The Anti-Aesthetic : Essays on Postmodern Culture ; Hal Foster; Paperback; $8.95 Art in Modern Culture : An Anthology of Critical Texts ; Francis Frascina, Jonathan Harris; Paperback; $17.96 Art Nouveau (The World of Art) ; Alastair Duncan; Paperback; $13.45 Art of the Western World : From Ancient Greece to Post-Modernism ; Bruce Cole, Adelheid Gealt; Paperback; $16.20 Art Since 1940 : Strategies of Being ; Jonathan Fineberg; Hardcover; $54.00
Tehran Museum Of Contemporary Art < Calendar - Events >
led to a phase beyond modernism commonly referred Initially, the western concept ofpostmodernism arose in the applied to other forms of art music, painting
http://www.ir-tmca.com/calendar/envents/Post-Modernism.htm

Extractions: In the ever-changing art scene of the 20th century, which was in a race against time, new styles and schools emerged. Artists and thinkers alike were bent on creativity, innovation, emotions, personal experiences and ingenuity. The developments of the latter half of the century led to a phase beyond modernism commonly referred to as a 'post' era: post-industrial, post-metaphysical, post-structural, post-modern, etc. One of the most significant and prevailing speculative issues of our time is the philosophy of post-modernism and thus the critique of modernity. Initially, the western concept of post-modernism arose in the field of architecture.It was then applied to other forms of art : music, painting, cinema, literature, literary criticism, etc. and was eventually used to characterise the social, economic, cultural and political aspects of contemporary life. However, no precise and agreed definition of post-modernism has as yet been provided to the plurality of thinkers who have discussed it and the diversity of their viewpoints. Needless to say this reflects the peculiar character of post-modernism:by its very nature it resists exact definition and is not bound by any single interpretation. what is important however is that post-modernism is the continuation of modernity and of the spirit of an age, which commenced with the Renaissance and evolved into our present-day condition. Some Western philosophers even hold that post-modernism is an attempt at resolving the exigencies of modernity and contemporary man's problems. Hence, questioning the nature of modernity is fundamental to examining post-modernism. Without an intelligent discernment of modernity, and the question of its nature and essence, one can not hope to understand the insights and relevance of post-modernism.
- Admissions - Trinity College Dublin
Apply to Executive Officer, Department of the History of art, Trinity College.Telephone 01 608 3061. Email arthist@tcd.ie. modernism and Postmodernism.
http://www.tcd.ie/Admissions/courses/parttime_course.php?ID=5
Pre-Modernism And Post-Modernism In Europe: Two Contrasting Exhibitions - Michae
Premodernism and Post-modernism in Europe century, Kassel has become the site ofwhat many consider the foremost exhibition of contemporary art in Europe.
http://www.worldandi.com/specialreport/1987/september/Sa13398.htm

Extractions: Kassel is a fair-sized city with no airport, two hours north of Frankfurt, that still benefits from some extremely ambitious and enchantingly imaginative landscaping undertaken in the days of the Landgrafen. An eighteenth-century palace of reddish stone stands on the hill of Wilhelmshohe looking out over ancient trees and artificial lakes to the city far below. The palace grounds are the site of a complicated hydraulic spectacular that periodically releases an imposing quantity of water from a reservoir on the hilltop to produce a roaring torrent, a romantic waterfall, culminating in a fifty-meter high geyser that Sunday crowds come up to admire.
Post-modernism
Postmodernism. The fundamental philosophical assumptions of modernism, its tendency tointer-weave symbols elaborately, to create works of art that, however
http://www.missouri.edu/~rlc4hf/Postmodern.htm

Extractions: Post-modernism THE LITERATURE: Samuel Beckett, Sylvia Plath, Ishmael Reed From C. Hugh Holman, A Handbook to Literature The fundamental philosophical assumptions of modernism, its tendency toward historical discontinuity, alienation, asocial individualism, and Existentialism, continue to permeate contemporary writing, perhaps in a heightened sense. But the tendencies of the modernist to construct intricate forms, to inter-weave symbols elaborately, to create works of art that, however much they oppose the established order, create within themselves an ordered universe, have given way since the 1960s to a denial of order, to the presentation of highly fragmented universes in the created world of art Myth has given away to experiencing aesthetic surfaces. Traditional forms, such as the novel, have given way to denial of those forms, such as the anti-novel. THE VISUAL ARTS: Rene Magritte, Arshile Gorky, Jackson Pollock, M.C. Escher, François Morellet Surrealism (sort of) Rene Magritte, although typically categorized as a Surrealist, did not use the fantastic or obscure, dream like images in order to express the subconscious, as Salvador Dali did.
Pop Art And The Origins Of Post-Modernism
Home Pop art and the Origins of Postmodernism. Pop art and the Originsof Post-modernism. Sylvia Harrison. Published November 2001. 288 pages.
http://books.cambridge.org/0521791154.htm

Extractions: Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broadly categorized as either sociological or philosophical - bear a striking similarity to the body of thought and opinion which is now associated with deconstructive post-modernism. Perceived through these disciplinary lenses, Pop Art arises as not only a reflection of the dominance of mass communications and capitalist consumerism in post-war American society, but also a subversive commentary on worldviews and the factors necessary for their formation. Cambridge University Press 2004.
Glbtq >> Literature >> Post-modernism
Postmodernism both grows out of and subverts modernism. Post-modern art and criticism,however, challenge modernism s adherence to an ideology of artistic
http://www.glbtq.com/literature/postmodernism.html

Extractions: page: In literary studies, the stance of post-modern critics and writers is characterized by a rejection of the values of eighteenth-century Enlightenment thought, most particularly by a rejection of the notions of rationality and objectivity and of the understanding of the self as a rational, unitary entity. Definition Instead, post-modern thought emphasizes a form of subjectivity that is multiple rather than singular and fluid rather than static. Subjectivity, as used by post-modern thinkers, refers to a subjective sense of self that includes agencythe capacity for actionas distinguished from the condition of an obliterated selfhood that results when an individual is objectified, made into an object to be possessed sexually, materially, or imaginatively by those who are culturally dominant. Sponsor Message.

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