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Hudson River School Art: more books (75)

William Cullen Bryant and the Hudson River School of Landscape Painting. by Nassau County Museum of Fine Art, 1981
Willam Cullen Bryant, and the Hudson River School of Landscape Painting by Nassau County Museum of Fine Art, 1981
Hudson River School by Ny: Fine Arts Gallery At State University College Of Ny, Feb. 27 To Apr. 6, 1968 Geneseo, 1968-01-01
Hudson River School by Agnes Halsey Jones, 1968-01-01
All That is Glorious Around Us: Paintings From the Hudson River School by Pa: Museum Of Art, Penn State University, Jan. 18 To Mar. 22, 1981 University Park, 1981-01-01
American Art Review: May-June 1974 by Arshile Gorky, Andrew Wyeth, John Quidor, R. Swain Gifford Hudson River School, 1974-01-01
Landscape Art: Panoramic Painting, Panorama, White Mountain Art, Romantic Era Panoramas, List of Hudson River School Artists, Diorama
Landscape of America: The Hudson River school to abstract expressionism : November 10, 1991-February 9, 1992 by Constance Schwartz, 1991
Antiques & Fine Art Magazine (Women Artist og the Hudson River School, Spring 2010) by Various, 2010
Hudson River School Paintings (Postcard Books) by Wadsworth Atheneum, 1996-01
American sublime.(Hudson River school of landscape painting): An article from: New Criterion by Michael J. Lewis, 2002-09-01
Hudson River School (Pinacoteca)
Nature Rightly Observed: Hudson River School Landscape Painting From the Metropolitan Museum of Art [1988 Exhibitions in Japan] by Shizuoka Prefectural Museum of Art, Shizuoka Broadcasting System, 1988
In the Garden of Liberty; Paintings of the Hudson River School by LLC Questroyal Fine Art, 2007-01-01

lists with details

Frye Mounts Small Jewels Of Hudson River Art
The hudson river school introduced the star system to American art,and yet few hudson river stars are represented here. There s
http://seattlepi.nwsource.com/visualart/landq1.shtml

Extractions: ART CRITIC The first real art movement Americans could call their own was the Hudson River School of landscape painters, active on the East Coast from 1825 to 1878. Among tiny gems in the Hudson River exhibit is William McDougal Hart's "Twilight in the Catskills," 1860, oil on panel, 6 1/4-by-5 1/4 inches. Before that, painters were useful for making portraits of family members and their possessions. Anybody who wanted more went to Europe. Eighteenth-century America was a practical place, populated by those who had more important things to do than contemplate the complexities and refinements of aesthetic objects. Led by Thomas Cole, the Hudson River painters were, first of all, great salesmen. They convinced their countrymen that, as Americans, they had a hammerlock on the sublime. Only they had the good fortune to be living in an artwork. Let Europe have its cathedrals; the open air was America's church, built by the hand of God. Thanks to the miracle of painting, the wealthy could take a little of God's handiwork home with them.
The Metropolitan Museum Of Art - Special Exhibitions: Hudson River School Vision
Only the second retrospective of this hudson river school masters work sincethe a personal and poetic strain anticipating later trends in American art.
http://www.metmuseum.org/special/se_event.asp?OccurrenceId={5BC229A1-FC6B-11D6-9
The Metropolitan Museum Of Art - Special Exhibitions: Hudson River School Vision
a major new retrospective at The Metropolitan Museum of art this fall On view throughFebruary 8, 2004, hudson river school Visions The Landscapes of Sanford R
http://www.metmuseum.org/special/Hudson_River/gifford_more.htm

Extractions: Brought together from museums and private collections in America and abroad, the works in the exhibition include several that have never before been shown. A highlight is Gifford's last major painting, the ethereal masterpiece of sunlight and shadow from 1880, Ruins of the Parthenon (Corcoran Gallery of Art). The exhibition is made possible by Deedee and Barrie Wigmore. The exhibition is organized by The Metropolitan Museum of Art, New York, and the National Gallery of Art, Washington. In 1855, Gifford traveled to Europe, where he spent two-and-a-half years visiting the great repositories of art and sketching scenery in England, Scotland, France, the Low Countries, Germany, Switzerland, and Italy. In England, he admired the color and light in the paintings of J. M. W. Turner, and discussed his work with the critic John Ruskin. Gifford was also impressed by the work of the French landscape painters of the Barbizon school, but wrote in his journal of the dangers of surrendering to a particular method or school of painting, lest they "usurp the place of Nature." When Gifford returned to the United States in 1857, he took up quarters in the new Tenth Street Studio Building in New York City but left it nearly every summer to sketch in the countryside. Favorite settings in this period were the Catskills, the Adirondacks, the Green Mountains in Vermont, the White Mountains in New Hampshire, and various locales in Maine and Nova Scotia. The artist's fascination with the transfiguring effects of light on native scenery is apparent in works such as the 1862 painting
AllRefer Encyclopedia - Hudson River School (American Art) - Encyclopedia
AllRefer.com reference and encyclopedia resource provides complete informationon hudson river school, American art. hudson river school, American art.
http://reference.allrefer.com/encyclopedia/H/HudsonRS.html

Extractions: Content on this web site is provided for informational purposes only. We accept no responsibility for any loss, injury or inconvenience sustained by any person resulting from information published on this site. We encourage you to verify any critical information with the relevant authorities. About Us Contact Us Privacy Links Directory ...
Hudson River School Paintings Art Prints Posters Books-Shop Online
hudson river school paintingsart-prints-pictures, great selectionand prices online at art-Prints-Posters-Books.com. hudson river
http://www.art-prints-posters-books.com/hudson-river-school-art-prints-posters-b

Extractions: Frederic Church, Albert Bierstadt, Thomas Moran, Martin Heade and more Hudson River School paintings, art prints, posters gallery online. Framing : F rame your art online by clicking the Frame It link as you enter the enlarged picture. Choose from a complete selection of frame styles and contemporary mat colors to enhance your art. Mounting : This unique mounting process permanently bonds your print to a high quality hardboard backing, producing an elegant finished product . In the Mountains
Hudson
The hudson river school of art was founded by Thomas Cole in 1825 and lastedthrough the 1870s. Additional hudson river school of art Collections
http://www.geocities.com/Athens/Delphi/5777/Hudson.htm

Extractions: Hudson River School American Wilderness Landscapes The Hudson River School of Art was founded by Thomas Cole in 1825 and lasted through the 1870s. Focusing on the images of American Wilderness, Hudson River School artists including Asher B. Durand, Frederic Church, and Albert Bierstadt captured the imagination of Americans with their idealized landscape portraits. Contrasting the wilderness ideal with diminutive human presence, this school popularized the movement towards Western Expansion and Manifest Destiny. Take a web tour of these Hudson River School paintings:
Niagara Falls In Art - Hudson River School
hudson river school. Albert Bierstadt 18301902. John Kensett 1818-1872. JohnKensett - Niagara Falls and the Rapids c. 1851 Boston Museum of Fine Arts
http://www.sunyniagara.cc.ny.us/homepags/Knechtel/hudson.html
Terra - Exhibitions - Art And Nature: The Hudson River School
Exhibitions. art and Nature The hudson river school December 9, 2000 February 11, 2001 Between 1825 and 1875, the hudson river
http://www.terramuseum.org/exhibitions/art_nature.html

Extractions: December 9, 2000 - February 11, 2001 Between 1825 and 1875, the Hudson River School painters found inspiration in the unspoiled beauty and grandeur of America's wilderness. Art and Nature: The Hudson River School presents masterpieces from the permanent collection of the by landscape artists Thomas Cole, Asher B. Durand, Frederic Church, Jasper Cropsey, Sanford Gifford, James Hart, William Hart, John Kensett, Homer D. Martin, David Johnson, John Casilear and George Inness. These Hudson River painters were known for their dramatic depictions of nature and subjects ranging from sublime views of the wilderness to pastoral scenes and allegorical pictures with moral messages. Painting the pristine American wilderness as a symbol of national identity and pride, these celebrated artists established a native American landscape tradition. Sanford Gifford
Hudson River School - Posters, Art Prints
pastimes, Buy Posters art Prints at Thinks.com. Home Posters art Prints Fine art hudson river school. hudson river school.
http://thinks.com/posters/art/c10132113-hudson-river-school.htm
Hudson River School
Click here to buy posters! hudson river schoolhudson river school hudsonriver school hudson river art school hudson river art school
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Hudson River School
New art center celebrates hudson river school painters. (NewingtonCropseyGallery of art and Cultural Studies Center, Hastings-on
http://www.infoplease.com/ce6/ent/A0824441.html

Extractions: Hudson River school THE LANDSCAPE LOOKS BRIGHT (The Record (Bergen County, NJ)) (PR Newswire) MY CULTURAL CRUSH: MICHAEL BROWNING ON: THOMAS COLE'S: 'THE VOYAGE OF LIFE' (The Palm Beach Post) ACTIVISTS STAND UNITED AGAINST NEW POWER PLANT (The Record (Bergen County, NJ)) Broadway Luminary Ann Reinking Debuts World Premiere in Philadelphia When Jeanne Ruddy Dance Philadelphia's Contemporary Dance Company Opens Fourth Concert Season June 17-19; Program Includes Two World Premieres by Jeanne Ruddy and Philadelphia Premiere by Peter Sparling. (PR Newswire) ON THE CUTTING EDGE IN NEWARK (The Record (Bergen County, NJ))
Winter/Spring 2004 Exhibition Archives: Carnegie Museum Of Art
hudson river school Masterworks from the Wadsworth Atheneum Museumof art February 21 May 9, 2004. Eloquent Vistas The art
http://www.cmoa.org/exhibitions/archives04winspr.asp

Extractions: Eloquent Vistas: The Art of 19th-Century American Landscape Photography From the George Eastman House Colletion has been organized by George Eastman House International Museum of Photography and Film. Generous support has been provided by The William Talbott Hillman Foundation, Inc. and the W.P. Snyder III Charitable Fund.
National Gallery Of Art - Hudson River School Visions: The Landscapes Of Sanford
While his art mirrors the general aesthetic of the hudson river school, Giffordwas a highly individual talent during the 1850s he gradually evolved a
http://www.nga.gov/exhibitions/giffordinfo.htm

Extractions: Collection Tours Press Materials A major retrospective exhibition featuring some 70 of the landscape paintings of Sanford R. Gifford (1823-1880) will present the richness and variety of his achievement and the special qualities of his distinctive style. While his art mirrors the general aesthetic of the Hudson River School, Gifford was a highly individual talent: during the 1850s he gradually evolved a personal style marked by a refined depiction of light and atmosphere. He traveled widely, not only through the American northeast and west, but also in Europe and the Near East. The paintings that resulted from these experiencesincluding his A Gorge in the Mountains (formerly Kauterskill Clove , 1862, The Metropolitan Museum of Art) and Siout, Egypt (1874, National Gallery of Art)not only depict diverse cultures and sights, both natural and man-made, but also rank among the most beautiful and elegant creations of their era.
Sanford & A Lifetime Of Color: Study Art
Glosssary hudson river school Cole, Notch of the White Mountains A group ofpainters who created glorious paintings of the wild American landscape.
http://www.sanford-artedventures.com/study/g_hudson.html

Extractions: A group of painters who created glorious paintings of the wild American landscape Thomas Cole , the leading artist in the group, painting many works of New York's Hudson River Valley . Others, including Albert Bierstadt and Frederic Edwin Church , traveled to the wildernesses of North and South America and painted vast canvasses which enraptured the American public. Some artists in this group explored ways to use light effects to capture dramatic skies, mists and sunsets, forming a subgroup of artists called Luminists
Art Preview: American Artists From Hudson River School At Carnegie
art Preview American artists from hudson river school at Carnegie. hudsonriver school Masterworks From the Wadsworth Atheneum Museum of art .
http://www.post-gazette.com/ae/20040222hudson0222p2.asp

Extractions: Art Preview: American artists from Hudson River School at Carnegie Sunday, February 22, 2004 By Mary Thomas, Pittsburgh Post-Gazette Thomas Cole, in his journal on July 6, 1835, astutely noted that "the painter of American scenery has indeed privileges superior to any other; all nature here is new to Art." "View Toward the Hudson Valley" painted in 1851 by Asher B. Durand epitomizes the grand view of the American landscape favored by artists who later became known as the Hudson River School painters.
What Exactly Is The Hudson River School?
for decades to follow and would be identified as a hallmark of painters looselygrouped under the hudson river school heading. PostGazette art critic Mary
http://www.post-gazette.com/ae/20040222hrs0222fnp3.asp

Extractions: What exactly is the Hudson River School? Sunday, February 22, 2004 By Mary Thomas, Pittsburgh Post-Gazette As with most art movements, the particulars of what, when and whom are open to discussion, even contention. The failure of Hudson River artist Worthington Whittredge to include so central a figure as Jasper Francis Cropsey in a list of fellow group members in his autobiography led Andrew Wilton of the Tate Gallery, England, to question the usefulness of the designation in a 2002 exhibition catalog essay. Carnegie Museum of Art curator of fine art Louise Lippincott also has little regard for designations that serve historians and critics more than artists and artworks. If it were up to her, she says, she'd call painting such as that in the exhibition "American Romantic Landscape." What the art world seems most in agreement upon is that a group of American artists (some native born and some immigrants), working roughly between 1820 and 1870, portrayed the American landscape in a way that landscape had not been previously painted. By doing so, they developed the first school of American painting. This is especially noteworthy because of the cultural and economic dependency the fledgling nation had on Europe, which set standards of taste and housed the academies and patrons that would support and train artists.
The Hudson River School
The exhibition hudson river school Masterworks from the Wadsworth Atheneum Museumof art continues through January 18, 2004 at Stanford, then travels to six
http://ccva.stanford.edu/HudsonRiverSchool.html

Extractions: Hudson River School: Masterworks from the Wadsworth Atheneum Museum of Art continues through January 18, 2004 at Stanford, then travels to six other museums across the U.S. The exhibition is organized by the Wadsworth Atheneum Museum of Art, Hartford, Connecticut, from its permanent collection. The national tour of Hudson River School: Masterworks from the Wadsworth Atheneum Museum of Ar t is sponsored by MetLife Foundation. The catalogue that accompanies the exhibition is published by Yale University Press. The exhibition's presentation at Stanford is supported by an Anonymous Donor and the Cantor Arts Center members. The origins of the Hudson River School traditionally are attributed to Thomas Cole, who was born in England and raised in Ohio before arriving in New York City in 1825. Cole was a more cerebral painter than his predecessors, and he used his art as a moral as well as aesthetic platform. Breaking from the traditional European taste for manicured pastoral views, Cole depicted the virginal, primeval wilderness of the American northeast. It was a paradise already lost, however, for Native Americans had been chased from their lands, white settlements had been long established, and tourism was beginning to boom. Wadsworth introduced 17-year-old Hartford native and aspiring artist Frederic Church to Thomas Cole, who made Church his sole apprentice. Wadsworth then purchased Church's first mature painting
Worcester Art Museum - Press Release - Hudson River School Exhibition Opens At W
hudson river school Exhibition Opens at Worcester art Museum. WORCESTER,MASS., JANUARY 29, 1999 Bask in the tranquility of works
http://www.worcesterart.org/Information/PR/Past/1-29-99b.html

Extractions: WORCESTER, MASS., JANUARY 29, 1999 - Bask in the tranquility of works from America's first national school of landscape painting with "All that is Glorious Around Us": Paintings from the Hudson River School, on view at the Worcester Art Museum from March 13 - June 27, 1999. The exhibition showcases approximately 75 paintings by leading Hudson River School painters such as Thomas Cole, Frederic Edwin Church, and John Frederick Kensett, as well as accomplished examples by lesser-known artists like Regis Francois Gignoux and John Hermann Carmiencke. The majority of the works are from a single private collector, eight works are from the Worcester Art Museum's permanent collection, and a small group of tourist prints are from the American Antiquarian Society. "My goal is to encourage people to recognize that the Hudson River School consisted of many more than the handful of famous painters usually featured in an exhibition of their work, including professional women and African-American artists," says David R. Brigham, curator of American art at the Worcester Art Museum. "I would also like visitors to understand the important cultural themes that are addressed in the works of art, such as notions of change in the land, poetic and religious reflections on nature, and attitudes towards new uses of the land that included tourism and industry." Hudson River School painters were more than talented artists. As if on a mission, they helped create romantic reflections on America's virgin landscape before and during the country's transformation in the 19th century. Land was part of the national consciousness at the time and was considered an inherent part of democracy, wealth, and God's provisions. Hudson River School painters captured this sentiment by painting dramatic landscape scenes that revealed both the tranquility and turmoil settlers could experience as they braved territory in the new world.
Worcester Art Museum - Paintings From The Hudson River School
national school of landscape painting with All that is Glorious Around Us Paintingsfrom the hudson river school , on view at the Worcester art Museum from
http://www.worcesterart.org/Exhibitions/Past/hudson.html

Extractions: March 13 - June 27, 1999 Bask in the tranquility of works from America's first national school of landscape painting with "All that is Glorious Around Us: Paintings from the Hudson River School", on view at the Worcester Art Museum from March 13- June 27, 1999. The exhibition showcases approximately 75 paintings by leading and lesser-known Hudson River School painters. The majority of the works are from a private collector, eight works are from the Worcester Art Museum's permanent collection, and a small group of tourist prints are from the American Antiquarian Society. Hudson River School painters helped create romantic reflections on America's virgin landscape before and during the country's transformation in the 19th- century. Land was part of the national consciousness at the time and was considered an inherent part of democracy, wealth, and God's provision. Hudson River School painters captured this sentiment by painting dramatic landscape scenes that revealed both the tranquility and turmoil settlers could experience as they braved territory in the new world. As the country became more industrialized, Americans yearned for idyllic illustrations of landscape scenery. They wanted images of the land itself, the Native Americans who dwelt on it, and the adventurous people who settled it. Wealthy merchants, bankers, and factory owners sought landscape paintings as an antidote to the harsh business world. "Armchair travelers" desired paintings of the nation's unsettled western frontiers, which they might never see. And resort owners and their guests wanted paintings of scenes that represented places of rest and leisure. Hudson River School artists accommodated all of these needs by painting panoramic, sweeping vistas with glorious sunsets, many-hued cloud formations, gracefully bowed trees, and majestic mountains that provided a welcome sanctuary from the ills of industrialization.
Art/Museums: Hudson River School Visions The Landscapes Of Sanford R. Gifford At
Robinson Gifford was one of the leading members of the hudson river school of landscape inestablishing landscape painting as the preeminent mode of art in mid
http://www.thecityreview.com/srgiff.html

Extractions: His most important and famous painting, "A Gorge in the Mountains (Kauterskill Clove)," a 48-by-39 7/8-inch oil on canvas in the collection of the Metropolitan Museum of Art, is a sensational landscape that inspired Eugene Benson, writing in The New-York Commercial Advertiser under the name Proteus, to comment that:

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