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Dada & Surrealism: more books (100)

Surrealism (World of Art) by Patrick Waldberg, 1997-05-17
Dada Seminars, The (Casva Seminar Papers) (v. I) by David Joselit, George Baker, et all 2005-05-15
Dada East: The Romanians of Cabaret Voltaire by Tom Sandqvist, 2006-02-26
The Dada Painters and Poets: An Anthology, Second Edition (Paperbacks in art history)
Seven Dada Manifestos and Lampisteries(A Calderbook, CB 358) by Tristan Tzara, 1981-10-01
Surrealism And The Sacred: Power, Eros And The Occult In Modern Art (Icon Editions) by Celia Rabinovitch, 2003-07-31
Dada's Women by Ruth Hemus, 2009-04-21
Dada
Surrealism and the Art of Crime by Jonathan P. Eburne, 2008-09
What Is Surrealism?: Selected Writings by Andre Breton, 1978-06-01
Modern French Theatre: The Avant-Garde, Dada, and Surrealism by Michael and Wellwarth, George E. Benedikt, 1964
Shock and the Senseless in Dada and Fluxus (Interfaces: Studies in Visual Culture) by Dorothee Brill, 2010-11-09
The Dada Almanac (Atlas Arkhive, 1)
Dada and Surrealist Performance (PAJ Books) by Professor Annabelle Melzer, 1994-05-01

lists with details

SFSU Bulletin - ART 501
. Title dada and surrealism. GE StatusPrerequisites ART 202 or equivalent. Term(s) Offered Units (3).ART 501 Course
http://www.sfsu.edu/~bulletin/courses/09228.htm

Extractions: Description: Origins of the Dada movement in Zurich in 1916, the spread of Dada throughout Europe and the U.S., the political and aesthetic positions taken by Dada poets and painters, and the eventual emergence of a Surrealist movement in Paris in 1924. Surrealist poetry, painting, film, and other media is examined in the context of this movement.
Dada
surrealism. Links. Documents of dada and surrealism dada and SurrealistJournals in the Mary Reynolds Collection. IRENE E. HOFMANN.
http://www.jahsonic.com/Dada.html

Extractions: [jahsonic.com] [Next >>] Dada A European artistic and literary movement (1916-1923) that flouted conventional aesthetic and cultural values by producing works marked by nonsense travesty , and incongruity. In Lipstick Traces - A Secret History of the Twentieth Century Greil Marcus traces a subliminal trajectory where nearly-invisible connections arc across punk , the Situationists of 1968, Dada in 1916, the Enrages of the French Revolution and heretical millenarianism in medieval times. He isnt describing the direct causal link of past and present but suggesting a more opaque entanglement. dan@sparkchamber.co.uk 1913 - Duchamp makes the first 'readymade' - a bicycle wheel mounted on a stool 1916 - Cabaret Voltaire opens in Zurich on 5 February. It soon takes the name 'Dada' 1917 - First issue of 'Dada' periodical published. Issues 1-4 of '391' periodical published by Picabia. Duchamp exhibits 'Fountain' in New York. 1918 - Tzara published his first manifesto, in 'Dada' issue 3. Club Dada in Berlin starts to use photomontage 1919 - 'Litterature' periodical edited by Breton published. Ernst and Baargeld found Cologne Dada. Kurt Schwitters makes the first Merz works.
XXIV Bienal - Nucleo Historico -
The anthropophagic dimensions of dada and surrealism Dawn Ades Whenthe young Turks of the Brazilian avantgarde in the 1920s named
http://www1.uol.com.br/bienal/24bienal/nuh/inuhdad0201a.htm

Extractions: When the young Turks of the Brazilian avant-garde in the 1920s named their manifesto and review "Antropofagia," was it in the knowledge of Francis Picabia's dada review Cannibale? This was possible, but unlikely, and in any case unnecessary to explain their choice of this word which so aptly refers to the complexity of the contemporaneous neocolonial cultural conditions in Brazil, and their reactions against them. What is interesting though, is to consider why this word should also come to the fore in the rebellious atmosphere of dada, where it is also telling, but for rather different reasons. and finally his statement that in Germany, "dadaism became political, it drew the ultimate consequences of its position and renounced art completely." In Paris dada worked out its aggression and rudeness at a more individual rather than political levelunder the sign of anarchybut there too it was a question of life rather than art. So perhaps Picabia, whose little magazines were full of anecdotes, aphorisms and gossip, and whose visual productions incorporated words, photographs, ordinary objects and, in theory if not in practice, living animals, thought of the dadaist as a cannibal in the sense that his materials were life rather than art.
Dadasurrealism.htm
rare and scholarly books on the fine arts Summer Lists 2003 dada surrealism206 Items Listed. dada and the dawn of surrealism. By William A. Camfield.
http://www.arslibri.com/dadasurrealism.htm

Extractions: ars libri ltd. rare and scholarly books on the fine arts 206 Items Listed Ars Libri Home Page Download as a Microsoft Word File Summer Lists 2003 MONOGRAPHS ON ARTISTS ARP, HANS Wortträume und schwarze Sterne. Auswahl aus den Gedichten der Jahre 1911-1952. 94, (2)pp. Dec. wraps. Book design by Flora Klee-Palyi. Wiesbaden (Limes Verlag), 1953. $37.50 Wilpert/Gühring 15 Drei und drei surreale Geschichten. 109, (1)pp. Sq. 8vo. Wraps. D.j. Includes Ein Brief an Hans Arp by Vicente Huidobro, Vicente Huidobro poem by Hans Arp, and Rettet eure Augen, posthistorische novelle by Hans Arp and Vicente Huidobro. Berlin (Gerhardt Verlag), 1963. $35.00 3 Minneapolis. The Minneapolis Institute of Arts. ARP, 1886-1966.
Dada And Surrealism
ClickHere. To use the Library. Main Index, , Welcome, , Register.artincontext, dada and surrealism - Artists in Exhibition. Jean Arp
http://www.artincontext.org/listings/pages/exhib/r/ub35obfr/artist.htm
Four
FourPart Art History Lecture Series Features. dada and surrealism. May 20 dadain Germany. May 27 surrealism. June 3 Legacy of dada and surrealism. back.
http://www.co.brown.wi.us/museum/Special_events/Art_History/4_Art_History_lectur

Extractions: Four-Part Art History Lecture Series Features D a d a and Surrealism The Neville Public Museums popular Art History Lecture Series continues in May and June with four presentations about Dada and Surrealism Offered on Thursday, May 13 ; Thursday, May 20 ; Thursday, May 27 ; and Thursday, June 3 , each illustrated lecture begins at 7 PM and lasts one hour. They are free , and advance reservations are not needed. Presented by the Nevilles Curator of Art Nan Curtis, the lectures are for a general audienceanyone interested in learning more about art, art history, and how to look at art will find these freely structured lectures interesting and informative. Discussion will be encouraged, and the lectures are accompanied by slides of artworks representative of the relevant and appropriate artists, concepts, and elements presented that evening. Political, technological, and socio-economic factors contributing to the origins of the Dada and Surrealist movements will be discussed, in addition to art the historical factors that led to their development.
Date
Date April 23, 2004. Re FourPart Art History Lecture Series Features dadaand surrealism. May 27 surrealism. June 3 Legacy of dada and surrealism.
http://www.co.brown.wi.us/museum/Media_releases/media files/2004/April_04/4_Part

Extractions: Date: April 23, 2004 Re: Four-Part Art History Lecture Series Features Dada and Surrealism The Neville Public Museums popular Art History Lecture Series continues in May and June with four presentations about Dada and Surrealism Offered on Thursday, May 13 ; Thursday, May 20 ; Thursday, May 27 ; and Thursday, June 3 , each illustrated lecture begins at 7 PM and lasts one hour. They are free , and advance reservations are not needed. Presented by the Nevilles Curator of Art Nan Curtis, the lectures are for a general audienceanyone interested in learning more about art, art history, and how to look at art will find these freely structured lectures interesting and informative. Discussion will be encouraged, and the lectures are accompanied by slides of artworks representative of the relevant and appropriate artists, concepts, and elements presented that evening. Political, technological, and socio-economic factors contributing to the origins of the Dada and Surrealist movements will be discussed, in addition to art the historical factors that led to their development. The lectures will help participants understand Dada and Surrealism two of the most influential movements in 20 th century artand learn of their significance within the history of world art.
Courses
1, 1/22 Introduction. Read Ades, dada and surrealism. . 2, dada, surrealismand Their Heritage. New York Museum of Modern Art, 1968 Stich, Sidra.
http://cp.siu.edu/general_information/faculty/susan/courses/CP470a.html
Dada And Dadaism : Dada Links
Artchive dada/surrealism dada and surrealist works of art Jean Arp, Balthus, MarcChagall, Joseph Cornell, Salvador Dali, Marcel Duchamp, Max Ernst, Alberto
http://www.dadart.com/dadaism/dada/070-dadaism-dada-links.html

Extractions: The Dada movement Dada news Dada bibliography Presenting Dadart ... Home Numerous Web sites (even hundreds of them) contain information of use or of interest to persons or organizations concerned by Dada. These sites are extremely varied, unequal in importance or in content, and by the very nature of their being on the Web, quite volatile. Some appear or disappear from one day to the other. You will find in the following list a glimpse of the ones which seem worth the detour. Dad@rt would appreciate knowing how you react to these sites. Keep us informed if you discover anything new. Thanks. Annenberg Image Library
Surrealism Centre
Bringing together academics and specialist curators internationally renowned fortheir scholarly work in dada and surrealism, the Centre will promote research
http://www.surrealismcentre.ac.uk/first.htm

Extractions: Associate Directors: Dr David Lomas, University of Manchester, Dr Jennifer Mundy, Tate. The Centre is a unique collaboration between the University of Essex, University of Manchester and Tate, which has one of the world's most important collections of dada and surrealist art. Bringing together academics and specialist curators internationally renowned for their scholarly work in dada and surrealism, the Centre will promote research excellence in studies of dada and surrealism and their impact on modern thought and culture. Artists, museum professionals and scholars from diverse academic disciplines participate in a varied programme of events hosted by the Centre. These include regular workshops and colloquia, international conferences in association with the Edward James Foundation, visiting scholars and artist residences. Several major exhibitions and displays are planned. Areas of research interest include the relationships between surrealism and science, surrealism and Latin America, Japan and Australia, and the impact of dada and surrealism on post-war and contemporary art and theory. The Centre provides excellent opportunities for postgraduate study. Students benefit from a stimulating, cross-disciplinary research environment in which they are encouraged to present and to publish their work. The Centre organises training days and symposia for graduate students and offers funded placements to research in the library and archives of affiliated institutions.
Dada And Surrealism
http://www.art-service.de/article/dada_and_surrealism.html

Extractions: Der spektakuläre Ausgangspunkt der Dada-Bewegung war ein kleines Züricher Lokal, das "Cabaret Voltaire", wo eine aggressiv-oppositionelle Lebenshaltung nach den Erlebnissen der Ersten Weltkrieges und als Protest gegen die erstarrten Formen der Gesellschaft und Kunst in einer Anti-Kunst von Hans Arp eingeleitet wurde. Spontane Inspiration und die Laune des Zufalls wurden gegen jeglichen intellektuellen Gestaltungswillen zum künstlerischen Prinzip erhoben. Die Dadaisten verwendeten für ihre Collagen, Assemblagen und Objektmontagen selbst die trivialsten Gegenstände. Rasch verbreitete sich diese Bewegung auf Deutschland (Berlin, Köln, Hannover) und Frankreich (Paris) aus. In den 20er Jahren entstand dann die zweite revolutionäre Bewegung, der Surrealismus. Vorgestellt wird das Werk von Duchamp und Hausmann, Ernst, Magritte und Dalí. Hrsg.: M. Gale. 22 x 16 cm, 448 S., ca. 200 Farb-, 50 SW-Abb., geb., Text englisch.
Dada Artshop
shop art,posters,printsart 19001945 impressionism post impressionism fauvism artnouveau art deco blaue reiter expressionism die brucke dada surrealism cubism.
http://www.the-artists.org/artshop/dada.cfm
FINA A349 2108 DADA & SURREALISM
Fine Arts dada surrealism A349 2108 Kennedy TR 930a1045a,3cr FA 102 The course offers a close examination of two of
http://www.indiana.edu/~deanfac/blfal99/fina/fina_a349_2108.html

Extractions: TR 9:30a-10:45a, 3cr FA 102 The course offers a close examination of two of the century's most radical art movements: Dada and Surrealism. Dada, which had its origins during the First World War, launched an all-out attack on existing social and cultural institutions through a celebration of chance, disorder, and madness. Surrealism, which took shape in Paris after the war, began as a series of experiments designed to bring to the surface images and impulses from the artist's subconscious; this early period of experiment developed into a twenty-year effort to liberate art from the confines of established visual languages.
FINA A349 2172 Dada & Surrealism
Fine Arts dada surrealism A349 2172 Kennedy The course offersa close examination of two of the centurys most radical
http://www.indiana.edu/~deanfac/blspr04/fina/fina_a349_2172.html

Extractions: The course offers a close examination of two of the centurys most radical art movements: Dada and Surrealism. Dada, which has its origins during the First World War, launched an all-out attack on existing social and cultural institutions through a celebration of chance, disorder, and madness. Surrealism, which took shape in Paris after the war, began as a series of experiments designed to bring to the surface images and impulses from the artists subconscious; this early period of experiment developed into a twenty-year effort to liberate art from the confines of established visual languages.
Department Of History Of Art - University Of Glasgow
DH1 dada and surrealism, 34 credits, Semesters 1 2 2003-2004.This course represents a broad survey of dada and surrealism; the
http://www.arthist.arts.gla.ac.uk/courses/dh1.htm

Extractions: This course represents a broad survey of Dada and Surrealism; the two massively influential internationally-based art movements of the inter-war years (1916-1939), stressing links between them in terms of membership and artistic concerns, but also aiming to establish divergences in terms of their philosophic positions, political affiliations, etc.
Surrealism In Art
Although it began partly as a reaction to dada, surrealism benefitedfrom dada s liberating effects. Some of dada s techniques were
http://www.towson.edu/~sallen/COURSES/SURREAL/290Sur-Notes.html

Extractions: Surrealism in art a style in which imagery is based on fantasy and the world of dreamsgrew out of a French literary movement founded during the 1920s. The term surrealist was coined by Guillaume Apollinaire in 1917; the artistic movement, however, came into being only after the French poet Andre BRETON published the first surrealist manifesto, Manifeste du surrealisme, in 1924. In this book Breton suggested that rational thought was repressive to the powers of creativity and imagination and thus inimical to artistic expression. An admirer of Sigmund Freud and his concept of the subconscious, Breton felt that contact with this hidden part of the mind could produce poetic truth. Breton soon recognized the kinship between his literary aims and the artistic aims of certain painters fascinated by Freudian concepts. In 1925, with Breton's encouragement, the first group exhibition of surrealist painting took place in Paris. Among those included were Giorgio de CHIRICO, Max ERNST, Andre MASSON, Joan MIRO, Pablo PICASSO, and Man RAY. The presurrealist paintings of de Chirico, done before 1919, were of particular influence to certain of the surrealists, including Max ERNST, Salvador DALI, Rene MAGRITTE, and Yves TANGUY. These painters developed a dreamlike, or hallucinatory, imagery that was all the more startling for its highly realistic rendering. Other painters, including Miro and Masson, used biomorphic forms and accidental effects that approached abstraction. Their work influenced the beginnings of abstract expressionism in the United States during the 1940s.
Ades, Dawn., Dada And Surrealism Reviewed.
Translate this page Erasmushaus Ltd. dada - surrealismus. Ades, Dawn. dada and surrealism Reviewed.OO, Art Council of Great Britain, 1978. 4to. XI, 475 S. Mit zahlreichen Abb.
http://www.polybiblio.com/erasmus/A304475.html
Links Im Forum Poetischer Kulturen
surrealism and dadaPoems of Séamas Cain dada and surrealism Texts and Extracts Paul Eluard
http://forum.psrabel.com/portal/links.html
Dada And Visual Arts - Olga's Gallery
insulted. It was the Cologne dada group, and mainly Max Ernst, whichhastened dramatically the transition from dada to surrealism.
http://www.abcgallery.com/list/2003mar06.html

Extractions: In the beginning of the century all of them actively participated, and actually were founders, of the nihilistic movement in literature and art called Dada, or Dadaism. The movement was based on the principles of deliberate irrationality, anarchy, and cynicism and the rejection of laws of beauty and social organization. It took form simultaneously during wartime in different countries. The aim of our today's newsletter is to attract your attention to its representatives in painting, whose collections we already have in the gallery. The major figure in visual arts of the Zurich group was Jean (Hans) Arp (1887-1966), a war exile from Germany. His works of about 1916 were exercises of principles in "continuous contradiction" and "immediate spontaneity" (Tzara). Small pieces of paper were let to fall down freely on a surface and then glued to it where they had fallen. Arp declared: "The 'law of chance', which embraces all laws and is unfathomable like the first cause from which all life arises, can only be experienced through complete devotion to the unconscious." In 1930s, Arp abandoned Dada aims altogether; his creations, which followed, the so-called sculpture-in-the-round, were some abstract compounds, which he insisted were "autonomous and natural forms".
Is It A Book? | Bibliography | Surrealism, Dada, Oulipo, &c.
surrealism, dada, Oulipo, c. prose, poetry, visual art, nonsense,theory, games. See also the sections on Concrete Visual Poetry
http://www.philobiblon.com/isitabook/bibsurrealism.html

Extractions: prose, poetry, visual art, nonsense, theory, games See also the sections on and Literary Works for other literary examples, and the Artistic Works section for examples of artworks, printed books, and the like. Texts Blago bung, blago bung, bosso fataka! : first texts of German Dada , edited by Richard Huelsenbeck. London : Atlas Press, c1995. Eckler, Ross. Making the alphabet dance : recreational word play . New York : St. Martin's Press, 1996. Hubert, Renee Riese. Surrealism and the book . Berkeley ; Oxford : University of California Press, 1992, 1988. Matthews, J.H. An introduction to surrealism . University Park, PA : Pennsylvania State University Press, 1965. Matthews, J.H. Surrealism and the novel . Ann Arbor : University of Michigan Press, 1966. Nadeau, Maurice. The history of surrealism . New York : MacMillan, 1965, 1989.

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