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Acting Techniques:     more books (100)

Acting and Singing with Archetypes (Limelight) by Janet B. Rodgers and Frankie Armstrong, 2010-01-01 Acting in Restoration Comedy (Applause Acting Series) by Maria Aitken, 2000-02-01 Acting: The Basics by Bella Merlin, 2010-05-07 The Art of Voice Acting, Third Edition: The Craft and Business of Performing for Voice-Over by James Alburger, 2006-10-31 Acting with Style, 3rd Edition by John Harrop, Sabin R. Epstein, 1999-10-24 Acting in Musical Theatre: A Comprehensive Course by Joe Deer, Rocco Dal Vera, 2008-03-11 Secrets of Acting Shakespeare: The Original Approach (A theatre arts book) by Patrick Tucker, 2001-11-01 Acting Without Agony: An Alternative to the Method (2nd Edition) by Don Richardson, 1993-11-07 Film and Television Acting, Second Edition: From stage to screen by Ian Bernard, 1997-12-25 Acting Games for Individual Performers: A Comprehensive Workbook of 110 Acting Exercises by Gavin Levy, 2007-09-01 Acting Professionally: Raw Facts About Careers in Acting by Robert Cohen, James Calleri, 2009-09-15 Art of Acting in Antiquity by Klaus Neiiendam, 1992-01 Spare Scenes: 60 Skeletal Scenes for Acting and Directing by Diane Timmerman, 2004-10-22 The Book of Scenes for Acting Practice (Theatre) by McGraw-Hill, 2001-02-12

lists with details

81. Ed Hooks - Acting Classes
    This is the Mother Ship, the arena where you work on acting as a craft and art form, developing acting techniques you will be able to use anywhere.  
    http://www.edhooks.com/scstudy.htm

82. NYFA - One Year Intensive Acting Classes For Film
    During the first semester, students participate in a broad array of classes that introduce them to and train them in the leading acting techniques.  
    http://www.nyfa.com/workshops/acting/acting_oneyear.html

83. The Little Theatre Of Alexandria, Old Town Alexandria, Virginia, Northern Virgin
    945 AM Tuition $100 Place Rehearsal Room Period Fall 2004 (10 Weeks) This class will provide a basic knowledge of acting techniques and stage movement.  
    http://www.thelittletheatre.com/education/

84. Opera Atelier
    By the last quarter of the eighteenth century, actors were experimenting with more ‘naturalistic’ acting techniques as the delicate emotional restraint of  
    http://www.operaatelier.com/making/figaro/ges.shtml
    
    Extractions: Baroque Acting and Gesture Over the past ten years Opera Atelier has developed an extremely detailed and recognizable performance style based on the general acting/oratorical technique of the 17 th and 18 th centuries. Based on classical oratorical techniques, Baroque acting was composed of a language of gesture designed to bring before the eyes of the spectator the verse and figures of speech it accompanied. One acted by the word rather than the pervading emotions. Like the text, gestures were coherently and gracefully linked to provoke the maximum response from the spectator. Opera Atelier's artistic directors have had the privilege of an ongoing experimentation and collaboration with some of North America’s most gifted performers, including Julianne Baird, Martha Burns, Catherine Rubbin, Shari Saunders, Jennifer Smith, and R.H. Thomson, to name just a few. It seems ironic that for Opera Atelier's eleventh anniversary season we would choose as our flagship production an opera which necessitates our breaking many of the rules we have so carefully studied. This, however, is exactly what Mozart’s The Marriage of Figaro requires of us!

85. UC Davis Theatre & Dance Academic
    Thus, directors may study lighting design, choreographers may examine acting techniques, designers may focus on the construction of a play text all with the  
    http://theatredance.ucdavis.edu/programs/mfa.html
    
    Extractions: Academic: Graduate: MFA Master of Fine Arts Program at UC Davis Academic Information Community Links Public Events Home Page A Unique Program The Master of Fine Arts program at UC Davis provides a course of rigorous, advanced training and practice that enables early-to-mid-career artists to polish skills and expand areas of expertise in order to develop artistically and professionally. With the focus firmly on practice, the program is resolutely forward-looking, affording students the opportunity to envision and realize new dimensions of classical and contemporary performance. Faculty mentors ensure that graduates are prepared to pursue their craft in the theatre of today and tomorrow. Barriers Broken Down Ideal candidates for this program are artists who have already created work outside an academic setting and who are eager to return to the university to strengthen their abilities through rigorous interdisciplinary research and experimentation. The program demands maturity, self-knowledge and self-discipline: students, in consultation with the faculty, fashion their own programs of study. At UC Davis, artificial barriers that separate performance practices into rigid disciplines are broken down, while at the same time, the distinguished faculty mentors students in developing their fields of expertise.

86. Theater MFA In Acting
    deepening understanding of character transformation Acting D OneAct Play (2 characters); focus - application of craft and acting techniques under close  
    http://www.temple.edu/theater/mfacting.html
    
    Extractions: The Graduate Acting Program is comprised of three years of intensive conservatory training with the Master of Fine Arts Degree awarded upon completion. In order to attract and support the best candidates, only one class is brought into the program every three years. the class is purposely small so that each candidate will receive individualized attention. Our next class will be accepted for fall semester, 2006. We will begin recruiting for that class in the fall of 2005. The training is rigorous and we require each candidate to be fully committed to every aspect of the program. The emphasis is on classical training with additional required courses in acting for film and television. this insures that the candidate will be well prepared for theater, film and television. In the final semester of the third year, presentations are given in Los Angeles and New York to showcase the actors. Agents, directors and producers are invite to see and meet with the actors. The showcases have proven extremely successful as most of our graduate actors are gainfully employed in theater, film and television. CURRICULUM YEAR ONE: Voice/Speech Warm-up: daily for one hour Speech: History of English, Anatomy of the Articulators, introduction to

87. Acting Your Dreams (Using Acting Techniques To Interpret Your Dreams) - Book Pro
    Published Book or Work by Ben Tousey. Acting Your Dreams (Using acting techniques to Interpret Your Dreams).  
    http://www.writers.net/writers/books/21946
    
    Extractions: Published Book or Work by: Published by Yhabbut Publishing November 8, 2003 ISBN: 1-4140-0542-3 Every night after you go to sleep you become the star of a major motion picture. Scene by scene you are literally drawn into a drama that surpasses any movie. But unlike any other movie, your whole mind, body and imagination is involved in such a way that your brain is convinced that it’s actually happening to you. When you wake up you may find yourself still sweating from the fright, or still trying to escape some unknown entity that has been chasing you. You may find yourself haunted by the images or feelings you experienced in your dream for years, or in some cases, the rest of your life. You may look up your dream images in a dream dictionary only to be disappointed. The dream dictionary said that the snake in the dream was a sign of sexual potency, but the way it coiled and tried to slither up your leg left you feeling anything but sexual. Well why not look at the dream as it is… a movie. And in doing so, you can use the same techniques that actors use to understand the characters they play in solving your own dilemmas with your starring roles. The dreams will come, and you will find them both fascinating and frightening. So why not get to know them in a whole new way, “by Acting Your Dreams.”

88. MTC - Winter
    Acting Using a variety of approaches, classes provide students with concentrated work in basic acting techniques, improvisation, character development, scene  
    http://www.musicaltheatercenter.org/classeswinter2.htm

89. Countrybookshop.co.uk - How To Stop Acting
    Format Paperback, 192pages, 22cm height. Category acting techniques Category theatre, drama. Languages English. Current Bestsellers in acting techniques.  
    http://www.countrybookshop.co.uk/books/index.phtml?whatfor=0413774236

90. Countrybookshop.co.uk - Acting Skills
    Format Paperback, 192pages, 21.6cm height. Category acting techniques Category theatre, drama. Languages English. Current Bestsellers in acting techniques.  
    http://www.countrybookshop.co.uk/books/index.phtml?whatfor=0713664231

91. Acting Techniques For Everyday Life, Find Lowest Book Price, 1569245541 ISBN
    acting techniques for Everyday Life, ISBN 1569245541, Compare new and used books prices among 55 bookstores in a click. Find the lowest price.  
    http://www.bookfinder4u.com/detail/1569245541.html

92. THEATRE ARTS 415: ACTING STYLES
    language and structure;. 3. Understand how to apply basic acting techniques to various dramatic styles;. 4. Understand the specific  
    http://theatre.boisestate.edu/Theatre Arts syllabi/Syllabi SP2004/THEA415001.htm
    
    Extractions: THEATRE ARTS 415-001: ACTING STYLES BOISE STATE UNIVERSITY SPRING 2004 Instructor: Richard Klautsch Office: MC C105 Office Hours M ; TH ; and by appointment Phone: E-mail rklauts@boisestate.com Course Objectives To develop techniques of applying acting skills to the demands and complexities of classical texts, language, and characterizations. Emphases will include techniques of analyzing poetry, rhetoric, interpretation of verse, and physical characterization. Interpretive and performance projects will be both improvisational and text-based. Through rigorous study and experience, students can expect to: Become familiar with the structures and devices inherent in verse drama; Gain a practical understanding of analyzing the verse, language and structure; Understand how to apply basic acting techniques to various dramatic styles; Understand the specific ways in which language supports both physical action and characterization; Become familiar with the historical contexts of verse drama. Assessment: PARTICIPATION (15% of final grade): You will be expected to participate in all class exercises, discussions, rehearsals, and presentations.

93. The History And Science Of Acting - Styles, Techinques And Personalities
    A guide to the science, history, techniques, traditions and styles of acting.  
    http://www.linksnorth.com/acting
    
    Extractions: THE HISTORY and SCIENCE OF A CTING ACTING.... . Imagine a person with all the desires and fears, thoughts and actions that make a man or a woman. Acting is becoming that imaginary person. Whether the character, or role, that the actor creates is based on someone who really lived, a playwright's concept, or a legendary being, that creation comes to life through the art of acting. Acting is an ability to react, to respond to imaginary situations and feelings. The purpose of this ancient profession is, as Shakespeare has Hamlet say, "to hold, as 'twere, the mirror up to Nature, to show . . . the very age and body of the Time, his form and pressure." It is the audience that sees itself in the mirror of acting. Acting is a process of two-way communication between actor and audience. The reflection may be realistic, as the audience sees its own social behavior; the reflection may be a funny or critical exaggeration; or the audience may see a picture of its mindof the way it thinksor a fantastic projection of its fears and desiresof the way it feels. Acting makes use of two kinds of physical skills: movement and voice. Either may dominate. Body movement is highly developed in Far Eastern acting traditions, while the voice has ruled in Western cultures. If either voice or movement takes over completely, the activity is usually not called acting but dance, perhaps, or singing. But neither ballerinas nor operatic singers can reach the top of their professions without being able to act.

94. TheatrGROUP Method Acting Procedures
    This page will lead interested individuals to descriptions of various techniques and procedures of socalled method acting. What  
    http://www.theatrgroup.com/Method/
    
    Extractions: This page will lead interested individuals to descriptions of various techniques and procedures of so-called "method" acting. What you will find here is not copied from books. It's in my own words, and composed for you with definitions, analogies, descriptions and examples of this work which I am able to relate to you after studying, teaching and using it as an actor for the past 28 years. I hope you enjoy. There are many fine books about this subject, and I have listed my favorites, with descriptions of their contents at this site. Harry Governick

95. Planet Half-Life: 404 - File Not Found
    Advice on equipment and techniques for home studio recording.  
    http://www.planethalflife.com/studiosound/voice.html

96. Kasten COBOL Page: Coding Style And Techniques
    Coding style and techniques, Guerrilla and OO COBOL, pointers, data structures, text parsing, finite state machines. Despite what you may have heard, this old fossil of a language can survive, thrive, and even coexist with those hairy little mammals who have been acting so smug and uppity.  
    http://home.swbell.net/mck9/cobol/cobol.html
    
    Extractions: The Kasten COBOL Page From one of the dinosaurs who still writes COBOL the language which is on the brink of extinction, and always will be welcome to my COBOL page. Despite what you may have heard, this old fossil of a language can survive, thrive, and even coexist with those hairy little mammals who have been acting so smug and uppity. The COBOL Style Forum suggests ways to make your COBOL readable, well-structured, and bug-resistant. Not everyone will agree with me; I hope others will contribute their points of view. These pages describe a systematic approach to eliminating GO TOs and fall-through logic, even from the most tangled programs. [Note: this section isn't complete yet. I still haven't finished all the pages on loops but I'm working on them. Really.] Here's what I've learned so far about IBM's implementation of object-oriented COBOL. Do you suffer from C-envy? Would you like to try some of the tricks that are so common in C and other languages? You can. With a reasonably modern dialect of COBOL, and a little ingenuity, you can do almost anything that a C programmer can do: Dynamic Memory Allocation Pointer Variables Global Variables Environmental Variables Data Structures Text Parsing Techniques Finite State Machines I've never seen them fail on a non-trivial project.

97. Kimball Acting Studio
    Learn to act with truth, trust, and risk, using different classic and new techniques. Located in New York City.  
    http://www.kimballstudio.com/crawlerfile.htm

98. Acting Truthfully: The Kent A. Klineman Acting Studio
    West Hollywood. Classes emphasize Meisner and Linklater techniques, scene work, repetition game, object exercises, vocal exercises and relaxation work. View this teacher's resume and testimonials.  
    http://www.geocities.com/kentklineman/

99. Acting - History And Science Of Acting - Styles, Techinques And Techniques
    Traditions and techniques for Actors and acting THE HISTORY and SCIENCE OFacting. Tradition and Technique there is no technique of acting; that is, when the actor Technique in acting has  
    http://www.linksnorth.com/acting/tradition.html
    
    Extractions: THE HISTORY and SCIENCE OF A CTING Tradition and Technique In one sense there is no technique of acting; that is, when the actor is on the stage or in front of a camera, there should be no thought of technique. The actor attempts simply to be there. Technique in acting has to do with getting ready to act. There are two basic requirements: developing the necessary physical, external skills and freeing the internal emotional life, the actor's "inspiration." The physical skills needed by actors have been understood since ancient times. They are a well-developed body and voice, ability to imitate other people's gestures and mannerisms, and mastery of the physical or vocal abilities required by the type of theater for which the actor is preparing. Before the 20th century, the inner emotional training of actors was not thought about in a systematic way. Young actors developed a "feel" for the art by watching older, more experienced performers, but the creation of emotional truth on stage was largely thought of as a problem of imitation. Stanislavsky's system was taken to the United States, where it was taught and then transformed by Lee Strasberg and others into method acting, often called simply "the method." The method is sophisticated in psychological terms but has been criticized for emphasizing the "inner life" of the actor at the expense of total development.

100. The Ruskin School Of Acting
     Santa Monica. Provides instruction in the techniques of Sanford Meisner. Includes news, calendar, pictures, faculty and contacts.  
     http://ruskinschool.com

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