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Schjeldahl Peter:     more books (121)

Kim Dingle by Essay by Peter Schjeldahl, 1996 New Figuration in America by Gerald. Bowman, Russell. Schjeldahl, Peter. Nordland, 1982 Richard Deacon by Text Richard Deacon; Peter Schjeldahl, 1988 White Country by Peter Schjeldahl, 1968 Six Painters of the Seventies: Abstract Painting in New York by Peter Schjeldahl, 1973-01-01 The New Yorker, Volume LXXXVI, No. 15, June 7, 2010 (Cover) "Five Weeks Later . . .," by John Lanchester, Larry Doyle, et all 2010 Liza Lou by Eleanor Heartney, Lawrence Weschler, et all 2011-03-01

lists with details

81. Owens Bio
    Art Reviews , Los Angeles Times, Friday, September 18 1997 XTra, Number3, Los Angeles, California, December, p. 3 schjeldahl, peter.  
    http://www.acmelosangeles.com/Artists/Owens/Owens_bio/owens_bio.html

82. Review: Peter Schjeldahl
    Get 15 FREE 4 x 6 prints. Digital Photo 01 Home / Digital Photo Products/ Review peter schjeldahl. Search Products peter schjeldahl.  
    http://bookstore.digitalphoto01.com/search/books/AuthorSearch/Peter Schjeldahl/2

83. About Hart Leadership Program (HLP)
    schjeldahl, peter, “Onward and Upward with the Arts, Dealership,” The NewYorker, February 2, 2004. Week 7 (2/25) Wallspace, Jane Hait and Janine.  
    http://www.pubpol.duke.edu/centers/hlp/2004_spring_syllabus/little.html
    
    Extractions: Week 8 (3/3): 5 PAGE SUMMARY, RESEARCH STRATEGY, AND BIBLIOGRAPHY DUE Week 9: SPRING BREAK Week 10 (3/17): Week 12 (3/24): Week 13: (3/31): 2004 Whitney Biennial Exhibition *** (4/5) Curators on Roth Week 14 (4/7): Introduction to catalog Week 15 (4/14): Soho ***(4/20) Scholars on Roth Week 16 (4/21): Concluding Remarks and Studio Visit with Tom Otterness Week 17 (4/28): YOUR FINAL PAPERS OF TEN OR MORE PAGES DUE

84. Rebecca Ibel Gallery - Yek Wong
    Visual Stimulation in LA, Flash Art, Vol. 31, No. 201, Summer 1998, pgs. 116 120. schjeldahl, peter. Ultralongerie, The Village Voice, June 23, 1998.  
    http://www.rebeccaibel.com/artists/yekwong/
    
    Extractions: Yek Wong Yek considers himself the "Barry White of post-conceptual painting". His work has been described as "the visual equivalent of mood music. Smooth, cool, and meant to seduce you." Other reviewers say Yek's paintings "absolutely do evoke an architecture of the sky." Originally from Singapore, Yek studied in Australia before moving to the US. He received his BFA in Austin, Texas and his Masters in Fine Arts at the University of Nevada at Las Vegas. Over the last year he has had exhibitions in Los Angeles, Houston, New York, Columbus and Florida and is gaining the attention of collectors and critics all over. Dave Hickey named Yek in his Top Ten of the Nineties list in the December issue of ArtForum. This is the artist's first solo exhibition in Columbus and his second exhibition in the gallery. Born in Singapore. Masters of Fine Arts, University of Nevada Las Vegas Bachelor of Arts, University of Texas at Austin Lives and works in Las Vegas, Nevada. Selected Solo Exhibitions Rebecca Ibel Gallery, Columbus, Ohio

85. DIR777.com: Kritik Kunst: Anmerkungen Ueber Das Schoene V. Peter Schjeldahl Deta
    Verlagder Kunst veröffentlicht hier einen Essay von peter schjeldahl. Translate this page Name Anmerkungen ueber das Schoene v. peter schjeldahl  
    http://www.dir777.com/directory/Deutsch/Gesellschaft/Kulturelles/Kritik_Kunst/27
    
    Extractions: All Languages Deutsch English Nederlands .com in Deutsch English Nederlands Detailed link information Name: Anmerkungen ueber das Schoene v. Peter Schjeldahl Description: Verlag der Kunst veröffentlicht hier einen Essay von Peter Schjeldahl. Category: Kritik Kunst Url: http://www.txt.de/vdk/schje.htm E-mail: Date:

86. JANE DICKSON
    1993. schjeldahl, peter. All You Need, The Village Voice, August 3. Robin Winters/JaneDickson, The New Yorker, March 15. 1992. Balken, Debra Bricker.  
    http://www.marlboroughgallery.com/artists/dickson/biblio.html
    
    Extractions: Artists Marlborough JANE DICKSON Selected Bibliography Kavage, Sarah. "Freighted with Meaning or Memory: Jane Dickson Paints for the People," Matte , July 2002. Kraus, Chris. "America the Transient," Art in America , October 2001. Cotter, Holland. "A Romantic Haze on Dead-End Lives of the City." The New York Times , June 14. Knight, Christopher. "A Voyeur’s View of Life in Times Square," The Los Angeles Times , January 18. Peep Land: Paintings by Jane Dickson Craft, Dan. "Night Moves: Artist Explores Life after Dark," The Pantagraph , January 21. Schjeldahl, Peter. "All You Need," The Village Voice , August 3. "Robin Winters/Jane Dickson," The New Yorker , March 15. Balken, Debra Bricker. "Jane Dickson at Brooke Alexander," Art in America , May. Cotter, Holland. "Jane Dickson," The New York Times , February 21.

87. Bill Jensen
    schjeldahl, peter, Painting Matters , The Village Voice, December 7,1993, p. 87, (illus. Glare , p. 87, b/ w; Graces , p. 87, b/ w).  
    http://www.danesegallery.com/Main/Artists/Jensen/JENS_bio.html
    
    Extractions: Images Press Release Born Minneapolis, Minnesota University of Minnesota, B. F. A. University of Minnesota, M. F. A. "Bill Jensen," Mary Boone, New York "Bill Jensen: Drawing In A Zig Zag Way", Danese, New York "Bill Jensen: Paintings & Work on Paper", Joseloff Gallery, University of Hartford, Connecticut Mary Boone Gallery, New York "Recent Drawings", Joan T. Washburn Gallery, New York Mary Boone Gallery, New York Patricia Faure Gallery, Santa Monica, California Nielsen Gallery, Boston, Massachusetts

88. The New Yorker: The Critics: The Art World
    May 22, 2004 home. THE FAR SIDEby peter SCHJELDAHLAn outsider artists scary grandeur.Issue of 200305-05. Posted 2003-04-28  
    http://www.newyorker.com/critics/art?030505craw_artworld

89. Art | Strange Days | Adaweb
    part 1 part 2 part 3 I ll talk about the relation between the veryold art of painting, and a very new medium an extension of television.  
    http://adaweb.walkerart.org/context/events/strange_days/schjeldahl.html
    
    Extractions: I'll talk about the relation between the very old art of painting, and a very new medium an extension of television. The Web or net is like the television meets the telephone. It is a vast subject, on both sides, and it is prone to a lot of abstractions and headlines which I'd like to avoid. So I thought to bring the subject down to one real world condition: what any medium, any art, has in common with every other if it is going to concern us- and that's a market. Painting which by the way is my favorite art, although I felt like I have been visiting it in the hospitals for the last 20 years is in fact not dead, and not going to die. It is capable of certain things, very fundamentals things, that no other medium can touch. It is not dead; it's just weak. The weakness has to do with use. In the Renaissance, painting was the movies, it was the Internet, it was the newspaper, it was politics, it was sex. This was actually at the beginning of the Renaissance. It has, over this century, lost social and cultural uses. It has sort of lost its arms and legs as it has gone along. Photography is one reason, of course. The movies were murderers of painting. As the final condition of painting, it is something to hang on the wall that you won't get tired of. And there are hundreds of walls in the world, and enough of them that belong to people who have money and are nervous looking at a blank wall: painting is not going to loose that function. In a way, the revolution started with Monet when he first started mass producing hay stacks, so you could get an absolutely unique painting, like all the others. And then there is the emergence of the portable painting in the late 19th Century. By the way, the thing that is interesting about France and America preferring different sizes of paintings is that America is somehow much more about painting culture. The refrigerator is of course the size of the human body. That is something we may want to go into later.

90. G A R T H C L A R K G A L L E R Y -> Bookstore
    Feature Items. Postmodern Ceramics. Price$50.00. By Mark Del Vecchio,2001 Hardcover, 224 pages. 327 illustrations, 247 in color.  
    http://www.garthclark.com/gc/
    
    Extractions: Feature Items Postmodern Ceramics Price:$50.00 By Mark Del Vecchio, 2001 Hardcover, 224 pages. 327 illustrations, 247 in color. 10.25"h x 9"w Shipping included within the US. An international overview of the richness and diversity of ceramic art during the past twenty years. Featuring 130 masters of the.... More Info Price:$70.00 By Garth Clark, 1999 Hardcover; 147 pages, 120 color illustrated, 9" x 12", 30cm x 23cm Shipping Included (on back order) This is a superb, large format monograph on one of Europe's great ceramic stars. Siesbye is known for her miraculous hand-building.... More Info The Artful Teapot Price:$55.00 By Garth Clark, 2001 Hardcover, 256 pages. 285 illustrations, 250 in color. 12.25"h 9.25"w Shipping included within the US. This book celebrates the design and artistic beauty of the teapot through five centuries of enjoyment and use. Clark examines the.... More Info Ron Nagle (Catalog) Price:$14.95

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