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Schjeldahl Peter:     more books (121)

Samaras Pastels by Peter Schjeldahl, 1981 Eric Fischl [ILLUSTRATED] by Eric Fischl, Peter Schjeldahl, 1988-11 Dreams by Peter Schjeldahl, 1973-01-01 Myths & Magical Fantasies [exhibition: Oct. 27, 1996-Feb. 2, 1997] by Peter Schjeldahl, Reesey Shaw, 1996 Robert Hudson by Peter Schjeldahl, 1977-01-01 Art of Our Time: The Saatchi Collection. 4 volumes by Peter; Michael Auping, Rudi Fuchs et al Schjeldahl, 1985 Kim Dingle by Kim] Schjeldahl, Peter; Knode, Marilu; Otis Gallery Staff (editors) [Dingle, 1995 Jackie Winsor by Peter Schjeldahl, 1988-01-01 Art of Our Time: The Saatchi Collection (Four Volume Set in Slipcase) by Peter Schjeldahl, Rudi Fuchs, et all 1984 The New Yorker Magazine, Volume LXXXVI, No. 33, October 25, 2010 (Cover) "Twilight," Letter From California // U.K. Journal by Maragaret Talbot, Lauren Collins, et all 2010 Edward Ruscha Stains, 1971 to 1975 by Peter Schjeldahl, 1992-08 Miro Sculpture April 27-9 June 1984 by Peter Schjeldahl, 1984 Dreams by Peter Schjeldahl, 1973-01-01 Richard Bosman: Gifts of the Sea by Peter Schjeldahl, 1989-01-01

lists with details

61. William Wegman : Les Contes De Fay : Biobliographie
    Translate this page Textes dans catalogues. 1993. schjeldahl, peter. — «The faith of daydreams».— William Wegman. schjeldahl, peter. — «Paintings the new Wegman».  
    http://media.macm.org/biobiblio/wegman_w/2wegman-bib.htm
    
    Extractions: Little Red Riding Hood et Cinderella Livres Textes dans catalogues The faith of daydreams Reviews Fay's fairy tales : William Wegman's "Cinderella" and "Little red riding hood" Calendar William Wegman Artist's book beat Entre chien et loup Books Fast Forward William Wegman : les contes de Fay William Wegman : Fay's fairy tales Journal SUR WILLIAM WEGMAN Livres Textes dans catalogues (Wegman) Drawings : conceptual pivot of Wegman's artistic worlds An interview with William Wegman Paintings : the new Wegman Videotapes : seven reels Eureka The faith of daydreams William Wegman's psychoanalytic vaudeville William Wegman : "They are narrative! they are narrative! it's not art! it's narrative" C'est narratif! c'est narratif! ce n'est pas de l'art! c'est narratif Het is vertellend! Het is vertellend! Het is geen kunst! Het is vertellend! Wegman unleashed William Wegman : une vie de chien His master's muse : William Wegman's, Man Ray, and the dog-biscuit dialectic

62. Peter Schjeldahl: Columns & Catalogues
    peter schjeldahl Columns Catalogues ISBN 0935724-68-0 1994 $15.00.from the Preface. It is a game of masks an I tricked out  
    http://www.durationpress.com/thefigures/columns.htm
    
    Extractions: My nightmare audience is of people who do not laught or, if they do, give no value to laughter. How does one negotiate the ridiculousness of criticism without jokes? One does not. Jokes are a lubricant without which the machine seizes up and breaks down. I choose to think that people who expect unrelieved gravity in a critic are crazy, hence deserving of wary comparision.

63. Peter Schjeldahl: The 7 Days Art Columns
    peter schjeldahl The 7 Days Art Columns 19881990 ISBN 0-935724-41-91990 $12.50. From the preface by the author. My tenure as chief  
    http://www.durationpress.com/thefigures/7days.htm
    
    Extractions: From the preface by the author My tenure as chief art critic of 7 Days , from the Manhattan weekly's birth in March, 1988, to its sudden death in April, 1990, coincided with a period of growing muddle and malaise in New York, a sense of all-around entropy that I noted in my first column and that seems sadly confirmed by 7 Days' demise (though the proximate cause of that event was the impatience of the magazine's billionaire owner). I enjoyed the job immensely. The experience of hitting the streets every week with my most immediately burning opinions and pleasures suited me fine, and any true New Yorker can tell you that dire omens are as often a goad as a deterrent to the spirit of enjoyment in our passionately perverse town. At its best, weekly journalism seems to me a model of how to live in a city: with pried-open responsiveness to the fleeting moment (the moment, even, of overtaxed exhaustion). Column-writing, in particular, should amplify the non-stop, irascible, funny, serious talk that is the sweetest city music. "It was like every week you wrote a letter to your friends," artist Jane Kaplowitz has said to me. If it comes across that way, wonderfulkeeping in mind that in a column the "friends" addresses are people you've never met or the unexpressed sides, hidden from you, of those you know. That's part of what distinguishes sitting down to write instead of reaching for the telephone.

64. Thomas M. Disch - Editor
    CONTENTS (Introduction) Tom Disch To My Friends - peter schjeldahl Jane Stories- peter schjeldahl The Future of an Illusion - peter schjeldahl Album  
    http://www.michaelscycles.freeserve.co.uk/edbyd.htm

65. Apollinaire's Bookshoppe
    $25.00 37. schjeldahl, peter. The 7 Days Art Columns 19881990. Great BarringtonThe Figures, 1990. $25.00 38. schjeldahl, peter. Columns Catalogues.  
    http://www.allstream.com/~bookthug/ListNumber11.html
    
    Extractions: 3. BENSON, Steve. Blue Book. Great Barrington / New York: The Figures / Roof, 1988. First Edition. 8vo. Perfect bound into Wrappers. Very Good 223pp. A little creasing to the outer corners of the covers, otherwise fine. If it's any consolation, there is a large section at the front of the book containing notes on all of the texts. $25.00

66. Peter Schjeldahl: New & Used Books: Find The Lowest Price
    peter schjeldahl Compare new and used books prices among 98 book stores ina click. Find the lowest price. Searched in books for peter schjeldahl.  
    http://www.fetchbook.co.uk/search_Peter_Schjeldahl/searchBy_Author.html

67. Aesthetics
    movements. schjeldahl, peter, The Hydrogen Jukebox, selected writings19781990, University of California Press, 1991. Wollen, peter  
    http://www.minotaurz.com/minotaur/edu/aesthetics.html
    
    Extractions: General sources: Adorno, Theodor, Aesthetic Theory , University of Minnesota, 1998. Aristotle, Poetics in the Complete Works Vol II. , Ed. Jonathan Barnes, Princeton/Bollingen Series LXXI.2, 1984, PP. 2316-2340. Summaries by Karen Park aand Szu-Hsien Lee Croce, Benedetto, Aesthetic , transl. Ainslie, Nonpareil Books, Boston, 1983. Contains a general theory of aesthetics and a history of aesthetics. Summary on Theory of Intuition (Lee). "History of Aesthetics" entry in The Encyclopedia of Philosophy VolI, PP. 18-35. Outline by Szu-Hsien Lee "Problems in Aesthetics," PP. 35-56. Outline (Lee) Leonard, George, Into the Light of Things , University of Chicago Press, 1994. The art of the commonplace from Wordsworth to John Cage. Nietzsche, Friedrich, The Birth of Tragedy , Transl. Whiteside, Penguin Books, 1993. Paddison, Adorno's Aesthetics of Music , Cambridge University Press, 1993. Summary (Lee). Phililpson, Morris (ed.), Aesthetics Today , World Publishing Co., N.Y., 1961. A very good selection of readings involving style, form, expression and communication, psychology and philosophy. Schopenhauer, Arthur

68. Bibliozine Part 12
    They are also the last. . schjeldahl, peter; and van der Marck, Jan. Arman SelectedActivities. John Gibson gallery, New York, New York. 1973. 44 pages.  
    http://www.mailartist.com/johnheldjr/BibliozinePart13.html
    
    Extractions: USA Bibliozine, Part XIII Fayt, Christian. Arman. Fayt Gallery, Knokke, Belgium. 1984. (40 pages.) A short essay by Daniel Abadie in French accompany the color reproductions of the work on display at the Gallery. There are no Cachets illustrated, although there are some significant Allures noted. Succinct biography in the back of the catalog. The short essays are in German, French and Italian, but the handsome catalog is notable for some excellent color reproductions of the cachets, especially a blue work, Cachet, from 1961, and two works from 1957, which are orange and brown. These latter are transitional works in that the rubber stamp letters and numbers begin to spread out against the page, and rollers have been used to flush out background. La Jolla Museum of Contemporary Art. Arman: Selected Works: 1958-1974. La Jolla Museum of Contemporary Art, La Jolla, California. 1974. (48 pages). Martin. Henry. Arman: Or Four and Twenty Blackbirds Baked in a Pie; Or Why Settle for Less When You Can Settle for More. Harry N. Abrams, Inc., New York, New York. (1973). 200 pages.

69. Ilt.ca A Universal Finn
    An essay from an exhibition catalogue of Kain Tapper s, Chicago 1995 A UniversalFinn By peter schjeldahl There are three spatial orders of aesthetic  
    http://www.ilt.ca/quotes/tapper1.html
    
    Extractions: There are three spatial orders of aesthetic contemplation: background, middleground, and foreground. The background is our environment. It is the order of architecture. The foreground, within arm's reach, is the order of objects. The middleground, at which our powers of sight function with maximum efficiency, is the order of presences. Anything in the middleground that it not otherwise explicable might be deemed "art." If there is an American Habit of perception, as I believe there is, it is relentlessly middlegrounding. We like having things, and also people, where we can look at them. For this purpose, we pull backgrounds forward (as quickly readable images in our architecture) and push foregrounds away (favoring spectacle over tactile qualities in our object design). Minimalist sculpture, an American invention, merges architecture and object in effects of sheer presence.

70. SUSANNE VIELMETTER LOS ANGELES PROJECTS
    schjeldahl, peter. “Mellow Yellow” The New Yorker, May 12, p.14. Glueck,Grace. schjeldahl, peter “Thanks for Painting”, The Village Voice.  
    http://www.vielmetter.com/sillmanbio.htm
    
    Extractions: A M Y S I L L M A N EDUCATION MFA, Bard College, Elaine de Kooning Memorial Fellowship BFA, School of Visual Art New York University Beloit College AWARDS ABD RESIDENCIES John Simon Guggenheim Memorial Foundation Fellowship in Painting, New York, NY Louis Comfort Tiffany Foundation Award Joan Mitchell Foundation Fellwoship Pollock-Krasner Foundation Fellowship Civitella Ranieri Foundation Fellowship/Residency, Umbria, Italy NEA Fellowship in Painting NYSCA Project Residencies, Painting Grant, Hillwood Art Museum, L.I.U. Elaine de Kooning Memorial Fellowship, Bard College Macdowell Residence, Peterborough, NH Art Matters, Inc., Painting Grant Yaddo Residence, Saratoga Springs, NY Kanoria Centre for the Art, Saratoga Springs, NY New York Foundation for Art, Painting Grant, New York, NY Yaddo Residence, Saratoga Springs, NY New Jersey State Council on the Arts, Painting Grant, NJ Ossaba Island Colony, GA

71. SUSANNE VIELMETTER LOS ANGELES PROJECTS
    February 6,. 1999,pg. F2. schjeldahl, peter. “Ultraloungerie”,Village Voice, June 23, 1998, pg. 153. Pagel, David. “Visual  
    http://www.vielmetter.com/criquibio.htm
    
    Extractions: S T E V E N C R I Q U I EDUCATION B.A., Art History with Emphasis in Criticism B.A., Studio Arts with Emphasis in Painting, University of California, San Diego Cum Laude SELECTED SOLO EXHIBITIONS "MOG CUTTER", Susanne Vielmetter Los Angeles Projects, Los Angeles, CA "Noirish Days/Unrestful Nights", Lemon Sky Projects and Editions, Los Angeles, CA "Paradise Adjacent", Galleria in Arco, Turin, Italy (catalog) "Proposals, Remodels, Embarrassments & Treasures", Cirrus Gallery, Los Angeles,CA "Steven Criqui: Brief Survey", Donna Beam Gallery, University of Nevada, Las Vegas, NV, curated by Dave Hickey "Pop Interiority: New Still-Life Paintings", Angles Gallery, Santa Monica, CA "Love of Display", FOODHOUSE, Santa Monica, CA Courtyard Series, Sue Spaid Fine Art, Los Angeles, CA Dietrich Jenny Gallery, San Diego, CA SELECTED GROUP EXHIBITIONS "New", Susanne Vielmetter Los Angeles Projects, Culver City, CA

72. Literatur Autoren Und Autorinnen S
    schjeldahl, peter; Schlaf, Johannes;Schlag, Evelyn; Schlechta, Franz Xaver Freiherr von; Schleef, Einar;  
    http://ebbertz.dbmk.de/links/Literatur/Autoren_und_Autorinnen/S/
    
    Extractions: Startseite Aktuelles Lesungen Lebenslauf ... Presse Links : Literatur Autoren und Autorinnen : S A B C D ... R S T U V W ... Szymborska, Wislawa Help build the largest human-edited directory on the web. Submit a Site Open Directory Project Become an Editor In Teilen modifizierte Version des DMOZ. Nach oben www.ebbertz.de

73. Locus Solus Rare Books: ART RANDOM - KAROLE ARMITAGE AND DAVID SALLE 3 Years Of
    ART RANDOM KAROLE ARMITAGE AND DAVID SALLE 3 Years of the Ballet Stageby schjeldahl, peter. Publisher Information Kyoto Shoin Kyoto (1989).  
    http://www.locussolusrarebooks.com/cgi-bin/locus/200443.html
    
    Extractions: 4to, illus., printed glossy boards A photographic record of artist Salle's collaborations with the choreographer Armitage. Other artists who participated in these productions included Jeff Koons, Christian Lacroix, and Ann Slavit. This copy has been boldly inscribed by Salle on the half title page to the writer John Hawkes and his wife.

74. Literary Encyclopedia: List People (S)
    Translate this page 1920 - Present. Schiller, Friedrich (Schiller, Johann Christoph Friedrichvon ). 1759 - 1805. schjeldahl, peter (schjeldahl, peter ). 1942 - Present.  
    http://www.litencyc.com/php/speople.php?no=50&golist=true&init=S

75. Stories, Listed By Author
    schjeldahl, peter (chron.) * For Apollo 11, (pm) Bad Moon Rising,ed. Thomas M. Disch, Harper Row 1973; * Ho Chi Minh Elegy, (pm  
    http://users.ev1.net/~homeville/isfac/s210.htm
    
    Extractions: Previous Table-of-Contents SARGENT, PAMELA (books) (chron.) (continued) Jul 1981 Unguided Days, (nv) Weapons (with George Zebrowski ), (ss) Dystopian Visions , ed. Roger Elwood, Prentice-Hall 1975 Women in Science Fiction, (in) SAROWITZ, TONY (chron.) Dinosaurs on Broadway, (ss) Sep 1981 * Illusions (with Paul David Novitski ), (nv) IASFM Jun 1979 A Manner of Speaking, (ss) New Dimensions 12 A Passionate State of Mind, (nv) New Dimensions 9 SAROYAN, WILLIAM (chron.) Locomotive 38, the Ojibway, (ss) My Name Is Aram To Be Courteous to Women, (ss)

76. Stories, Listed By Author
    World’s Fair Girl, (sl) Liberty Magazine Apr 29 1939. schjeldahl, peter (chron.)* Bonner’s Ferry, (pm) Ronald Reagan The Magazine of Poetry Sum 1968;  
    http://users.ev1.net/~homeville/fictionmag/s888.htm
    
    Extractions: Previous Table-of-Contents SANTA, ROBERT J. (chron.) SANTAYANA, GEORGE (chron.) SANTEE, ROSS (chron.) SANTESSON, HANS STEFAN (1914-1975); see pseudonyms Stephen Bond John Stephens (chron.) _, reviews: SANTIAGO, DANNY (chron.) SANTO, SUSAN ANNE (chron.) SANTOS, BIENVENIDO N. (chron.) SANTOS-DUMONT, ALBERTO

77. Alibris: Peter Schjeldahl
    WALTON FORD Walton Ford, ELLE DECOR, June/July. schjeldahl, peter. Review of exhibition,THE VILLAGE VOICE, April 30May 6. Falkenstein, Michelle. schjeldahl, peter.  
    http://www.alibris.com/search/books/author/Schjeldahl, Peter
    
    Extractions: Schjeldahl provides a sharp perspective on individual artists, their work, art-world events and ethics, and new, creative directions. Above all, he challenges established views, infecting readers with his passion for art. "To read Schjeldahl is not to agree or disagree, but rather to enter the enchanting flow of a fertile imagination".Art in...

78. Interviews, Statements, And Writings
    103 (May 1986) 2224. Interview. schjeldahl, peter. Komar Melamid. FlashArt,no. 125 (December 1985-January 1986) 64-5. Interview. Smolik, Noemi.  
    http://www.diacenter.org/km/intervie.html
    
    Extractions: Gambrell, Jamey. "Modernism with a Human Face." East Village Eye 19 (February 1983): 13-15. Interview. Harper, Glenn. Art Papers (January-February 1987), pp. 47-49. Interview. Hill, Peter. "Komar & Melamid." ArtScribe (September-October 1985), pp. 36-39. Interview. Komar, Vitaly, and Melamid, Alexander. Artforum 23 (January 1985): reproductions 56-58; text 52, 60, 76. Artforum 18 (March 1980): 46-52. Artforum. April 1989, Vol. X)(VII, No. 8, pp.133-135 and cover. Glass Art Society Journal, 1990, pp. 64-66. Lovely Jobly 1, no.1 (March 1990) :40-41. Artforum 18 (May 1980): 36-46. Print Collector's Newsletter 11 (May-June 1980): 48-49. Journal of Arts Management and Law 13 (Spring 1983). n.p. The Nation 258, no. 10 (March 14, 1994):334-355, cover. About Death. Berlin: NGBK Nishen, Madrid, Spain: Moriarity Gallery, Amsterdam, The Netherlands: Barbara Farber Gallery, 1988. no. 42 (May 1992) :42-43. A-Ya, no. 2 (1981). n.p. Spark, March/April/May 1992, pgs.1, 4. Artforum XXX, no. 9 (May 1992):102-103. The Unmuzz1ed Ox, Poets' Encyclopedia

79. The Hydrogen Jukebox
    peter schjeldahl The Hydrogen Jukebox Selected Writings of peter schjeldahl, 19781990Lannan Series, II Edited by MaLin Wilson. Introduction by Robert Storr.  
    http://www.ucpress.edu/books/pages/5335.html
    
    Extractions: Free online edition (eScholarship) available only to University of California faculty, staff, and students (List of public titles) "To read Schjeldahl is not to agree or disagree, but rather to enter the enchanting flow of a fertile imagination." Art in America "Here's art criticism that demonstrates the power of art to evoke art, in the form of some of the most lusciously written responses to visual beauty ever to hit print. . . . During a decade that defined art mostly through commerce, Schjeldahl consistently reminded readers of its necessary soul." Village Voice "A shrewd and fluent critic, [Schjeldahl] has a masterly personal voice, flamboyant, witty, lyrical yet often precise; more important, he has an open-hearted attentiveness to the subjects of his criticism and the imaginative spaces around them." Times Literary Supplement Home Books Journals Electronic Editions ... Search

80. Artnet.com Magazine Features - Girly Grotesquerie
    girly grotesquerie by peter schjeldahl, peter schjeldahl is art criticfor the Village Voice, where this column first appeared. ©2002  
    http://www.contemporaryartproject.com/cap/Othercontent/Lisa.htm
    
    Extractions: Lisa Yuskavage is an extravagantly deft painter in oils of cartoonish, often anatomically impossible bimbos, nymphets and other female travesties with hyper-charged libidos and the self-esteem of cat litter. Most are young, but even the more adult ones ooze moist innocence. They would be pathetic if we could pity them or contemptible if we could scorn them. As it is, the paintings rule out such comfortable responses. To behold Yuskavage's creatures is to dive into an existential soup with them. Yuskavage's pictorial universe, an important development in recent art, seems suffused with oddly passive loathing. Like static electricity, the work's grotesquerie yields voltage without amperage an energy that causes shocks when touched by the mind but that can't be drawn off to turn on bright-idea light-bulbs. As for standard check-lists of gender issues and so on, the critic Lane Relyea has said it well: "To attribute a critical position to Yuskavage's canvases seems a cowardly response, like reigning in outlaws by deputizing them."

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