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Marlatt Daphne:     more books (65)

Opening Doors: Vancouver's East End by Daphne and Itter, Carole Marlatt, 1979 What Matters : Writing 1968-70 by Marlatt Daphne, 1976 Opening doors: Vancouver's East End (Sound heritage) by Daphne Marlatt, 1979 Odda-Tala [aka Odda Tala], no. 2 by D (ed.) [Daphne Marlatt; Wakoski; Kelly] Alexander, 1968-01-01 Caterpillar 17 - October, 1971 - Vol. V, # 1 - featuring Enslin's "Synthesis 5", Meyer's Iliad designs, Wakoski's "The Joyful Black Demon", and Irby's "Jed Smith and the Way" by Robert Kelly, David Bromige, Daphne Marlatt, Tenney Nathanson, Jerome Rothenberg, Laurence Weisberg, Thomas Meyer, Hugh Seidman, Brian McInerney, George Stanley, Diane Wakoski, Kenneth Irby, Clayton Eshleman, and Gary Snyder Contributors: Philip Lamantia, 1971 Mothertalk: Life Stories of Mary Kiyoshi Kiyooka. (Book Reviews/Recensions). (book review): An article from: Canadian Ethnic Studies Journal by Nicole Markotic, 1999-06-22 Re-Writing Pioneer Women In Anglo-Canadian Literature. by Conny Steenman-Marcusse, 2001-01 Body, Inc: A Theory of Translation Poetics by Pamela Banting, 1997-09 Writing the Roaming Subject: The Biotext in Canadian Literature by Joanne Saul, 2006-10-21

lists with details

81. Coasts And Islands
    Reaching Home. Jeffers, Robinson. Tamar, Thurso’s Landing. marlatt, daphne. Steveston.(poems). Marshal, John. The West Coast Trail Poems. Martien, Jerry.  
    http://www.asle.umn.edu/archive/biblios/coasts.html
    
    Extractions: Bakker, Elna. An Island Called California. Dana, Jr., Richard Henry. Two Years Before the Mast. Everson, William. Archetype West. Hanson, Gunnar. Islands on the Edge of Time. Heckman, Hazel. Island in the Sound, Island Year. Houston, James. Iglauer, Edith. Fishing with John. Jay, Tom. Reaching Home. Jeffers, Robinson. Tamar, Thurso’s Landing. Marlatt, Daphne. Steveston. (poems) Marshal, John. The West Coast Trail Poems. Martien, Jerry. Muir, John. Travels in Alaska. Nelson, Richard. The Island Within. Dillard, Annie. Holy the Firm Peterson, Brenda. Living by Water. Steinbeck, John. Cannery Row, Log From the Sea of Cortez. Thomas, Audrey. Intertidal Life. (novel) Webb, Phyllis. Wilson’s Bowl. Welch, Lew. "Wobbly Rock," "Song Mt. Tamalpais Sings" (poems).

82. English Reading List, ENGL 3013
    1932. daphne marlatt, Anahistoric. Marlene Goldman, ‘daphne marlatt’sAna Historic A Genealogy for Lost Women’, RFR/DRF, 21 (3/4), pp. 33-37.  
    http://lib5.leeds.ac.uk/rlists/english/postcol.htm
    
    Extractions: ENGL 3013 Postcolonial Literature (Semester 1, 1999-2000) Prof S Chew Selected Reading List General Reading a) Postcolonial Literature Bill Ashcroft, Gareth Griffiths and Helen Tiffin, The Empire Writes Back: Theory and Practice in Post-Colonial Literatures (Routledge, 1989). Elleke Boehmer, Colonial and Postcolonial Literature (Oxford, 1995). Diana Brydon and Helen Tiffin, Decolonising Fictions (Dangaroo, 1993). *Frank Davey, Post-National Arguments: The Politics of the Anglophone Canadian Novel (Toronto, 1993). [B2075] Rosemary M. George, The Politics of Home: Postcolonial Relocations and Twentieth-Century Fiction (CUP, 1996). Terrie Goldie, Fear and Temptation: The Image of the Indigene in Canadian, Australian and New Zealand Literatures Dark Side of the Dream: Australian Literature and the Postcolonial Mind (Allen and Unwin, 1991). Graham Huggan, Territorial Disputes: Maps and Mapping Strategies in Contemporary Canadian and Australian Literature (University of Toronto Press, 1994). Bruce King (ed.)

83. Poems - The Green Dimension
    At the end the persona feels like giving blessings to my children .marlatt, daphne (b. 1942) prairie (1984) IN Sullivan, 185186.  
    http://www.uni-trier.de/platz2/greend/canada/poems/m.html

84. Course Information: English 420 -- The Canadian Long Poem
    Ondaatje, Michael. The Collected Works of Billy the Kid (1970). marlatt, daphne.Steveston (1974). McKay, Don. Long Sault (1975). Kroetsch, Robert.  
    http://www.cariboo.bc.ca/ae/engml/FRIEDMAN/courses.htm
    
    Extractions: THE UNIVERSITY COLLEGE OF THE CARIBOO COURSE: English 420 – 90 INSTRUCTOR: Dr. Thomas B. Friedman SEMESTER: F 2002 / W 2003 OFFICE: AE 197 (371-5976) TIMES: W 7 – 10 OFFICE HRS: TBA E-MAIL: tfriedman@cariboo.bc.ca This course examines a prominent—yet largely critically neglected—Canadian literary genre: the long poem. From Oliver Goldsmith’s early 19 th Century depiction of Maritime colonial life and traditions in The Rising Village to Robert Kroetsch’s late 20 th Century exploration of Prairie experience in Field Notes and Stephen Scobie’s “speculative biography” of Bob Dylan in And Forget My Name , the Canadian long poem has been a resilient and challenging genre. Key questions to be raised in this course will be why the long (or narrative) poem or poem sequence seems to be somewhat over-represented in Canadian literary history and why literary critics have had difficulties categorizing the long poem generically. The representative Canadian narrative poems on the course reading list are meant to help students place the long poem in a Canadian historical context (both literary history and social/political history). The focus, however, will be on the close reading, analysis and interpretation of the texts themselves. Course Objectives By the course conclusion, the student will

85. Theodore Enslin Papers
    Ray with ANS Lewis, Harry (19651968) see also legal size Lewis, Harry (1972-1974)to Lewis, Harry Lish, Gordon (1962-1963) marlatt, daphne Metzer, David Moraff  
    http://www.nyu.edu/library/bobst/research/fales/coll_mss/enslin.html
    
    Extractions: The Fales Manuscripts are a part of the Collection at the Fales Library, New York University. The Fales Library is the primary special collections division of the NYU libraries, housing over 170,000 volumes of English and American literature from 1700 to the present. Strengths of the collection include the development of the English and American novel, with an emphasis on the Gothic and the Victorian novel. There are no restrictions on the use of the Fales Manuscripts. All rights are reserved.

86. Daphne Oram - Encyclopedia Article About Daphne Oram. Free Access, No Registrati
    daphne Oram. Word Word. preview not available. Click the link for more information.Some articles mentioning daphne Oram  
    http://encyclopedia.thefreedictionary.com/Daphne Oram

87. "Daphne"
    daphne Armani 1353/F Click here to buy. daphne . Prices subject to change.daphne Compare Prices Compare prices from over 40,000 stores.  
    http://www.midnightcollector.com/armani/daphne-i18702.shtml

88. "Daphne"
    daphne Armani 1353/C Click here to buy. daphne . Prices subject to change.daphne Compare Prices Compare prices from over 40,000 stores.  
    http://www.midnightcollector.com/armani/daphne.shtml

89. FFWD Weekly:January 9th.1997
    FFWD Weekly Copyright © 1997. All Rights Reserved. Taken by DaphneMarlatt Ananasi Press,132 pp. However we may pass each moment  
    http://www.ffwdweekly.com/Issues/1997/0109/book2.html
    
    Extractions: Ananasi Press,132 pp. However we may pass each moment, our lives become filled with an eclectic mix of experiences and scattered stimuli which vary from the mundane to the sublime. The complete spectrum of these sensations pervade Taken. This short novel deals with women and war. The Gulf War becomes a catalyst to the revelation of scenes of the Pacific theatre in the Second World War. Though interesting, the modern sequences are not as compelling as the mesmerising, though dehumanising, anguish of women captured by the Japanese. Marlatt leads into the latter with fractured but hypnotic passages, triggered at the opening of the novel by the incomplete second sentence. "And she begins to coalesce somewhere behind my eyes, behind the hand over my mouth (my mouth, as if i should not say anything, not yet, not now) staring at space through which those leaves glimmer, alder and fern in the wet earth...." Unfortunately, the idiosyncrasies create sporadic reading difficulties. An author so accomplished at drawing us into her world would have been better served by laying aside some of the obvious, unnecessary, distracting affectation. In the brief second section she simplifies the flow, stays consistent in her approach, and achieves her intent with alacrity. Whenever, in creating strong images in quick succession from multiple directions, Marlatt overcomes obstacles she has set in her own path, the reader is left reeling in a type of trance.

90. Fred Wah, Criticism About
    TRANSLATION POETICS COMPOSING THE BODY CANADIAN (WAH FRED, KROETSCH ROBERT, MARLATTDAPHNE, LONG POEM) by BANTING, Pamela, PHD UNIVERSITY OF ALBERTA (CANADA  
    http://www.library.utoronto.ca/canpoetry/wah/crit.htm
    
    Extractions: Charlene Diehl-Jones. Fred Wah and His Works ECW Press, Toronto, 1997. Banting, Pamela. Body Inc.: A Theory of Translation Poetics Winnipeg: Turnstone Press, 1995 Banting, Pamela. "The Undersigned: Ethnicity and Signature-Effects in Fred Wah's Poetry." West Coast Line , No.2, Fall 1990: 83-94. Entry in The Dictionary of Literary Biography by Laurie Ricou, University of B.C., 1988, pp.369-373 "Fred Wah's Grammatological Practice," Master's thesis by Pamela Banting, University of Manitoba, 1986. in Contemporary Literary Criticism , Yearbook 1986, Vol. 44, critical essay and items by several authors, pp.323-328. "Don't Sit Around Language," interviewed by Lola Tostevin. Poetry Canada Review , Vol.9, No.1, Fall 1987: 3-5. Interviewed by Pamela Banting. Brick "A Conversation with Fred Wah: TRG Report One; Translation (Part 3)." An interview by bpNichol. Open Letter Interview. Writing (Nelson-Vancouver) #9, Spring 1984: 45-49. Kamboureli, Smaro. "Fred Wah: a Poetry of Dialogue." Line 4, 1984: 44-62.

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