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Marlatt Daphne:     more books (65)

Steveston by Daphne Marlatt, Robert Minden, 2001-02-01 How Hug a Stone by Daphne Marlatt, 1983-08 Frames of a story by Daphne Marlatt, 1968 Readings from the Labyrinth (The Writer As Critic Series , No 6) by Daphne Marlatt, 1998-10 Here & There by Daphne Marlatt, 1981-01-01 What Matters: Writing, 1968-70 by Daphne Marlatt, 1980-01 Touch To My Tongue by Daphne Marlatt, 1984 Narrative Deconstructions of Gender in Works by Audrey Thomas, Daphne Marlatt, and Louise Erdrich (European Studies in North American Literature and Culture) by Caroline Rosenthal, 2003-06-21 Narrative in the Feminine: Daphne Marlatt and Nicole Brossard. (Book Reviews / Comptes Rendus). (book review): An article from: Resources for Feminist Research by Jennifer Henderson, 2001-03-22 Daphne Marlatt and Her Works (Canadian Author Studies series) by Douglas Barbour, 1992-12-01 Canadian Feminists: Ursula Franklin, Emily Murphy, Ellen Page, Muriel Duckworth, Irshad Manji, Agnes Macphail, Daphne Marlatt, Maude Barlow Contemporary Authors: Biography - Marlatt, Daphne (Buckle) (1942-) The Capilano Review Series 2:20 Including Excerpt from Taken By Daphne Marlatt by Daphne et al Marlatt, 1996-01-01 Our Lives. by Daphne. MARLATT, 1975

lists with details

21. MARLATT, DAPHNE - Les Manuscrits Littéraires : Un Guide Des Fonds Littéraires
    daphne marlatt.  
    http://www.collectionscanada.ca/9/12/p12-283-f.html
    
    Extractions: LMS-0119 Fonds Daphne-Marlatt. Touch to My Tongue tish Frames : Of a Story me Steveston Recollected : A Japanese-Canadian History Capilano Review Periodics (1977-1980) et la revue Island Tessera, me Rings Vancouver Poems Steveston Our Lives Zocalo What Matters (1980) et (1981). Son How to Hug a Stone Touch to My Tongue Ana Historic Salvage Taken (1996) et Readings from the Labyrinth (1998), un recueil de ses essais. M me Mothertalk me me Periodics Island et Tessera Mothertalk acquis de Daphne Marlatt en 1985, en 1993 et en 1998. [1985-08, 1993-13, 1998-05] Langue : les documents du fonds sont en anglais. Restrictions : les chercheurs doivent obtenir la permission de Daphne Marlatt avant de consulter ce fonds. Instrument de recherche :

22. Lesbian Self-Naming In Daphne Marlatt's Ana Historic
    Lesbian SelfNaming in daphne marlatt s Ana Historic. By Céline Chan. marlatt,daphne. Ana Historic a novel. Toronto Coach House Press, 1988. ———.  
    http://www.uwo.ca/english/canadianpoetry/cpjrn/vol31/chan.htm
    
    Extractions: Lesbian Self-Naming in Daphne Marlatt's Ana Historic By Céline Chan Daphne Marlatt has written that to become "aware of th[e] dialogue on the many fringes" of "white, middle-class, heterosexual, Anglo-American/Canadian" culture — to "listen . . . to other women's words/realities" — "is to engage in a delicate balance between recognition of difference and recognition of shared ground," to achieve a "balance between i and we, neither capitalized nor capitalizing on the other" ("Difference (em)bracing" 192). Marlatt's Ana Historic: a novel is in many ways an exploration of this proposition. Almost every female "character" in the text blends into every other one while also retaining a distinct identity, and all are (a)part of/from Ana herself, who concludes the book by simultaneously realizing a lesbian identity and entering a female community. The story of Ana Historic is the story of its narrator-author's "process of becoming a self-named lesbian" (Warland 123) called Annie Torrent, and it reaches its narrative and sexual climax in a powerful poem:

23. Canadian Poetry Web Links - Notable Canadian Poets
    100 Canadian Poets University of Calgary. marlatt, daphne. NorthwestPassages Author Profile. A Working Notes of daphne marlatt. A  
    http://www.uwo.ca/english/canadianpoetry/links_new_notable_canadian_poets.htm

24. Ana Historic; Author: Marlatt, Daphne; Paperback
    Ana Historic. Author marlatt, daphne. Paperback. 160 pages  
    http://www.netstoreusa.com/fibooks/088/0887845908.shtml

25. Black Sparrow Press Archive - University Of Alberta
    leaf leaf/s, by marlatt, daphne. BSP 52 01 marlatt, daphne. leaf leaf/s DOCUMENT TYPE Manuscript. BSP 52 02 marlatt, daphne.  
    http://www.uofaweb.ualberta.ca/bsp/nav01.cfm?nav01=12281&pt=title_details&ID=BSP

26. Black Sparrow Press Archive - University Of Alberta
    leaf leaf/s, by marlatt, daphne. BSP 52 03 marlatt, daphne. leaf leaf/s. RelatedItems BSP 52 01 marlatt, daphne. leaf leaf/s DOCUMENT TYPE Manuscript.  
    http://www.uofaweb.ualberta.ca/bsp/nav01.cfm?nav01=12281&pt=item_details&title=5

27. Marlatt, Daphne And Warland, BetsyTwo Women In A Birth
    marlatt, daphne and Warland, Betsy Two Women in a Birth. 1994 Canada. Guernica . Softcover . Text and cover clean and tight .  
    http://www.popula.com/sh/no_647/2134138.htm

28. NeWest Press: Daphne Marlatt Bio
    Home _top. daphne marlatt. daphne marlatt was born in Melbourne,Australia and spent her formative years in Penang, Malaysia. She  
    http://www.newestpress.com/bios/marlatt.html
    
    Extractions: Go to ... New Releases All of our books Fiction Poetry Drama and the Theatre Non-Fiction Submission Guidelines Individual Orders Booksellers About Us Home Daphne Marlatt Salvage, Ana Historic, Touch to my Tongue and Steveston. Her work has appeared in over twenty anthologies and is a frequent contributor of articles to literary publications.

29. This Tremor Love Is, Marlatt
    This Tremor Love Is daphne marlatt. nominated for THE PAT LOWTHER MEMORIALAWARD and nominated for THE DOROTHY LIVESAY POETRY PRIZE  
    http://www.talonbooks.com/Books/tremor.html
    
    Extractions: The winners will be trumpeted on Saturday, June 15th during bonfire beach parties at Middle Cove, Newfoundland and North Saanich, British Columbia. The parties will feature live music and readings by Canadian authors. No invitation is required. All are welcome. In the spirit of the ReLit Awards (Ideas, Not Money), each winner in the three categories will receive $1 and a specially-designed handmade award by ceramist Janet Power. The ReLits (short for Regarding Literature, Reinventing Literature, Relighting Literature...) promote books published by independent Canadian publishers. A Lost Book, to its latest, most recent sequences. These are love poems in the sense that in the meeting of our minds and bodies, we are actually tied to the earth, and how, with its turns and tremors, the world displays us, its lovers, dispassionately in all our tenuous and fleeting splendour: in the pull of desire, the ecstasy of union , the angst of loss and identity, the deterioration of recognition and affection. A studied master of her craft, Marlatt weaves her motifs of departures and arrivals, the recurrence of wounds and loss, and the delight in what surrounds us and how we are drawn to reconnect with it time and again in an astonishing variety of notation, ranging from the prose poem to the spare image afloat on the glaring sea of the page.

30. Detailed Record
    Narrative in the feminine daphne marlatt and Nicole Brossard •By Susan Lynne Knutson • Publisher Waterloo, Ont. Wilfrid  
    http://worldcatlibraries.org/wcpa/ow/8a659de55e396e2ba19afeb4da09e526.html

31. Daphne Marlatt
    CRITICISM. Beddoes, Julie. Mastering the mother tongue reading Frank Davey readingDaphne marlatt s How Hug a Stone. Canadian Literature 155 (1997) 7587.  
    http://www.brocku.ca/english/CWP/marlatt.htm
    
    Extractions: WORKS Bloomington, IN: privately published, 1966-67. Frames of a Story . Toronto: Ryerson Press, 1968. leaf leaf/s . Los Angeles: Black Sparrow Press, 1969. Rings . Vancouver: George Bowering, 1971. Vancouver Poems . Toronto: Coach House Press, 1972. Steveston . with Robert Mindon. Vancouver, BC: Talonbooks, 1974. Our Lives . Lantzville, BC: Oolichan Books, 1980. Net Work: Selected Writings . Ed. Fred Wah. Vancouver: Talonbooks, 1980. What Matters: Writing 1968-1970 . Toronto: Coach House Press, 1980. . Lantzville, BC: Island Writing Series, 1981. How Hug a Stone . Winnipeg: Turnstone Press, 1983. Touch to My Tongue . Edmonton: Longspoon Press, 1984. Mauve Salvage . Red Deer Press: Calgary, 1991. "Troubling the surface." Open Letter "The difference three makes: a narrative." West Coast Line Beyond Tish Ghost Works . Edmonton: NeWest, 1993. Two Women in a Birth . with Betsy Warland. Toronto: Guernica, 1994.

32. English Text Lists Year 4
    Grace, M S Seal/Bantam Ondaatje, Michael, In the Skin of a Lion, Penguin King, Thomas,Green Grass Running Water, Harper Collins marlatt, daphne, Ana Historic  
    http://www.brocku.ca/english/archive/texts984.html
    
    Extractions: Year 3 Year 4 Courses: Department of English Text Lists 1998/99 Year 4 Printed copies of individual course text lists are available from the Department of English, MC A 310. If you wish to contact an instructor, go to the Department of English Faculty and Staff Page ENGL 4F70 Contemporary Literary Theory ENGL 4F70 Course page Instructor: Prof. John Lye Eagleton, Terry, Modern Literary Theory: A Reader (University of Minnesota Press Rice, Phillip and Patricia Waugh, Modern Literary Theory: A Reader , Arnold Selden, Raman, Practicing Theory and Reading Literature , University of Kentucky Press ENGL 4V00 Literature of the English Revolution Instructor: Prof. Elizabeth Sauer Sauer, Compiler , Course Package (available in the Bookstore) , A Handbook to Literature, 7th Ed. , Prentice-Hall ENGL 4V60 Contemporary Canadian Fiction Instructor : Prof. Marilyn Rose Bowering, George and Linda Hutcheon, Likely Stories: A Postmodern Sampler , Talon Books Currie, Sheldon, The Glace Bay Miners Museum , Breton Atwood, Margaret

33. UBC Student - Prose
    Macho!. New York Dell, 1991. Mexican Roots; Reclaiming California; Nada Marianismo!2. marlatt, daphne. Ana Historic. 1988. Toronto Anansi, 1997.  
    http://www.egwald.com/ubcstudent/prose/
    
    Extractions: Prose English 227: West Coast Mobility Fictions The instructor for this course is Joel Martineau . The course focuses on three novels and seven short stories and articles that deal with Hispanic and Asian migration, and migration from former British Colonies to the west coast of North America. Each Monday we workshop essays we wrote in response to Joel's challenge regarding a concept related to one of the novels. Collected here are the papers I contributed. 1. Villaseñor, Victor. Macho! . New York: Dell, 1991. 2. Marlatt, Daphne. Ana Historic. 1988. Toronto: Anansi, 1997. Ana, Annie and Daphne Eroticism and Ecstasy Negotiated Identities This research paper explores how feminist writers like Daphne Marlatt negotiate how language is used in determining gender identities. I argue that Wittgenstein's theory of language games reveals how feminist discourses can rid language of its male prerogatives embedded in the patriarchy. Feminist writers correctly perceive that the key to transfiguring language is not to refute accepted patriarchal theories, but to block and suspend their pretensions of providing truth and meaning. 3. Ng, Fae Myenne.

34. DAPHNE MARLATT'S TAKEN
    More About daphne marlatt. More About daphne marlatt. More About daphnemarlatt. More About daphne marlatt. A difficult and brilliant  
    http://www.onlink.net/judithfitzgerald/daphnemarlatt.html
    
    Extractions: Like all great modernist works, Taken 's given resides in its Big-Picture conclusion, in its concluding strokes. From its evocative prologue (subtly invoking Robert Graves's White Goddess) to its epilogue's sublime recognition of what can only be described as incandescent resignation, this complex and demanding novel's structural framework hinges upon the achingly accurate intermeshings of an indelibly drawn tri-generational family of characters traversing a panoply of psychic and physical landscapes. Taken collectively, the layers of still shots (”snaps,” in Marlatt's term), scenes, and sequences constitute a tour de force narratif centred in a spiralling maze of seamlessly executed temporal shifts. "You return to your own layers of family never and yes, ever outgrown. The snapshots we take and are taken by,” muses the never-named primary ”personage” (or, more accurately, dominant voice) among Taken 's complex and occasionally – though deliberately – confusing cast of characters and episodic multi-layeredness.

35. WGSt - Daphne Marlatt
    Sessional Lecturers. daphne marlatt. MA (1968) in Comparative Literature,Indiana University. Thesis translations from Le parti pris  
    http://www.usask.ca/wgst/faculty/marlatt.htm
    
    Extractions: M.A. (1968) in Comparative Literature, Indiana University. Thesis: translations from Le parti pris des choses by Francis Ponge, with critical essay. B.A. (1964) in English and Creative Writing, University of British Columbia. LL.D. (1996) from the University of Western Ontario, Department of English. Writer, Poet, Oral Historian. Recent and Upcoming Titles: Edited: Mothertalk: Life Stories of Mary Kiyoshi Kiyooka , by Roy Kiyooka (1997, NeWest Press). WGSt 398.3 Special Topics: Mother-Daughter Relationships: Theory and Personal History. See Special Topics for the course description. The following is taken from the current course outline: "So long as mothers remain objects of exploration rather than social, psychological, and linguistic subjects, the hold of tradition cannot be broken, and new stories cannot be told," Marianne Hirsch writes in The Mother-Daughter Plot . Her call for feminist attention to shift from the daughter to the mother as subject of her own story requires some radical refocussing by daughters so that they can begin to hear their mothers' stories. As we are all daughters of mothers who were once themselves daughters shaped by the mothering they received, understanding the complex dynamics of the mother-daughter relationship in its historicity is crucial. Much of this history is oral and can be learned through conversation with mothers and grandmothers. Some of the conflicts and blocks to open exchange can be understood through readings in a growing body of theory and fiction that analyses and dramatizes the ambivalenies of this primal relationship.

36. Steveston: Daphne Marlatt And Robert Minden
    February 2001 ISBN 92187080-9 7 3/4 x 8 7/8 112 pp, $16.95 pb. PoetryPhotographs. Steveston By daphne marlatt, Photographs by Robert Minden  
    http://www.ronsdalepress.com/catalogue/steveston.html
    
    Extractions: By Daphne Marlatt, Photographs by Robert Minden Ronsdale Press offers a new edition of Steveston , this much loved work by two of Canada’s finest poets and photographers. For this edition, Marlatt has written a new poem, never before published, to offer a postscript from 2001 on the original 1974 undertaking. At the publisher’s request, Minden has returned to his photographic archive bringing 9 additional images of Steveston and New Denver to light . In addition, Marlatt and Minden have rethought their decision to interleave poems and photos, and have, instead, created two separate but connected stories — poetry and pictures that evoke their own rhythms and then speak to each other of their connections. For the first time, Minden talks about their joint project of recreating Steveston

37. Author Listing
    MacLean, Robert — Home from the Party; Maillard, Keith — Dementia Americana;marlatt, daphne — Steveston with photographs by Robert Minden;  
    http://www.ronsdalepress.com/authors.html
    
    Extractions: Authors are listed alphabetically, by last name. Click on the book titles to see more information about the author and the title. Through an affiliation with Amazon.com, you may purchase books on this website wherever you see this button: Abbey, Lloyd Abbey: Selections 1959-1989 Alderson, Sue Ann Ten Mondays for Lots of Boxes

38. IPL Online Literary Criticism Collection
    To the lobby of the Internet Public Library. Online Literary CriticismCollection. daphne marlatt (1942 ). Criticism about daphne marlatt.  
    http://www.ipl.org.ar/cgi-bin/ref/litcrit/litcrit.out.pl?au=mar-387

39. One Zero Zero Virtual Library
    daphne marlatt (1942 ) Born daphne Buckle, to English parents, in Melbourne,Australia, daphne marlatt spent six post-war years in Penang, Malaya before  
    http://www.ccca.ca/history/ozz/english/authors/marlatt_daphne.html
    
    Extractions: Born Daphne Buckle, to English parents, in Melbourne, Australia, Daphne Marlatt spent six post-war years in Penang, Malaya before emigrating to Canada (North Vancouver, B.C.) in 1951. She enrolled in English at U.B.C. in 1960, began to frequent the literary salons associated with TISH magazine, and became an editor by 1963 when the founders were dispersing to graduate studies at other universities. She completed her M.A. in Comparative Literature at the University of Indiana, Bloomington, in 1968. She returned to Vancouver in 1970. Some of her earlier work was published in the second series of Cid Corman's Origin and she was featured in Raymond Souster's New Wave Canada (1966), and published solo volumes shortly thereafter: Frames: of a story (1968) and Leaf/leafs (1969), which was published by Black Sparrow Press in Los Angeles. Marlatt has edited a number of literary journals including The Capilano Review Periodics (devoted to works in prose), Island [Victoria] and the feminist journal Tessera . These experiments in language were followed by Rings Vancouver poems Steveston Our lives Zocalo What matters Net work How hug a stone Touch to my tongue Mauve character Ana historic Double negative Salvage Ghost works (1994) and This tremor love is (2001). She has also published books of non-fiction/memoir including

40. JCNM JC History - Bibliography Part 4
    marlatt, daphne (1942) Steveston Recollected British Columbia ProvincialArchives of British Columbia, 1975. marlatt, daphne (1942  
    http://www.jcnm.ca/Jchist4.htm

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