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Fraser Kathleen:     more books (85)

When New Time Folds Up by Kathleen Fraser, 1993-11-01 Little Notes to You, from Lucas Street by Kathleen Fraser, 1972 My Brazen Heart by Kathleen Fraser, 1985-04-02 New Shoes by Kathleen Fraser, 1978-01 The 175 Best Camp Games: A Handbook for Leaders by Kathleen Fraser, Laura Fraser, et all 2009-08-24 Love's Redemption by Kathleen Fraser, 1986-01-07 20th Century by Kathleen FRASER, 2000-01-01 What I Want by Kathleen Fraser, 1973 The New Yorker - Jan 14, 1967 by William Stafford, Kathleen Fraser, Francine Du Plessix Gray Lois Moyles, 1967 Burning Deck 3 - Fall 1963 by Bernard, James Camp, D.C. Hope (Editors); Robert Creeley, Barbara Guest, Kathleen Fraser, Fielding Dawson (Contributors) WALDROP, 1963 Soft Pages ( Belladonna 10) by Kathleen Fraser, 2001-01-01 The New Yorker - June 11, 1966 by James Dickey, Kathleen Fraser, Anne Carriere, Edith OIiver Maeve Brennan, 1966-01-01 Wing. by Kathleen. Fraser, 1995 The New Yorker - Oct. 26, 1963 by W.S. Merwin, Kathleen Fraser, Norma Rosen, Edith Oliver E.B. White, 1959-01-01

lists with details

21. Kathleen Fraser, Literature
    kathleen fraser, Literature. From the Heart. An Interview with kathleenfraser By Jack Foley. This Language We Come Up Against A  
    http://www.art-5.com/literature/authors/f/kathleen_fraser/

22. Apogee Press
    Discrete Categories Forced into Coupling kathleen fraser Read ExcerptsOrdering Info. kathleen fraser s sixteen books include her  
    http://www.apogeepress.com/authors_fraser.html
    
    Extractions: Read Excerpts Ordering Info Kathleen Fraser's sixteen books include her recent chapbook of collaged wall pieces hi dde violeth i dde violet and an essay collection Translating the Unspeakable, Poetry and the Innovative Necessity boundayr , with aquatints by Sam Francis, and from a text , with original paintings by Mary Ann Hayden. Fraser currently teaches a Master's seminar at CCA focused on mixed genre writing and mixed media collaborations. During her teaching career at San Francisco State University she founded The American Poetry Archives and wrote/narrated the hour video "Women Working in Literature." After a Guggenheim took her to Italy in 1981, she established residence in Rome where she and husband A.K. Bierman live each spring, lecturing and translating. Fraser published and edited the ground-breaking journal HOW(ever) from 1983 to 1991, forwarding the dialogue between scholarship and innovative writing by women; in 1997 she initiated its more recent electronic version

23. Apogee Press
    Discrete Categories Forced into Coupling by kathleen fraser I love kathleen fraser sextraordinary intelligence, her persistent care for where she is—and  
    http://www.apogeepress.com/

24. Biblio.com - What I Want By Fraser, Kathleen: Details
    fraser, kathleen What I Want. Harper Row, 1974. Softcover. Bookcondition Good /Dustjacket - None. 8vo. Wrapper worn at top  
    http://www.biblio.com/books/16495247.html
    
    Extractions: Payment methods accepted: American Express, Check/Cheque or Money Order, Discover, Mastercard, PayPal, Visa Request additional information from the seller Questions before ordering? Use this form to request more information about What I Want or, click here to order now via American Express, Check/Cheque or Money Order, Discover, Mastercard, PayPal, Visa. E-mail to a friend S earch for Books Author: Title: Sort by: Lowest price first Highest price first Author descending Author ascending Title descending Title ascending Newest listings Oldest listings Currency in: Australian Dollars Austrian Schillings Belgian Francs Brazillian Real Canadian Dollars Chinese Yuan Danish Krone Euro Finnish Markkas French Francs German Marks Greek Drachmas Hong Kong Dollars Indian Rupee Irish Pounds Italian Lire Japanese Yen Luxembourg Francs Malaysian Ringgit Mexican Peso Netherlands Guilders New Zealand Dollars

25. KENNETH AGUILLARD ATCHITY COLLECTION: FOLDER LISTING CONTINUED
    Box 4 Fold 20 fraser, kathleen Correspondence DATE SPAN 08/23/1978 - 07/05/1981DESCRIPTION 7 ALSs and 4 TLSs from kathleen fraser to KJA, with carbons  
    http://www.library.georgetown.edu/dept/speccoll/fl/f116}7.htm

26. MAIN INDEX
    TO CRAWFORD, RICHARD R. (1860) Crawford Family Papers fraser, kathleen CORRESP. Kenneth Aguillard Atchity Collection fraser, kathleen - MSS.  
    http://www.library.georgetown.edu/dept/speccoll/mi/mi}672.htm

27. Kathleen Fraser
    them. When she w Written by kathleen fraser Published by Univ ofAlabama Pr (Txt) (November 1999) ISBN 081730990X Price $19.95.  
    http://music-books-online.net/search_Kathleen_Fraser/searchBy_Author.html
    
    Extractions: In Il Cuore, Kathleen Fraser's lovely poetry centers around the Italian landscape and Italian art. Two things that are, by their very nature, already infused with poetry, Fraser elaborates on these themes and exposes their underlying beauty.She writes: The letter A is a plow/Was A/where/you made and/unmade your mind.../first hesitation/when you doubted/what you/thought you/were/looking for?A highly stylized tool for observing and uncovering the world, language, in Fraser's hands, becomes poem... In this wonderful book of vibrant and challenging essays, Fraser questions the dominant forms of both poetry and culture without becoming overly polemical. So often, in claiming her own and women's territory, a writer will mow down everyone who even remotely strays from her standards; but Fraser's essays (the title one is a prime example) present and explain a number of varying forms, a number of ways of working through what is to be worked through, without privileging any of them. When she w...

28. The Uncontainable By Kathleen Fraser
    The Uncontainable. by kathleen fraser. Swing and crack of the wrecker’sball. Action. Demolition. (back to top). BIO kathleen fraser edits HOW2 .  
    http://www.scc.rutgers.edu/however/v1_2_1999/current/readings/fraser.html
    
    Extractions: The Uncontainable by Kathleen Fraser Swing and crack of the wrecker’s ball. Action. Demolition. I awake with the film running and the image stopped. That absolute moment when volition at once enters and brings down the old building. A structure with its shelter and solidity no longer in place. Necessary rupture and collapse. Then, to see: it’s only a building. Only bricks, cement, pipes, wires and stairs designed for a particular function and statement. Once pinned to someone’s drawing board, it had expressed the day "sufficient unto to its needs." This architect’s drawingat least for the momenthad been realized. Its articulation and solidity held ground. Claimed territory. DEVOLUTION a verbal scrim through which to re devolution as "a rolling down or falling; the passing (of property, qualities, rights, authority, etc.) from one person to another; devolve said of duties, responsibilities, etc.: as, the work

29. READINGS -- Fraser -- HOW2
    To book as in to foal. To son. kathleen fraser. This paper is excerptedfrom kathleen fraser’s recent book, Translating the Unspeakable  
    http://www.scc.rutgers.edu/however/v1_5_2001/current/readings/erotics/fraser.htm
    
    Extractions: To book as in to foal. To son. Kathleen Fraser Translating the Unspeakable: Poetry and the Innovative Necessity , University of Alabama, 2000 monologue Catching two words. Pulling apart and rePasting a paragraph on the same night spiders crowd and come pushing out from the closet door at the actual child.  Working in the next room without knowing this, to hear him tell of it years later and to hold this. Nights of long fear.  To sorrow the poem, to sorrow and tear at its lines, to open its vein. Looking for blue. Expecting it.  Instead, to find red. Scar tissue. Long hollow empty place. Quill of a feather. Writing lines, watching lines elasticize and tatter, not knowing how to solace the dark, child’s eyes open/eyes awake, with mind yet struck in infant night-terror. An otherness you know nothing of. Can you put this? Can you hold it quietly?  Deferral. To other’s book. To work at night to work when child is sleeping is drawing. Each chore that wants you. Assignments marked. To unplug the phone on Sunday when the child is with his father, to not answer a knock, to put away the folders of others, other’s book, put away feeding. To sit in the chair in silence. To place suddenly urgent books on the cleared oak table, to touch the new notebook, to open it at the blank page; lines on the page that mark emptiness. To feel the lines recovering one, into them. Falling into the page. Away from every other. 

30. Kathleen Fraser Biography And Quotes Sites
    If these resources do not have kathleen fraser biography and quote informationthat you need, please contact one of the sites directly. kathleen fraser.  
    http://www.matchc.com/f_authors/Kathleen_Fraser.html
    
    Extractions: at amazon.com Browse the literature sites below to find the bios or quotes you are searching for. If these resources do not have Kathleen Fraser biography and quote information that you need, please contact one of the sites directly. The matchc directory is updated often so visit us again. Kathleen Fraser - Directory of Quotes and Biography Sites Catharton Authors - An extensive, alphabetically sorted listing of author-related resources on the internet Dictionary of Quotations - Famous and inspiring quotations organized by subject and author. NonfictionReviews.com: Biographies - Includes contributed reviews. Under the Covers: Biography and Memoirs - Collection of reviews written by submitters to the site. Invites reader submissions. Famous Quotations Network - Sorted by categories and subjects.

31. Small Press Traffic > Book Reviews
    kathleen fraser Translating the Unspeakable Poetry and the Innovative NecessityTuscaloosa London University of Alabama Press, 2000 I was a little  
    http://www.sptraffic.org/html/book_reviews/fraser.html
    
    Extractions: She didn't actually tell me, but her recent collection of essays, Translating the Unspeakable, more or less permitted me to admit my anxiety over writing this review. In eighteen pieces of writing that span twenty years, Fraser freely discusses the fears and difficulties she has faced as an innovative woman poet while tackling the important aesthetic issues one would hope to find in such a collection. Her style is utterly refreshing: a hybrid of formal and informal, memoir and criticism. The result feels completely necessary. Fraser is the author of fourteen poetry collections and former professor at San Francisco State, where she directed The Poetry Center and founded the American Poetry Archives. She is probably best known for editing and publishing HOW(ever), a journal dedicated to innovative women's poetry, which presently exists in a second incarnation, HOW2, online. Another disclosure: I work on HOW2, because after meeting Fraser last summer at a conference, she took me under her wing, informing me about the poetry world at large and mentioning HOW2's need for involvement by young women poets. It is clear to me both from experience and from reading these essays that Kathleen Fraser is serious about nurturing and participating in a community of women writers.

32. K A T H L E E N   F R A S E R
    http://www.studiocleo.com/cauldron/volume4/features/fraser/

33. Topographies: The Play Of Silence And Space In Kathleen Fraser's "Etruscan Pages
    Topographies the play of silence and space in kathleen fraser s Etruscan Pages by James McCorkle. Minneapolis Minnesota UP, 1986. fraser, kathleen.  
    http://www.studiocleo.com/cauldron/volume4/features/fraser/crit/mccorkle.html
    
    Extractions: Topographies: the play of silence and space in Kathleen Fraser's "Etruscan Pages" by James McCorkle In Kathleen Fraser's "Etruscan Pages" one finds spatial arrangements that allow for heterogeneity in the levels and genres of language and for degrees of lyricism. Her work, as she describes it in "The Tradition of Marginality," is "a listening attitude, an attending to unconscious connections, a backing-off of the performing ego to allow the mysteries of language to come forward and resonate more fully" (59). Fraser notes in a 1996 interview with Cynthia Hogue that what most interested her "was always a project of language textures and invention. . . . the particular research of the language. How it placed itself on the page" (23). What follows is a series of meditations on various aspects of Fraser's poetics; simultaneously the essay tracks "Etruscan Pages" to provide a partial reading of the poem. Error To accede to a "pre-existing model" is to close off possibility-and indeed the lyric's condition of ecstasy. Thus in Fraser's lines "Quick finches scale air / In the ravine, a presence" (10) we find a doubled movement into air and plunging into the ravine as well as the compressed succession of k/c/s sounds. These lines take one out of one's place: presence is not the knowledge of self but an awareness of presence beyond the bounds of one's self. The ravine is an opening in the literal terrain, but also an interruption and hollowing out that provides the space for another presence.

34. Kathleen Fraser
    Stories by kathleen fraser. Inside Goya ; Bernini sChisel . Table of Contents Titanic Operas Home Page.  
    http://www.emilydickinson.org/titanic/material/archive/fraser.html

35. "Bernini's Chisel" By Kathleen Fraser
    Bernini s Chisel kathleen fraser. What causes a personsay, ina familyto feel he or she is different than the other members  
    http://www.emilydickinson.org/titanic/material/archive/bernini.html
    
    Extractions: What causes a personsay, in a familyto feel he or she is different than the other members, separate, an extra bit of jigsaw puzzle with unreliable hump, listing to the side of the table after the entire cardboard picture lies perfect and flat? It is I , one says to one's listening part, this undesignated fragment ''I", unique in not fitting the required measurements. Who, finally, complies and mergesat every pointwith the agreed upon shape of a human torso or preferred community type? Is the best boy's arrival focused by admirable intention or by an off-camera genetic predictor, trapped just at the periphery of departure? Perhaps it is more like the snapping back of a stretched rubber band to its inherent ovoid design? (Even now I see my current favoritewide, flat and intensely violet in color, resisting while yet holding the green florets of broccoli in place, pulling away from and returning to its familiar elastic closure around the stems.) For instance, these opening linesled by grammar and punctuation into the promise of coherence. Now I must turn my back on them. Is it the turning away that marks me? Is everyone else in my "family" looking inward to the center or are they also turning their gaze sideways? Do they see the grey animal shadow whizzing along the floorboards? Do they hear the parquet geometry of the wooden floor expanding, as if giving-up an hour of footsteps randomly wandering backwards, forwards? Daphne is rushing into leaves. Stretched sideways her mouth, the opposite of an explanded, purposeful "Ohhhm." Bernini's chisel is inside Apollo's right foot, as his left leg raises in a sprint that shows veins breaking through the white marble. Daphne is traveling ahead of herself, thinking away. Why must the photograph come out of the envelope every year and be pinned to the wallpaper? He still believes she is who he thought she was and continues describing her to herself even as tree bark is creeping like vernix or a caul between her thighs, sprouting from sapling roots that lift her body higher with the force of broad vegetation expanding and speeding-up in minute-by-minute growth.

36. Kathleen Fraser
    back to upcoming visitors. kathleen fraser Wednesday, 10/6/99, 600 PM Readingby poet kathleen fraser, hosted by the Creative Writing program.  
    http://www.english.upenn.edu/~wh/visitors/bio/fraser.html
    
    Extractions: After graduating in English Literature, 1959, from Occidental College (California), Kathleen Fraser went to NYC to work as an editorial associate for Mademoiselle magazine, pursuing her poetic studies with Stanly Kunitz at The 92nd St. Y "Poetry Center" and, briefly, with Robert Lowell and Kenneth Koch at The New School. At this time, she began to meet a number of New York poets associated with Black Mountain, The Objectivists and the New York School. Among these poets, those to have most important influence on her work were Frank O'Hara, Barbara Guest and George Oppen. She later counted the works of Lorine Niedecker, Charles Olson and Basil Bunting as having a serious impact on her poetics. In 1964 she won the Frank O'Hara Poetry Prize and the American Academy's "Discovery Award". Other writing fellowships have included two NEA Poetry grants, in 1971 and 1978, and a Guggenheim Fellowship in poetry in 1981. After seven years as a journalist - writing and editing - and the publication of her first book - Change of Address [Kayak, 1968] - , Fraser was invited to teach as a poet-in-residence for two years at the Iowa Writer's Workshop, where her university teaching career began. She taught, subsequently, in contemporary literature and writing programs at Reed College and at San Francisco State University where she remained as a Professor of Creative Writing through 1992. In her early years at SFSU, Fraser directed The Poetry Center and founded the American Poetry Archives.

37. TSO Bassoon Bios
    Bassoon. Mitchell Clarke fraser Jackson Contra Bassoon kathleen McLean AssociatePrincipal Bassoon Michael Sweeney Principal Bassoon. Mitchell Clarke, Bassoon.  
    http://www.tsomusicians.com/names/bios/bassoon.html
    
    Extractions: Michael Sweeney Principal Bassoon Mitchell Clarke, Bassoon With twenty seven years experience Mitchell is the longest-serving bassoonist in the Toronto Symphony Orchestra . A graduate of U of T , he studied bassoon with Wayland Mosher (former TSO contrabasssoonist) and Nicholas Kilburn. A prolific arranger and orchestrator he has written many orchestral arrangements for the TSO, transcribed and composed chamber works, and regularly orchestrates background music for films and TV. A whiz at music manuscript preparation on computer he copies much music for the TSO and his colleagues. His arranging teachers were Gordon Delamont and Ben McPeek, both well known Toronto composer/arrangers. He is currently studying jazz piano. Mitchell, and his wife Teda, have three daughters, (a nurse, a systems admin tech, and a doctor), a son (a craps dealer at an Ontario casino), and a cat named Steinway. Email: steinway2@sympatico.ca Fraser Jackson Fraser Jackson joined the Toronto Symphony as Contrabassoonist in 1990. He is busy as a teacher of bassoon and chamber music at the

38. Pathetic.org :: Member Library
    The Library of kathleen fraser. Occupation Student City Nanaimo State BC CountryCanada Member Since January 2004 Last Login 05/21/2004 your eyes?  
    http://www.pathetic.org/library.php?i_memberid=5590

39. Pathetic.org :: The Rhetoric Man By Kathleen Fraser
    { pathetic.org }, the rhetoric man by kathleen fraser 05/09/2004. Posted on05/09/2004 Copyright © 2004 kathleen fraser. Member Comments on this Poem.  
    http://www.pathetic.org/poem.php?i_poemid=1084091358

40. Fraser Valley Quilters' Guild
    Copyright © kathleen Anderson 2000. This page created and maintained by M. Gallagher© 2000, for fraser Valley Quilters Guild. All rights reserved.  
    http://members.tripod.com/~FVQG/gallery2/kathleen.htm

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