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Clampitt Amy: more books (64)

Grand Street - Spring 1983 (Volume 2, No.3) by C.P. Cavafy, Cyril Connolly, et all 1983
Matoaka by Amy Clampitt, 1993-01-01
The Emergency Economic Stabilization Act of 2008: Analysis and Interpretation by Peter W. Ito, Jeffrey D. Cawdrey, et all 2008-11-30
A Silence Opens.(Brief Article): An article from: World Literature Today by Mary Kaiser, 1994-09-22
The Way of All Flesh by Samuel Butler, 2010-09-03

lists with details

Authors (isbndb.com)
Clamp, Betty Ann (Betty Clamp). Clamp, Maggie (Maggie Clamp). Clamp, Michael (Michael Clamp). clampitt, amy (amy clampitt). clampitt, Phillip G. (Phillip clampitt).
http://isbndb.com/authors/?start_item=81&fl=C&sl=L
Notable Fiction And Poetry Of 1997
Regenstein Library Bookstacks PS3553.H27165 L68 1997 clampitt, amy. The collected poems of amy clampitt. New York Knopf, 1997.
http://www.lib.uchicago.edu/e/su/fiction/nytfict.html
Alibris - Click Here To Find Books By This Author!
Clamp, Helen Mary Elizabeth ~ Clamp, Hugh ~ Clamp, Michael Clampett, Bob ~ Clampett, Frederick W. ~ Clampett, Muriel Evelyn clampitt, amy ~ clampitt, Phillip G
http://www.alibris.com/authors/authors0076.html
Guide To Writing Effectively
In Amherst, amy clampitt s speaker revisits the setting that inspired Emily Dickinson s poetry The oriole, a charred and singing coal,. clampitt, amy.
http://www.mcps.k12.md.us/schools/bcchs/academics/depts/english/writing.guide.ht

Extractions: Writers INC as a resource for questions of form, language, and style. Along with sample papers and material pertinent to many other disciplines, Writers INC contains an editing checklist, a proofreader's checklist and guide, a guide to compiling a writing portfolio, ideas for writing papers and developing a personal style, significant literary terms, and commonly misspelled words. To avoid plagiarism and to acknowledge others' contributions, students should refer to "Writing Responsibly" in Writers INC , to the academic honesty policies in this handbook and in the IB Honor Code, and to specific guidance and instruction received in their classes. Information obtained from another source must be credited using the MLA (Modern Language Association) style, covered in detail in Writers INC , in the MLA Handbook Generally, papers in languages, history, arts, and other humanities subjects follow MLA Style, and papers in psychology and the natural sciences follow APA Style. MLA Parenthetical Documentation In the MLA format, footnotes and endnotes are not generally used. Sources are credited at the earliest possible point through parenthetical references (also known as
Title
Bly, Robert, 1, 1, 1, 1, 4. Brodsky, Joseph, 1, 1, 1, 1, 4. Carson, Anne, 1, 1, 1, 1, 4. clampitt, amy, 1, 1, 1, 1, 4. Dennis, Carl, 1, 1, 1, 1, 4. Disch, Tom, 1, 1, 1, 1, 4.
http://www.jefferybahr.com/Publications/BAPPoetsAll.html

Extractions: in Best American Poetry This table shows the number of times that a poet has poems selected for three or more Lehman's Best American Poetry series. Total Hall, Donald Ashbery, John Simic, Charles Collins, Billy Hollander, John Howard, Richard Kizer, Carolyn Koch, Kenneth Merwin, W. S. Pinsky, Robert Tate, James Wilbur, Richard Ammons, A. R. Creeley, Robert Graham, Jorie Komunyakaa, Yusef Palmer, Michael Wright, Charles Gluck, Louise Grossman, Allen Gunn, Thom Jones, Rodney Justice, Donald Koethe, John Levine, Philip McClatchy, J. D. Merrill, James Phillips, Carl Rich, Adrienne Strand, Mark Wheeler, Susan Bowman, Catherine Bradley, George Dunn, Stephen Fulton, Alice Gerstler, Amy Greger, Debora Hecht, Anthony Hoover, Paul Kelly, Brigit P. Kinnell, Galway Mitchell, Susan Moss, Thylias Olds, Sharon Oliver, Mary Spires, Elizabeth Stone, Ruth Walcott, Derek Warren, Rosanna Williams, C. K. Young, Dean Aaron, Jonathan Allen, Dick Ash, John Bishop, Elizabeth Bly, Robert Brodsky, Joseph Carson, Anne Clampitt, Amy Dennis, Carl
Title
Bly, Robert, 1, 1, 1, 1, 4. Brodsky, Joseph, 1, 1, 1, 1, 4. Carson, Anne, 1, 1, 1, 1, 4. clampitt, amy, 1, 1, 1, 1, 4. Disch, Tom, 1, 1, 1, 1, 4. Duhamel, Denise, 1, 1, 1, 1, 4.
http://www.jefferybahr.com/Publications/BAPPoets.html

Extractions: in Best American Poetry This table shows the number of times that a poet has poems selected for three or more Lehman's Best American Poetry series. Total Hall, Donald Ashbery, John Simic, Charles Collins, Billy Hollander, John Howard, Richard Kizer, Carolyn Koch, Kenneth Merwin, W. S. Pinsky, Robert Tate, James Wilbur, Richard Ammons, A. R. Creeley, Robert Graham, Jorie Komunyakaa, Yusef Palmer, Michael Wright, Charles Grossman, Allen Gunn, Thom Gluck, Louise Justice, Donald Merrill, James Jones, Rodney Koethe, John Levine, Philip McClatchy, J. D. Phillips, Carl Rich, Adrienne Strand, Mark Wheeler, Susan Bradley, George Fulton, Alice Greger, Debora Bowman, Catherine Dunn, Stephen Gerstler, Amy Hecht, Anthony Hoover, Paul Mitchell, Susan Moss, Thylias Olds, Sharon Oliver, Mary Kelly, Brigit P. Kinnell, Galway Spires, Elizabeth Walcott, Derek Warren, Rosanna Young, Dean Stone, Ruth Williams, C. K. Allen, Dick Ash, John Bishop, Elizabeth Bly, Robert Brodsky, Joseph Carson, Anne Clampitt, Amy Disch, Tom Duhamel, Denise
The Collected Poems Of Amy Clampitt
clampittAmy clampitt(). a web guide from literaryhistory.com.
http://www.johnholleman.com/film/collclampitt.html

Extractions: "If Gerard Hopkins and Marianne Moore, those two uniquenesses, had married each other, they might have borne Amy Clampitt," says poet Mona Van Duyn. Certainly Hopkins's capacity for sprung rhythms wrapped around an awestruck wonder at the world seems to mesh, in Clampitt's poems, with Moore's genius for linguistic playfulness and depth of detail. Clampitt's ear is nearly unparalleled in 20th-century poets, and her delight in specificity richly rewards readers' attention. The Collected Poems of Amy Clampitt brings together a lifetime of good work, and is one to treasure. Consider this excerpt from the traveling poem "Losing Track of Language": "The train leaps toward Italy; words fall away / through the dark into the dark bedroom / of everything left behind, the unendingness / of things lost track ofof who, of where / where I'm losing track of language." Book Description When Amy Clampitt's first book of poems, The Kingfisher, was published in January 1983, the response was jubilant. The poet was sixty-three years old, and there had been no debut like hers in recent memory. "A dance of language," said May Swenson. "A genius for places," wrote J. D. McClatchy, and the New York Times Book Review said, "With the publication of her brilliant first book, Clampitt immediately merits consideration as one of the most distinguished contemporary poets."

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