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Bronk William: more books (100)

Once and For All: Poems for William Bronk by Cid Corman, 1975-01-01
The Cage of Age by William Bronk, 1996-10
Our Selves by William Bronk, 1994-11-01
The Stance by William Bronk, 1975-01-01
The Mild Day: Poems by William Bronk, 1993-10
Living Instead by William Bronk, 1996-09-01
Brother in Elysium Ideas of Friendship by William Bronk, 1980
Meantime by William Bronk, 1976-11
All of What We Loved by William Bronk, 1998-04
That Beauty Still by William Bronk, 1978-05-01
Some Words: Poems by William Bronk, 1992-10
Manifest; And Furthermore: Poems by William Bronk, 1996-09
Careless love and its apostrophes by William Bronk, 1985
Twelve Losses Found by William Bronk, 1976

lists with details

June Oppen Degnan Papers : Container List
Box, Folder. 3, 22, bronk, william Miscellaneous Works - Selected PublishedPoems -. 5. 3, 23, bronk, william - Miscellaneous Works - Selected Typescript.
http://orpheus.ucsd.edu/speccoll/testing/html/mss0017f.html

Extractions: Container List for June Oppen Degnan Papers Part 1 SERIES 1: SAN FRANCISCO REVIEW AND NEW DIRECTIONS Series 1A: Correspondence between Degnan and other publishers Box Folder Hitchcock, George, 1961 - 1962. Kuhlman, Gilda, 1962. Laughlin, James B., 1961 - 1978. Laughlin, James B., 1961 - 1978. Lorch, Else B., 1965 - 1973. Mac Gregor, Robert M., 1962 - 1974. Mac Gregor, Robert M., 1962 - 1974. Martin, Frederick R., 1969 - 1975. Miller, Roy, 1959. Series 1B: General Correspondence Box Folder Bly, Robert (The Sixties Press), 1967. Borchardt, Georges, 1962 - 1966. Cheshire Publishing Pty Ltd., 1972. Erbe, Edwin, 1962 - 1964. Ferry, W.H., 1961 - 1962. Hawkes, John, 1961 - 1965. Houghton Mifflin Company, 1970 - 1972. King, Martin Luther, Jr., 1961. Kray (Ussachevsky), Betty, 1962 - 1976. Nemer, David, 1966 - 1974. NEW YORKER Magazine, 1963. Pembes, Tim, 1959 - 1962. Pritchett, Victor S., 1962. Ray, Man and Julie, 1959 - 1977. Scott, Foresman and Company, 1968 - 1970. Spender, Stephen, 1959. Webb, Thompson, Jr., 1969. Whittemore, Reed (THE CARLETON MISCELLANY), 1961. Miscellaneous Correspondence, A-Z.
University Of California, San Diego The University Library
Financial Records. SERIES 3 FILES OF MAJOR WRITERS 22 bronk, william Miscellaneous Works - Selected Published Poems -. Two booklets
http://orpheus.ucsd.edu/speccoll/findaids/literary/degnan
Bronk, The Alien
Writers of this sort, like william bronk, seem amused by their very connoisseurshipof discontinuity, occupied by their methods and objects of avulsion from
http://www.fauxpress.com/kimball/res/bronk.htm

Extractions: Bronk, the Alien Jack Kimball Poetry that questions with clarity is rare. Poetry that questions such certainties as time and place and, more, deploys an abbreviated linguistic code to accent uncertainty this sort of poetry appears discontinuous and alien. Writers of this sort, like William Bronk, seem amused by their very connoisseurship of discontinuity, occupied by their methods and objects of avulsion from known qualities, the knowability of qualities, indeed, the whole apparatus and artistry of knowing. To delineate a lineage for such discontinuity within 20th-century American verse, in addition to Bronk (1918-1999), as a first generation I might suggest Gertrude Stein, Louis Zukofsky and Jack Spicer, as well as their descendants associated with a "language" poetry whose aim is to undermine passive reception of culturally logical linguistic strategies. Even though Bronk favors stark language that obliterates discourse conventions, as do Stein, Zukofsky and Spicer, Bronk's standing in this lineage can be debated on grounds of his unsubversive syntax and transparent testimony. His verse is not so experimental, far simpler in its organization and argument than that of the others. With regard to experiment, for example, Stein has suggested more opaquely than would Bronk that in her writing she "was groping toward a continuous present, a using everything a beginning again and again" ("Composition as Explanation"). Compared to Stein's lengthy process-as-presence, Spicer's colloquies that talk to themselves, and Zukofsky's frenetic appropriation of Marx, Mallarme, et al., Bronk's discursive techniques and prosodic surface are markedly conservative. Bronk makes disciplined assertions, sometimes in poems of no more than three or four lines comprising the cool and classical: embedded anaphora ("Whether what we sense of this world / is the what of this world only, or the what / of which of several possible worlds / which what?"); aggravated apophasis ("...there are worlds but...no world..."); rampant paradox ("The carelessness of love is we take such care."); and antimodernist vocabulary that borders on the devotional in its embrace of "the world," of "we," of "man," of "God."
William Bronk And Family
william bronk and Family Jack Kimball. Poetry that questions with clarity israre. We ve gone separate ways. ( A Conversation with william bronk, 1976).
http://www.fauxpress.com/kimball/res/bron.htm

Extractions: Poetry that questions with clarity is rare. Poetry that questions such certainties as time and place and, more, deploys an abbreviated linguistic code to accent uncertainty this sort of poetry appears discontinuous and alien. Writers of this sort, like William Bronk, seem amused by their very connoisseurship of discontinuity, occupied by their own methods and objects of avulsion from known qualities, the knowability of qualities, indeed, the whole apparatus and artistry of knowing. A lineage of discontinuity Mentalist search Bronk's methods are nonetheless governed by an expansive bedlam of the psychically discontinuous and unknown, an anarchy which renders his poetic objects utopian. In the fourteen-line "Unnamed" Bronk reduces uncertainty to an agnostic purity housed in a slender sonnet, entered into by way of curt anapests leading directly to dark, iambic qualifiers: (1)
20th Century Authors List
Blackburn,Paul. Bly, Robert. Bogan, Louise. Boyle, Kay. bronk, william. Brooks,Gwendolyn. Brown, Sterling. Bukowski, Charles. Burgess, Anthony. Burroughs, william.
http://www.literaryhistory.com/20thC/Modernists.htm
Artzar - William Bronk Interview - Introduction
This interview was excerpted from several hours of taped conversations made duringthree visits to william bronk s home in Hudson Falls, New York in the fall
http://www.artzar.com/content/bronk/

Extractions: by Mark Katzman This interview was excerpted from several hours of taped conversations made during three visits to William Bronk's home in Hudson Falls, New York in the fall of 1996. He was suffering from respiratory problems and wed to an oxygen machine with a lengthy cord. Bronk spoke slowly between long pauses and gasps of air. When something reminded him of a poem, he'd boom it out in that unforgettable, authoritative manner which gave his public readings (rare though they were) such power. William Bronk was born in Hudson Falls, New York in 1918. He is a descendent of Jonas Bronck, for whom the Bronx is named. After attending Dartmouth College and serving in World War II, he took charge of his family's business, the William M. Bronk Coal and Lumber Company in Hudson Falls, which he ran until his retirement in 1978. He lived in his family's specious Victorian house virtually his entire life. He never had a driver's license. His house was a mecca for artists and poets. In 1951, Bronk published poems in the journal Origin, edited by the poet Cid Corman. In 1956 Origin published his first book of poems
Wauu.DE: Arts: Literature: Authors: B: Bronk, William
Translate this page Home Arts Literature Authors B bronk, william. Search DMOZ-VerzeichnisAll Categories Categories Onlye. Links URL hinzufügen.
http://www.wauu.de/Arts/Literature/Authors/B/Bronk__William/

Extractions: © 1998- 2002 Ein Service von Wauu.de UserNet.DE Linktip: MnogoSearch.ORG Map TopTen TopTen eng Aktuelle Linktips Mozilla 1.7 RC 1 Basteln 0190 Warner Free Rund ums Rad ... Fantasy - Shop Webmaster-Links Webspace Free Subdomain Service Merchandise Fun SUMA - Forum ... Abmahnungen ber Wauu Regeln Webmasterservice Impressum b
Talisman House, Acorn Alliance
Alighieri, Dante Ash, John Bellamy, Dodie Berrigan, Ted bronk, william Clippinger,David Donahue, Joseph Enslin, Theodore Foster, Edward Gilmore, Lyman Gleason
http://www.moyerbellbooks.com/talisman.html
Mnartists.org | 2002-2003 MCAD/JEROME FOUNDATION FELLOWS
NEXT . Concentrating (for william bronk), Charles Lume. Concentrating(for william bronk), 2003. GO TO ARTIST S HOME PAGE, ENLARGE IMAGE.
http://www.mnartists.org/tourItemDetail.do?action=detail&tourItemId=34711&rid=33
William Bronk : No Time To Waste! The Poet Paints A Lasting Picture With Words.
william bronk No time to waste! The Poet Paints a lasting picture with words. williambronk updates! Hand Picked to save you valuable searching time. welcome.
http://www.inlogosveritas.com/Poems_Poets_Poetry/william_bronk.html

Extractions: William Bronk : No time to waste! The Poet Paints a lasting picture with words. Arts Literature Poetry eminent Great Writers Magazine - Publishing Works Lives Faces Bookshelf Morning Night Women Romantic Haiku Love Death Browning Wordsworth Frost Shelley appreciation contemporary Irish Belfast Heart Modernism important American English literature imagination, emotion, response, empathy. These are words that spiral in the mind's mist when thinking about poetry. What's the truth? Where is the moon? It is in the heart and it is in the mind and the imagination ... it is here. More about William Bronk
William Bronk
PENNsound. william bronk A Selection (5359). (C) 2004 william bronk.Used with permission of william bronk. Distributed by PENNSound.
http://www.writing.upenn.edu/pennsound/linking-page/Bronk-1978.html
William Bronk: The Mild Day
william bronk The Mild Day. Gustaf Sobin How we fumble in life s slow spectacle of change, has always bemused william bronk.
http://www.talismanpublishers.com/catalog/bronk_mildday.htm
William Bronk; Some Words
william bronk Some Words. Paper 1883689-73-2, $9.95 Cloth 1-883689-74-0,$29.95 66 pages, One of our most intimate, haunted, and
http://www.talismanpublishers.com/catalog/bronk_somewords.htm

Extractions: Paper 1-883689-73-2, $9.95 Cloth 1-883689-74-0, $29.95 66 pages "One of our most intimate, haunted, and important poets." Dictionary of Literary Biography "A poet...of enormous intellect." Bruce Kimmelman, The "Winter Mind": William Bronk and American Letters All of What We Loved is "an exceptionally eloquent and masterly book." The Journal of the Academy of American Poets "Arguably the most metaphysical poet of his generation." Hungry Mind Review "The brilliant fire of his poems, their blaze of ruthless thought and flawless music achieves the impossible: it forges a world out of the 'worldless.'" Rosmarie Waldrop "He is brilliant." Southwest Review "A poet of great distinction." Small Press Review Acclaimed in The Nation as "our most significant poet," William Bronk is the author of nearly two dozen celebrated books of poetry and a collection of prose works, Vectors and Smoothable Curves , which is widely considered to be a landmark in contemporary literature.
William Bronk, Free Books
william bronk, Free Books. Free Books B william bronk. william bronkFoundation Website of the organization dedicated to the audio
http://www.free-books-1.com/b/william_bronk/
Editing William Bronk
pseudopodium william bronk. . . william bronk. from Copan Historicity Gone by william bronk. Copyright tocontributed work and quoted correspondence remains with the original authors.
http://en.wikipedia.org/w/wiki.phtml?title=William_Bronk&action=edit
Essay On A Poet (Long)
bronk, william (19181999) william bronk is best known for his austereview of the world as well as writing style. bronk, william.
http://eies.njit.edu/~kimmelma/poetessaylong.html

Extractions: N.B.: Regarding formatting, the header should be in boldface, and all cross references (if you happen to know any) in capital letters, as shown below. Also, special terminology should be in italics, along with the titles of books or very long poems. Use MLA format throughout. Lastly: Please make sure to include your name, address, eddress and telephone number in your file (at the top of page one) before sending it. (Thanks.) Your E-Mail Address Bronk, William (1918-1999) William Bronk is best known for his austere view of the world as well as writing style. His languagesubtle, balanced in tone and diction, essentialis possibly the most distilled in all of twentieth-century American poetry. In addition, Bronk is always explicit visually and resonant musically. His work keeps alive a New England poetic tradition, evoking nature and the seasons, winter most of all, and delving into the nature of reality or truth. These concerns were firmly established early in twentieth-century American poetry by the New England poets Robert FROST and Wallace STEVENS, then later by, along with Bronk, Robert CREELEY and George OPPEN, and in the nineteenth century by Henry David Thoreau (an especially strong influence on Bronk), Ralph Waldo Emerson, and Emily Dickinson. Origin , the magazine he edited, and who published Bronks first book Light and Dark , in 1956. Bronk also enjoyed the support of Creeley in his magazine the
Technology And Human Values
Hillsdale, NJ Lawrence Erlbaum Associates, 1991. bronk, william. Selected Poems.Preface by Henry Weinfield. New York New Directions, 1995. Winner, Langdon.
http://eies.njit.edu/~kimmelma/sts310.htm

Extractions: REQUIRED TEXTS Bender, Gretchen, and Timothy Druckrey. Eds. Culture on the Brink: Ideologies of Technology . Dia Center for the Arts, Discussions in Contemporary Culture, Number 9. Seattle: Bay Press, 1994. Bolter, J. David. Writing Space: The Computer, Hypertext, and the History of Writing . Hillsdale, NJ: Lawrence Erlbaum Associates, 1991. Bronk, William. Selected Poems . Preface by Henry Weinfield. New York: New Directions, 1995. Winner, Langdon. The Whale and the Reactor: A Search for Limits in an Age of High Technology . Chicago: University of Chicago Press, 1986. COURSE DESCRIPTION This course examines the intersection between technology and the humanities. We will consider the ways in which machines and tools change the way we think and live, by drawing on material from history, philosophy, and the arts. History reveals when and where mechanical innovations have occurred and how they have challenged and transformed societies. Philosophy asks us to consider how the introduction of a new tool into a situation leads us to reconsider our categories of thought and the limitations of humanity. The arts make use of tools of a time to express timeless human dreams and concerns. Is technology just a means to realize intentions that are inside us, or are these desires and wants revised because we live in a world made up of tools and devices? What aspects of humanity are extended by technology? What aspects are immune to the betterment promised by machines? These are the kinds of question this course considers.
North Point Press By The Seasons
FALL 1981 Berry, Wendell, The Gift of Good Land bronk, william, Life SupportsConnell, Evan S., Mr. Bridge Connell, Evan S., Mrs. Bridge Merwin, WS, and J
http://webs.lanset.com/bookfolk/npp.htm

Extractions: writing ... Spring 1991 I worked at North Point Press from 1980 through 1988. The press closed in spring 1991 (I'm not certain all the books listed here for the last two seasons came out). The name and portions of the backlist were sold to , which had distributed the press's books in the later years. FSG seems to regard the presswrongly, from my perspective, but perhaps this makes marketing sense for themas a California lifestyle publisher, and they have been putting out a lot of cooking and Western regional books under the imprint, which no longer bears much resemblance to the Albany, California, publishing company that had some influence on publishing in the 1980s (unfortunately, that battle has been lost , at least for the moment). North Point always published on a two-season schedule. At some point I might put up some commentary about North Point's books and program; for now, this is a list (with a few links: I'll add more later) of the original NPP's publications, season by season (paperback editions of books previously issued in hardcover are treated, for the moment, as new publications).
English 2847/3800
bronk, william. Life Supports New Collected Poems. Jersey City Talisman House,Publishers, 1997. ISBN 1883689-59-7. $16.95 (required). Howe, Susan.
http://www.du.edu/~showard/2716.99.html

Extractions: showard@du.edu Course URL: http://www.du.edu/~showard/2716.99.html Course Description: William Bronk, winner of the 1982 American Book Award for poetry, was recently described by a reviewer as "arguably the most metaphysical poet of his generation." What does it mean to call a contemporary American poet "metaphysical"? Is there a tradition of American metaphysical poetry? This course traces the trajectory of an Anglo-American metaphysical poetics, beginning with selections from the works of Renaissance and early modern English poets (such as William Shakespeare, John Donne, George Herbert, Aemilia Lanyer, and Thomas Traherne), then engaging in close studies of poems by Anne Bradstreet, Edward Taylor, Emily Dickinson, Walt Whitman, Wallace Stevens, T. S. Eliot, Marianne Moore, Elizabeth Bishop, Jack Spicer, Robert Duncan, William Bronk, Gustaf Sobin, Rosmarie Waldrop, and Susan Howe. This comparative approach will also involve examinations of cultural and poetic theories pertinent to the life and work of each poet. Prerequisites: None Teaching Method: Method of Evaluation:
Course Number:
Texts bronk, william. Life Supports. Jersey City Talisman House Publishers,1997. 1883689597; $16.95. Donne, John. Devotions Upon Emergent Occasions.
http://www.du.edu/~showard/F02.4200.html

Extractions: How do you recognize a metaphysical poem or prose work when you see one? Is the basis of metaphysical imagery "delight in disorder," as Robert Herricks poetry suggests; or does a metaphysical poetics derive from "the most heterogeneous ideas . . . yoked by violence together," as Dr. Johnson argues? William Bronk, winner of the 1982 American Book Award for poetry, was recently described by David Biespiel as "arguably the most metaphysical poet of his generation." What does it mean to call a contemporary American poet metaphysical? Is there a tradition of Anglo-American metaphysical poetry? Was there ever an early modern English metaphysical tradition in the first place? This graduate course investigates metaphysical writing from Donne to Duncan and Browne to Bishop by moving through a series of critical and creative reflections. The seminar provides, first of all, a close and critical study of the poetry and prose of those seventeenth century English writers who, in the conventional literary sense of

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