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Beckett Samuel:     more books (100)

"En attendant Godot", "Fin de partie" de Samuel Beckett (Lectures d'une oeuvre) (French Edition) by Christine Lombez, 1998 The Collected Works of Samuel Beckett by Samuel Beckett, 1979 Samuel Beckett and the Problem of Irishness by Emilie Morin, 2009-11-15 The World of Samuel Beckett (Psychiatry and the Humanities) Poems in English by Samuel Beckett, 1976-06 Samuel Beckett (Overlook Illustrated Lives) by Gerry Dukes, 2005-02-01 Understanding Samuel Beckett (Understanding Modern European and Latin American Literature) by Alan Astro, 1990-06-01 Samuel Beckett the Critical Heritage (The Critical heritage series) The Plays of Samuel Beckett by Eugene Webb, 1974-04 Anatomie de Samuel Beckett (POLY - Zeitschriftenreihe der Eidgenössischen Technischen Hochschule Zürich) (French Edition) by EHRHARD, 1976-01-01 Paradox and Desire in Samuel Beckett's Fiction by David Watson, 1991-02 Samuel Beckett Eine Biographie by Deidre Bair, 1994 The Theatrical Notebooks of Samuel Beckett: Waiting for Godot v. 3 by Samuel Beckett, 1994-04-06 Shorter Plays, Volume 4: The Theatrical Notebooks of Samuel Beckett by Samuel Beckett, 1999-09

lists with details

121. Bohemian Ink : Act Of Creation In Beckett's Catastrophe
     Act of Creation in beckett s Catastrophe by Michael Guest (guest@ia.inf.shizuoka.ac.jp). Copyright © 1995 by Michael Guest. (Originally  
     http://www.levity.com/corduroy/beckettc.htm
     
     Extractions: Catastrophe , one of the last plays Beckett wrote, exemplifies the complex polysemy and overlaying of dramatic significance and texture that he achieved through his minimalist approach to theatre. The play is only four pages long and can be performed in twenty to thirty minutes at the outside, yet it generates a reflexivity that reaches to the essence of theatrical meaning-production, and elicits a powerful emotional response to its political themes. The play's dedication to Vaclav Havel - its occasion being Havel's Avignon benefit night - perhaps amplifies the play's uncharacteristically overt politics. [1] A reviewer saw the play as a "parody of agit prop plays as well as a statement of the similarity between a dictatorship . . . and the way in which a director treats his actors." Another thought she heard in the recorded applause at the end, "hoofbeats and the turning wheels of a tumbrel - but . . . maybe that was only an aural hallucination from my own spellbound imagination . . ." [2]

122. Beckett, Un écrivain Devant Dieu
     http://www.unice.fr/AGREGATION/becket.html

123. Citador:
     http://citador.weblog.com.pt/arquivo/cat_beckett_samuel.html
     
     Extractions: B eckett, Samuel Arquivo Home Citações Citários CitaLivre ... Leituras Citador .pt Blogue de Divulgação de Citações, Aforismos, Pensamentos e Opiniões Literárias do Site Citador.pt - Quem é que tu amas? - continuou Murphy. - Eu, tal como sou. Podes desejar o que não existe, não podes amá-lo. - Nada mal, para um Murphy. - Se assim é, por que diabo te esforças tanto para me modificar? Para poderes deixar de me amar - aqui, a voz subiu e atingiu uma nota bastante honrosa - para deixares de estar condenada a amar-me, para seres dispensada de me amar. Samuel Beckett, in "Murphy" Publicado por pns em 09:20 AM Comentários (5) TrackBack

124. Biblio Unnamable Redirect
     http://home.sprintmail.com/~lifeform/309_beckett.html

125. Fringeware Subculture Redirect
     http://home.sprintmail.com/~lifeform/Samuel_Beckett.html

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