Círculo De Hugo Van Der Goes Translate this page Círculo de hugo van der goes h. 1440 - 1482. http://www.cult.gva.es/mbav/data/es06047.htm
El Testigo Fiel - Galería De Arte Translate this page que Gante se gloría de haber sido la cuna del que ya se considera el mayor pintorde los Países Bajos de la segunda mitad del siglo XV hugo van der goes. http://www.eltestigofiel.com/galeria/galeria.php?autorid=7
Hugo Van Der Goes - Masters Of Painting Hospital of Santa Maria Nuova at Florence, founded by Folco Portinari, the fatherof Dante s Beatrice, is preserved a large altarpiece by hugo van der goes. http://www.oldandsold.com/articles08/painters-5.shtml
Extractions: Puvix De Chavannes ( Originally Published Early 1900's ) IN the Hospital of Santa Maria Nuova at Florence, founded by Folco Portinari, the father of Dante's Beatrice, is preserved a large altar-piece by Hugo Van der Goes. Tommaso Portinari, agent at Bruges for the house of the Medici and the most influential foreigner in that Flemish trading city, cherished a warm affection for his native Florence, and, among other generous acts, presented this votive picture to the hospital. It is in three sections, the central panel representing the adoration of the infant Christ by the Virgin Mary, Joseph, and three shepherds, and a numerous company of angels. The left wing of the picture shows the donor, behind whom are his two boys, with St. Anthony and St. Thomas ; and the right wing presents his wife and daughter with their patron saints, Margaret and Magdalen. Of all the works produced by this able but unfamiliar painter, the St. Maria Nuova altar-piece, which is mentioned by Vasari, is the only authenticated one remaining.
Hugo Van Der Goes Petrus Christus Jerome Bosch Translate this page personnelle. A Bruges il développe un style original mais sinspirede van Eyck à tel point quon a supposé quil fut son élève. http://perso.wanadoo.fr/delhistoiredelart/renaunord/d.htm
Hugo Van Der Goes - Sündenfall hugo van der goes - Sündenfall - 1470- Öl auf Holz. hugo van der goes - Sündenfall - 1470 - Öl auf Holz. http://www.foodnews.ch/allerlei/30_kultur/galerie/paradies/pages/Van_der_Goes_Su
TVM 1st Floor: 15th C Late Gothic - Hugo Van Der Goes Late Gothic. hugo van der goes. hugo van der goes. Born Ghent, about 1440 DiedRoode Kloster, near Brussels now Belgium; 1482. goes, van der The Fall of Man. http://www.tigtail.org/L_View/TVM/X1/d.Late Gothic/goes-van_der/goes_van_der.htm
WEIHNACHTEN Engel CHRISTMAS Angel X-mas Hugo Van Der Goes Translate this page Die Engel zum 24. Dezember hugo van der goes Portinari-Altar, Detail Engel. hugovan der goes Portinari-Altar, Gesamtansicht. 1476-1478, Holz, 253 × 141 cm. http://www.onlinekunst.de/engel/24_engel_bild.html
Weihnachtsbilder: Anbetung Der Hirten Von Hugo Van Der Goes Translate this page Bild hugo van der goes Anbetung (Ausschnitt) Gemäldegalerie Berlin hugo van dergoes wurde um 1440 geboren, er starb 1482 im Kloster Roodendale bei Brüssel. http://www.onlinekunst.de/weihnachten/adventskalender/12_adventskalender.html
Hugo Van Der Goes : Stilentwicklung Und Chronologie Translate this page hugo van der goes Stilentwicklung und Chronologie. Erstmals wird in einer reichbebilderten Studie das Werk des niederländischen Künstlers des 15. Jhs. http://www.art-service.de/article/hugo_van_der_goes_stilentwicklung_und_chronolo
Extractions: Erstmals wird in einer reich bebilderten Studie das Werk des niederländischen Künstlers des 15. Jhs. mit den neuesten gemäldetechnologischen Mitteln systematisch untersucht. Dadurch kann der Leser jeweils den Entstehungsprozeß "über die Schulter blickend" nachvollziehen. Text: J. Sander. 306 S., 114 Abb., 32 Farbtafeln, geb. Früher DM 140,. Katalogbuch Frankfurt, Weimar 94. Goethes fächerübergreifende Interessen, hier von Kunsthistorikern und Germanisten, Philosophen, Archäologen und Naturwissenschaftlern beleuchtet, ließen ihn zum Mittler unterschiedlicher Ideen werden. Die unterschiedlichen Aspekte werden belegt mit Werken von Raffael über C. Lorrain, Füssli, C. D. Friedrich bis zu Schinkel, Blechen und Turner. Weitere Themen: Goethes eigenes zeichnerisches Werk, Weimarer Kulturpolitik, das Ende der barocken Ikonographie, die Vision des Sturm und Drang, Lavaters physiognomische Studien, Römische Historienmalerei, die italienische Landschaft, u.s.w. Hrsg.: S. Schulze. 24,5 x 28,5 cm, 644 S., 606 Abb., davon 395 in Farbe, Ln. geb.
Calvary Triptych By GOES, Hugo Van Der Page of Calvary Triptych by goes, hugo van der in the Web Gallery of Art, a searchableimage collection and database of European paintings and sculptures (1150 http://gallery.euroweb.hu/html/g/goes/calvary/calvar.html
Extractions: Although his working life was very short - a mere fourteen years - it was long enough for Hugo van der Goes to establish himself as a major innovator with a powerful creative imagination. There are fifteen altarpieces and paintings by his hand that are known today. Amongst them is the Calvary Triptych, long attributed to Justus of Ghent (Joos van Wassenhove)). Most experts now agree that it must be the work of Van der Goes. The central panel of the triptych depicts Christ nailed to a tall cross, with the two thieves to either side of him, tied to their gibbets. They are surrounded by a crowd of figures and horsemen, and the city of Jerusalem is visible in the background. This panel is an impressive work of its own right, but the two panels to either side, which draw their subjects from the book of Exodus, are in many ways even finer. In the left wing, we see Moses beside a great rock that marks the limits of the foreground area. He is plunging a branch into the bitter waters of Marah to sweeten them, so that the Israelites could slake their thirst. Mothers are giving their children to drink, an old man holds out a bowl to his grandson, and another man is sipping the precious liquid from his cupped hand. The right wing depicts the episode of the brazen serpent. The people of Israel are marching through a steep-sided valley. Moses has climbed up onto a rocky promontory above them, his stick in one hand. There he complains to Jehovah that the people will not obey him any more, whereupon Jehovah turns his stick into a snake before the eyes of the astonished crowd. The people of Israel, saved by Moses, are used here to prefigure the destiny of the Christian Church, whose people have been saved by Christ.
Calvary Triptych (detail) By GOES, Hugo Van Der Page of Calvary Triptych (detail) by goes, hugo van der in the Web Gallery ofArt, a searchable image collection and database of European paintings and http://gallery.euroweb.hu/html/g/goes/calvary/calvar11.html
Extractions: In the left wing, we see Moses beside a great rock that marks the limits of the foreground area. He is plunging a branch into the bitter waters of Marah to sweeten them, so that the Israelites could slake their thirst. Mothers are giving their children to drink, an old man holds out a bowl to his grandson, and another man is sipping the precious liquid from his cupped hand. Previous Page Please send your comments , sign our guestbook and send a postcard
GOES, Hugo Van Der All else is science. (Bernard Berenson, 1897). goes, hugo van der. Flemishpainter (b. cca. 1436, Bruxelles, d. 1482, Bruxelles). Preview, http://keptar.demasz.hu/arthp/html/g/goes/
Blu & Web - Galleria D'ARTE-Hugo Van Der Goes Translate this page hugo van der goes 1420-1482. Esposto a Firenze, Galleria degli Uffizii GenereSoggetto Sacro Epoca Quattrocento Scuola Fiamminga Trittico Portinari. http://www.blunet.it/galleria/goes.htm
Bildinformation - Hugo Van Der Goes Anbetung der Hirten; Öl auf Holz; 1475/76; Florenz, Galleria degli Uffizi. http://www.uni-leipzig.de/ru/bilder/gebet/goest1.htm
Extractions: By Alphabet : Encyclopedia A-Z G Related Category: European Art To 1599, Biographies Hugo van der Goes [h OO O vAn der g OO s] Pronunciation Key , d.1482, Flemish painter. Probably born in Ghent, he was a member of the painters' guild there in 1467 and became dean of the guild in 1474, a year before his semiretirement to a monastery near Brussels. Early works, such as The Fall of Man (c.1468; Vienna), recall earlier Flemish art, such as that of the van Eycks and Justus of Ghent. The Monforte Altarpiece (c.1472; Berlin) reveals a classical sonority in color and serene figures. Later works, such as the great Portinari Altarpiece (c.1476; Uffizi), begin to show the tension and the dissonances in color and spatial arrangement that characterize his last works. His Death of the Virgin (c.1480; Bruges) is remarkable for the staring melancholy of the apostles' faces. Hugo suffered an attack of madness c.1481, which resulted in his death the following year. The ducal court and Italian and local merchants in Flanders admired his exquisite technique, powers of observation, and representation of human character, to be seen in his portraits at the Metropolitan Museum and Walters Art Gallery, Baltimore.
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Hugo Van Der Goes's Death Of The Virgin (Plate) hugo van der goes. The Death of the Virgin. c. 148 1. Panel, 57 3/4x47 5/8 in. Groeningemuseum, Bruges. Main Overview Victorian http://www.victorianweb.org/painting/whh/replete/P37.html
