UCLE: Ucle Page 15 While not dealing with the Tooth Fairy specifically, Victorian artist john anster fitzgerald (1823 1906) captured the imagery in his series of dreaming girl http://alt-usage-english.org/ucle/ucle15.html
Extractions: AUE home uk.culture.language.english Articles Sockdolager "...The thunder would go rumbling and grumbling away, and quit - and then rip comes another flash and another sockdolager..." (Mark Twain, Huckleberry Finn The word "sockdolager" appears to be a combination of two words: "sock", as in punch; and "doxology", a form of rhetorical praise ("doxa" comes from the Latin, "glory". A glorious knock-out punch! Round-Robin and John Hancock The "Round-robin" almost certainly comes from the French "ruban", a round ribbon, and tradition has it that its English usage in began in the British navy (although citations occur as early as the 16th century in other contexts). This was a way for British tars to sign a petition of grievances in such a way that they could not be identified as the instigator. A "round-robin" was signed in circular fashion, each signature beginning at the center of the circle and extending out to the radius of the circle. It is used in modern English to describe a competition where each of the entrants competes at least once with every other entrant.
:: Ez2Find :: F 3) Finnian of Moville (1) Firbank, Ronald (1) Firth, Colin (28) Firth, Peter (3) Fisher, Gregor (3) Fisher, john (6) fitzgerald, john anster (1) fitzgerald http://ez2find.com/cgi-bin/directory/meta/search.pl/Regional/Europe/United_Kingd
Extractions: Any Language English Afrikaans Arabic Bahasa Melayu Belarusian Bulgarian Catala Chinese Simplified Chinese Traditional Cymraeg Czech Dansk Deutsch Eesti Espanol Euskara Faroese Francais Frysk Galego Greek Hebrew Hrvatski Indonesia Islenska Italiano Japanese Korean Latvian Lietuviu Lingua Latina Magyar Netherlands Norsk Polska Portugues Romana Russian Shqip Slovensko Slovensky Srpski Suomi Svenska Thai Turkce Ukrainian Vietnamese Mode
Ilustrações: Fadas, Sereias E Outros Seres Mágicos Translate this page Luis Ricardo Falero A fada dos lírios. john anster fitzgerald The Marriage of Oberon and Titania (O casamento de Oberon e Titânia). john Simmons Titania. http://members.tripod.com/volobuef/page_maerchen_ilustracoes_diversos.htm
Extractions: FADAS Christensen: Waiting for Oberon (Esperando por Oberon) Frederick Howard Michael: Titania George Cruikshank: A Fairy Gathering Luis Ricardo Falero: John Anster Fitzgerald: The Marriage of Oberon and Titania John Simmons: Titania Joseph Noel Paton: The Quarrel of Oberon and Titania Arthur Rackham: Sea Maid (Donzela do mar) Avisse: Water Nymph David Delamare: Undine (Ondina) Edvard Munch - Edward Burn Jones: The Depths Of The Sea (As profundezas do oceano) Edward Dulac: The Mermaid (A sereia) Fred Appleyard - Pearls for Kisses Frederick Leighton: The Fisherman and the Syren (O pescador e a sereia) - 1858 Hardy: Little Mermaid (Sereiazinha) Herbert Draper: Ulysses and the Sirens (Ulisses e as sereias) Herouard: Mermaid (Sereia) Howard Pyle: The Mermaid (A sereia) - 1909 John William Waterhouse: A Mermaid (Uma sereia) John William Waterhouse: From the Sea (Proveniente do mar) John William Waterhouse: The Naiad Joseph N. Paton: Oberon and Mermaid (Oberon e uma sereia) Josephine Wall: Undine (Ondina) Julius Hubner: Fair Melusine (Formosa Melusine) Kirk Reinert: Rising to Greet the Dawn (Emergindo para saudar a aurora) Lloyd K. Townsend:
Netscape Search Category - Victorian Genres 1); Dadd, Richard @ (1); Doyle, Charles Altamont @ (1); Doyle, Richard @ (3); fitzgerald, john anster @ (1). Frampton, Edward Reginald http://207.200.81.7/Arts/Art_History/Movements/Victorian_Genres
Extractions: Autos Browser Central Computing Entertainment Games Health International Lifestyles Local Guide Music News Personal Finance Shopping Small Business Sports Travel Weather Home Arts Art History Movements Victorian Genres Business Games Health News Recreation Reference Regional Shopping Sports World Specialized Searches British Empire: Resources: Media: Punch Some examples of Victorian Punch magazine cartoons reflecting attitudes of the period Clare Family British Victorian artists who specialized in, and became famous for, their highly finished and precisely detailed fruit and flower paintings. The family consisted of George (1835 - 1900) and his sons Oliver (1853 - 1927) and Vincent (1855 - 1930).
Christopher Wood - Art Consultant & Historian represented, by Rossetti and BurneJones. There were also three fairy pictures by john anster fitzgerald. One of these, a watercolour, made http://www.christopherwoodgallery.com/pages/report.cfm?id=10
[UK Edition] - The Art Of Faery As a fan of the fairy art of Arthur Rackham, Edmund Dulac, john anster fitzgerald, john Noel Paton,etcthe greats of the late 19th and early 20th century-I http://books.reviewindex.co.uk/reviews_uk/1843400952.html
Extractions: The paintings themselves are exquisite.There is little cutsiness. Other than that, it is impossible to generalize.Some artists have been clearly influenced by Rackham, also by the contemporary Brian Froud-spot the gnarled mischievous faces peering out of greenery!-whilst other work puts me in mind of Sulamith Wulfing, John William Waterhouse, Aubrey Beardsley, even. Whilst some of these fairies are benign and lovely beings-lovely for all their warts and crinkles-others are mischievous, cheeky and clearly up to no good ! Amy Browns fairies are distinctly Gothic, whilst Hazel Brown-no relation-paints fairies who ressemble aliens,with thin bodies and cone-shaped heads. Myrea Pettit paints exquisite little fairies perched on toadstools or in the folds of a rose.I believe there is something here for everybody who has ever enjoyed pictures of fairies, or dreamt of fairies, or even met a fairy, as some of these artists have done.
Fairy115 Victorian Fairy Paintings / The Fairy s Funeral, john anster fitzgerald, 1864. http://www.denison.edu/art/fairy/pages/fairy115.html
Art Critic London john anster fitzgerald s The Artist s Dream, for example, could be seen as a druginduced reworking of Goya s The Sleep of Reason Produces Monsters. http://www.theartnewspaper.com/artcritic/level1/reviewarchive/1997/nov_19_1997_m
Extractions: Victorian paintings of spirits were more than a pretext for eroticism, says Richard Dorment Though many important 19th-century British artists worked in the curious genre of fairy painting, it is surprising how few first-rate paintings you find in the Royal Academy's exhibition Victorian Fairy Painting (until February 8). Even Ruskin admitted that Turner's magical landscape Queen Mab's Cave didn't quite come off. In depicting his sprites wafted along by the wind like a swarm of insects, Turner hints at a rational explanation for a supernatural phenomenon. He is vague when he should be specific, whimsical when the subject calls for absolute conviction. Like science fiction, the genre of fairy painting requires not only imagination but belief that such things are possible. To paint fairies you have to enter fairyland. And so the greatest fairy painter of all, Richard Dadd, was schizophrenic, confined to Bedlam for murdering his father. His Fairy Feller's Master Stroke mesmerises us because at some profound level Dadd "saw" the beings he was painting. The clarity and detail with which the tiny, unexpectedly scary figures are realised in paint underlines their existence for the artist. We viewers approach their hidden world at ground level, parting the tall grass in the foreground to peep at creatures who would vanish if they were to become aware of our presence. In front of Dadd's picture, we stand in spellbound silence - "fairy struck", like all mortals who stumble upon the elfin folk.
Art Critic London In fact the Chapmans are the descendants of Victorian fairy painters like Richard Doyle and john anster fitzgerald, and like them know that in the realms of http://www.theartnewspaper.com/artcritic/level1/reviewarchive/2001/sept_13_01_ma
Extractions: The scene is a dinner party in London and I've just received the opening volley in a ritual exchange I've come to think of as one of the occupational hazards of being an art critic. The beautiful person I 'm sitting next to has bluntly informed me that modern art is rubbish. We're only on the soup, and a long evening stretches ahead. Whether or not we round this dangerous corner depends on my neighbour's tone of voice, which can range from raw aggression to lively interest. If its confrontation she's after, the rule is: change the subject as fast as possible. If she's persists, the rule still is: don't go there. But if by now she's on to Tracey's knickers, then I've got a full blown case of modern art rage on my hands. This is terrifying and must be dealt with. First, a big smile to convey enthusiasm for hearing more about her views on art. So she's actually seen the art in Sensation/ Apocalypse/ the Saatchi Gallery/ the Turner Prize? This should be a killer blow - because invariably people who dismiss contemporary art out of hand have never looked at it. But surprisingly often, not having seen the work doesn't make the slightest dent in a cherished conviction that it is worthless. My only option, then, is strategic withdrawal. After a few seconds of meaningful silence, I raise both my hands and move them gently from left to right in what anthropologists call a 'backing off' gesture to indicate politely that further discussion will get us no where. We must agree to differ. With luck, we can move on to the infinitely safer ground of her children's rehab. Release, for both of us, will come with the next course.
Landowners Of Ireland 1876 Surname Index Annaly, unknown, Lord, 146, Limerick. anster, john, 146, Limerick. Aphjohn, Frances, 146, Limerick. fitzgerald, James, 148, Limerick. fitzgerald, john D. Hon. 148, Limerick. http://204.60.95.138/hayes1966/lo1876/limerick_i.htm
Extractions: Landowners of Ireland 1876 Surname Index Surname First name Title Page County Adams Henry Limerick Adams Richard W. Goold Limerick Adams Samuel H. Limerick Ahern Charles Limerick Ahern Timothy Limerick Aldworth Richard O. Limerick Allen unknown Mrs. Limerick Alley Anne Limerick Alleyn Elizabeth Limerick Alleyn George W. Limerick Ambrose Michael Limerick Ambrose Thomas Limerick Anderson William Limerick Annaly unknown Lord Limerick Anster John Limerick Aphjohn Frances Limerick Apjohn James Dr. Limerick Apjohn Michael M. Lloyd Limerick Apjohn unknown Mrs. Limerick Armstrong William Limerick Arthur David L. Limerick Ashbrook Viscount Limerick Ashtown unknown Lord Limerick Atkinson Edward Limerick Baggott John Limerick Bailey Charles Sexton Limerick Bailey Henry O. Limerick Baily unknown Mrs. Limerick Balfe Walter Capt. Limerick Barker William P. Limerick Barrington Croker Sir Limerick Barrington Daniel Reps. of (deceased) Limerick Barry Gerald Limerick Barry Hugh Smith Capt. Limerick Barry James G. Limerick Bateman Rowland Limerick Bateson George W. Limerick Bateson John Limerick Bateson Richard Col. Limerick Bateson Samuel S. Limerick Bateson Thomas Sir Limerick Bayly Richard Limerick Beary John Limerick Bennett George Limerick Bennett George L.
Karen Fox - Links David johnson s Celtic Fairies Irish Fairy Folk Jeremiah Curtain Tales of the Fairies and the Ghost World john anster fitzgerald - Fairies Lavendise - Land http://www.karenafox.com/links.htm
John Crowley's Books Trade Paperback. 538pp. £6.99. ISBN 185798-711-X. Cover by john anster fitzgerald Richard Carre. New York Harper Perennial. March 2002. Trade paperback. http://www.michaelscycles.freeserve.co.uk/crowl4.htm
Extractions: NOVELS The Deep Garden City: Doubleday. April 1975. First Edition, US Hardback. 180pp. $5.95. ISBN: 0-385-09098-6. Cover art by John Cayea. New York: Berkeley Medallion. July 1976. First paperback. 186pp. $1.50. ISBN: 0-425-03163-2. Cover art by Richard Powers. London: New English Library. February 1977. First UK, Hardback. 180pp. £2.95. ISBN 0-450-03069-5. Cover art by Wayne Anderson. London: New English Library. November 1977. First UK paperback. 180pp. 85pence. ISBN: 0-450-03353-8. Cover art by Joe Petagno. Gravenhage: Gradivus SF. 1980. As "De Diepte" . 247pp. ISBN 9063176228. Dutch Translation by Pon Ruiter. Munich: Heyne SF 3821. 1981. As "In der Tiefe". 191pp. DM 4.80. ISBN: 3-453-30723-2. German Translation by Irene Holicki. Cover art by Michael Pfeiffer. New York: Bantam. November 1983. US Paperback. 176pp. $2.50. ISBN: 0-553-23944-9. Cover art by Yvonne Gilbert. London: Unwin. Jul 1987. UK Paperback 176pp £2.50, ISBN: 0-04-823318-8 Paris: Payot et Rivages/SF #3. September 1999. As "L'abîme". First French. 192pp. ISBN:2-228-89244-0. French Translation by Monique Lebailly. Cover art by Jeff Rey.
News : Press Releases : Victorian Fairy Painting Opening Artists represented in the exhibition include such acknowledged masters of fairy painting as Richard Dadd, john anster fitzgerald, Daniel Maclise, and Sir http://www.frick.org/html/fairy2.htm
Extractions: Victorian Fairy Painting Opening at The Frick Collection, Brings New York Audiences an Unexpected Opportunity to Experience this Critically Acclaimed Exhibition October 14, 1998 through January 17, 1999 Attracting record crowds in British and American venues, the exhibition Victorian Fairy Painting comes to The Frick Collection, extending its tour and offering New York audiences an unexpected opportunity to view this unique presentation. Victorian Fairy Painting , on view October 14, 1998 through January 17, 1999, represents the first comprehensive exhibition ever devoted to this distinctly British genre, which was critically and commercially popular from the early nineteenth century through the beginning of World War I. The paintings, works on paper, and objects, approximately thirty four in number, have been selected by Edgar Munhall , Curator of The Frick Collection, from the original, larger touring exhibition, which was organized by the University of Iowa Museum of Art and the Royal Academy of Arts, London. Fairy painting brought together many opposing elements in the collective psyche and artistic sensibility of its time: rich subject-matter, an escape from the grim elements of an industrial society, an indulgence of new attitudes towards sex, a passion for the unknown, and a denial of the exactitude of photography. Drawing on literary inspiration from Shakespeares
Faerie Artists James Browne. Jacqueline CollenTarrolly. Sir Richard Dicksee. Richard Doyle. john anster fitzgerald. Brian Froud. Jessica Galbreth. Anne Geddes. Melissa Goese-Goble. http://www.cottingleyglen.com/faerie_artists.html
Extractions: There are a myriad of artists throughout the ages who have dared slip into the world of Faerie for a peek. Lucky for us they were able to return and share with us the wonders of the land of Elphame. Below is a list of some of the artists whose works I have loved, some are clickable links that will take you to the artist's website. You can also use the search box below to search the web for other artists. Cicely Mary Barker Jeffrey Bedrick Jacey Boutilier Amy Brown ... Jacqueline Collen-Tarrolly Sir Richard Dicksee Richard Doyle John Anster Fitzgerald Brian Froud Jessica Galbreth Anne Geddes Melissa Goese-Goble John Atkinson Grimshaw Beth Hansen Karen M. Haughey Edward Robert Hughes Kylie Ingold Stephanie Pui-Mun Law Alan Lee Myrea Pettit Natalia PierAndrei Ida Rentoul Outhwaite Sir Joseph Noel Paton Arthur Rackham Nemia Rucker Suza Scalora Lee Seed ... Mary Baxter St.Claire Margaret Tarrant Ruth Thompson Tim Thompson John William Waterhouse Kayti Welsh Meilin Wong Robin Wood Click here for a visual smorgasbord of imagery that will brighten your day!
