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Caravaggio: more books (100)

Painting in Naples, From Caravaggio to Giordano by Clovis and Jane Martineau Whitfield, 1982
Caravaggio e il suo tempo (Italian Edition) by Michelangelo Merisi da Caravaggio, 1985
Caravaggio: Painter Of Miracles (Eminent Lives series) by Francine Prose, 2005
Caravaggio by Boris von Brauchitsch, 2007-09-30
Das Vermächtnis des Caravaggio by Peter Dempf, 2002-09-01
Four Steps Toward Modern Art: Giorgione, Caravaggio, Manet, Cezanne (Bampton Lectures in America, No. 8) by Lionello Venturi, 1985-03-11
Caravaggio in Sicilia: Il suo tempo, il suo influsso : Siracusa-Museo regionale di Palazzo Bellomo, 10 dicembere 1984-28 febbraio 1985 (Italian Edition) by Michelangelo Merisi da Caravaggio, 1985
Caravaggio and the Antique by Avigdor W.G. Poseq, 1998-12-01
Caravaggio (Great Artists) by Francois Quiviger, Michelangelo Merisi Da Caravaggio, 1992-11
Caravaggio (Taschen Basic Art Series) (German Edition) by Gilles Lambert, 2000-11
CARAVAGGIO und die Niederländer. by Arthur von. Schneider, 1933
Caravaggios Flucht by Atle Naess, 2003-08-31
Il Cinquecento lombardo: Da Leonardo a Caravaggio
Caravaggio (Spanish Edition) by Helen Langdon, 2004-04

lists with details

Michelangelo Merisi - Wikipedia, The Free Encyclopedia
Art History at Loggia Exploring the Baroque Artist caravaggioExploring the Baroque artist caravaggio, with information about his paintings, and recommended art books. Portrait of the Artist caravaggio.
http://en.wikipedia.org/wiki/Michelangelo_Merisi

Extractions: Though these paintings were controversial in the church , the wealthy purchased them for their drama, their spectacular technical accomplishment, their startling originality, and even their homoeroticism. It would be hard to overestimate the impact that Caravaggio's innovations had upon painters of his generation and the generations that followed. A short list of artists who owe much to his stylistic breakthroughs would have to include La Tour, Ribera, Rubens Vermeer Rembrandt , and even Velazquez , who likely saw his work during his various sojourns in Italy. Contemporary painters like the Norwegian Odd Nerdrum and the Romanian Tibor Csernus make no secret of their attempts to emulate and update his work. Perhaps no single artist in the entire Western canon, outside of Giotto and Massacio, had so much influence beyond his time. NOTES ON THE PICTURE
Caravaggio
Narcissus, c15989, oil on canvas, Rome. caravaggio. Michelangelo da Merisi (1571-1610). 5. Some of the earliest existing secular works by caravaggio
http://www.students.sbc.edu/mckinney03/gmm/caravaggio.htm

Extractions: Narcissus , c1598-9, oil on canvas, Rome Caravaggio Michelangelo da Merisi (1571-1610) HIS SECULAR PAINTINGS By Gwen M McKinney presented 18 March 2003 Michelangelo da Merisi, commonly known as Caravaggio, was born to Fermo Merisi and his wife Lucia Aratori in September of 1571 in the town of Caravaggio. Fermo was the majordomo and architect of the Marchese di Caravaggio, Francesco Sforza. The town of Caravaggio was located in the northern region of Italy (Lombardy) near Milan and Venice. Caravaggio grew up during the early decades of the Counter-Reformation and this was to play an important role in his later paintings. Michelangelo's father, Fermo died in 1577 at the hand of the plague. Shortly thereafter, Caravaggio became apprenticed to the painter Simone Peterzano (1540-1596) of Milan, a student of Titian. Caravaggio apprenticed with Peterzano and during this time he learned the necessities to become a painter, including how to prepare colors, draw and paint, and learn anatomy and perspective. It is important to note that in the Lombardy region a naturalistic tendency in drawing and painting was prevalent. Helen Langdon suggests that a "study from nature" may have been a part of Caravaggio's training under Peterzano. After his time with Peterzano ended, around 1588, Caravaggio moved between Milan and Caravaggio. By 1592, he traveled away from his homeland, stopping in Venice, then Bologna and finally Rome. Caravaggio's early years in Rome were plagued by frustration and humiliation.
Caravaggio - Books On Baroque Masters
M The Man Who Became caravaggio by Peter Robb Sometimes known simply as M, caravaggio threw out Renaissance dogma to paint with dazzling originality and
http://www.dropbears.com/b/broughsbooks/art/caravaggio.htm

Extractions: Mieke Bal's primary object of investigation in Quoting Caravaggio is not the great seventeenth-century painter, but rather the issue of temporality in art. In order to retheorize linear notions of influence in cultural production, Bal analyzes the productive relationship between Caravaggio and a number of late-twentieth-century artists who "quote" the baroque master in their own works. These artists include Andres Serrano, Carrie Mae Weems, Ken Aptekar, David Reed, and Ana Mendieta, among others. Amazon.com
Caravaggio, Caravaggio Oil Paintings, Caravaggio Biography & Caravaggio Gallery
caravaggio 15731610 Originally named Michelangelo Merisi, caravaggio was born September 28, 1573, in the Lombardy hill town of caravaggio, as the son of a
http://www.huntfor.com/absoluteig/caravaggio.htm
MSN Encarta - Caravaggio
Sign in above. caravaggio. caravaggio (15731610), Italian baroque painter, who was the best exemplar of naturalistic painting in the early 17th century.
http://encarta.msn.com/encyclopedia_761555424/Caravaggio.html

Extractions: Subscription Article MSN Encarta Premium: Get this article, plus 60,000 other articles, an interactive atlas, dictionaries, thesaurus, articles from 100 leading magazines, homework tools, daily math help and more for $4.95/month or $29.95/year (plus applicable taxes.) Learn more. This article is exclusively available for MSN Encarta Premium Subscribers. Already a subscriber? Sign in above. Caravaggio Caravaggio (1573-1610), Italian baroque painter, who was the best exemplar of naturalistic painting in the early 17th century. His use of models from... Related Items artists influenced by Caravaggio chiaroscuro 21 items Multimedia 3 items Selected Web Links Caravaggio [Getty Explore Art] Caravaggio, Michelangelo Merisi da [WebMuseum, Paris] 4 items Want more Encarta? Become a subscriber today and gain access to: Daily Math Help Literature Guides Researcher Tools Paper-Writing Guides 60,000 + articles
Sala XII
Translate this page caravaggio, Deposizione dalla croce, inv. 40386. Domenichino, Comunione di S. Girolamo, inv. 40384. Guercino, S. Maria Maddalena penitente, inv. 40391.
http://mv.vatican.va/2_IT/pages/PIN/PIN_Sala12.html

Extractions: Musei Vaticani Online Pinacoteca Sala XII Caravaggio, Deposizione dalla croce , inv. 40386 Domenichino, Comunione di S. Girolamo , inv. 40384 Guercino, S. Maria Maddalena penitente, inv. 40391 Nicolas Poussin, Martirio di S. Erasmo , inv. 40394 Guido Reni, Crocefissione di S. Pietro , inv. 40387 Guido Reni, Madonna col Bambino e i SS. Tommaso e Girolamo (Pala Olivieri), inv. 40389 Guido Reni, S. Matteo e l'angelo, inv. 40395 Andrea Sacchi, Visione di S. Romualdo, inv. 40382 Andrea Sacchi, Messa di S. Gregorio, inv. 40760 Jean Valentin, Martirio dei SS. Processo e Martiniano , inv. 40381
Art And Optics : David G. Stork: Caravaggio
caravaggio s Supper at Emmaus (16012) Problems in refocusing, problems in the studio, problems with illumination. Supper at Emmaus caravaggio, ca. 1601-2.
http://webexhibits.org/hockneyoptics/post/stork3.html

Extractions: Jump to author New theories regarding opticality Opinions The hypothesis James Elkins Charles M. Falco and David Graves Walter Liedtke Philip Pearlstein Sidney Perkowitz Philip Steadman David G. Stork Christopher W. Tyler David Hockney In the press Bibliography van Eyck Lotto Caravaggio Optics Focal lengths Oil paint No documentation ... Summary Caravaggio figures prominently in Hockney's theory, yet this painting exposes numerous awkward implications of the theory related to refocusing, moving the canvas, and illumination. Supper at Emmaus Consider the first problem: refocusing. Hockney writes (p. 120): "Peter's right hand seems larger than his left, which is also nearer. These may be deliberate artistic decisions, or may be a consequence of movements of lens [concave mirror] and canvas when refocusing because of depth-of-field problems." For this large painting (141 x 196 cm), it turns out that the image of Peter's left hand is just about life size (17 cm from tip of baby finger to tip of index finger), and the image of Peter's right hand is larger than you would expect from the perspective (as Mr. Hockney points out), yet still slightly smaller than his left (by about 10% linear measure). The magnification M is the ratio of the sizes of the image to the object. In this case, then, the magnification for the left hand is M = 1.0 and for his right hand M = 0.9.
Frame Oeuvre + Cartel
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http://www.louvre.fr/francais/collec/peint/inv0054/peint_f.htm

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